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¿µ¾î°íÀü1,234 ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦9±Ç 1909~1912(English Classics1,234 The Collected Works of Ambrose Bierce, Vol

¿µ¾î°íÀü1,234 ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦9±Ç 1909~1912(English Classics1,234 The Collected Works of Ambrose Bierce, Vol

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¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý 1909~1912(The Collected Works of Ambrose Bierce by Ambrose Bierce)´Â Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)ÀÇ »ýÀü¿¡ Ãâ°£µÈ 12±Ç ºÐ·®ÀÇ ÀüÁý(The Collected Works of Ambrose Bierce)ÀÔ´Ï´Ù. ¢º ¹Ì±¹ ÃâÆÇ»ç ´Ò ÆÛºí¸®½Ì ÄÄÆÛ´Ï(Neale Publishing Company, 1894~1933)´Â 1909³âºÎÅÍ ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý(The Collected Works of Ambrose Bierce)À» ¹ßÇàÇϱ⠽ÃÀÛÇÏ¿´À¸¸ç, 3³â(1912)¸¸¿¡ 12ºÎÀÛÀ¸·Î ¿Ï°£ÇÏ¿´½À´Ï´Ù. ÀüÁýÀÇ Æ¯¼º»ó ±Ç¼ö³ª Ã¥ÀÇ ¸ñÂ÷ ¼ø¿¡ ±¸¾Ö¹ÞÀ¸½Ç ÇÊ¿ä¾øÀÌ, ¾îµð¼­ºÎÅÍ Àо ÁÁÀº ¡®¾Úºê·ÎÁî ºñ¾î½º ÀÛÇ°Áý¡¯À¸·Î ±ºÀÎÀÌÀÚ ÀÛ°¡·Î½á ÀüÀå°ú Ã¥»óÀ» ¿À°£ ¾Úºê·ÎÁî ºñ¾î½º¸¸ÀÇ µ¶Æ¯ÇÑ ¸Å·ÂÀ» ¿ÂÀüÇÏ°Ô Áñ±â½Ç ¼ö ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦9±Ç 1909~1912(The Collected Works of Ambrose Bierce, Volume 09 by Ambrose Bierce)´Â ù ¹ø° ¿¡¼¼ÀÌ ¿À´Â »ç¶÷ÀÇ ¸î °¡Áö ±ÃÇÌ(Some Privations of the Coming Man)ºÎÅÍ ¸¶Áö¸· ¿¡¼¼ÀÌ »ç¶÷ÀÇ ÄÚ°¡ ¼­±¸½Ä ³ëÃâµÇ´Â ÀÌÀ¯(Why the Human Nose has a Western Exposure)±îÁö ÃÑ 56ÆíÀÇ ´ÜÆíÀÌ ¼ö·ÏµÈ ¹Ì±¹½Ä ¿¡¼¼ÀÌ(American literature)ÀÇ Ç⿬ÀÌ ÆîÃÄÁý´Ï´Ù!

¢º ÃÑ 12±ÇÀÇ ÀüÁý Áß ÀÛ°¡ÀÇ ´ëÇ¥ÀÛÀ̶ó°í ÇÒ ¼ö ÀÖ´Â ¿Ã»©¹Ì ½Ã³Á¹° ´Ù¸®¿¡¼­ »ý±ä ÀÏ(An Occurrence at Owl Creek Bridge, 1890)ÀÌ ¼ö·ÏµÈ ±ºÀΰú ¹Î°£ÀÎ À̾߱â(Tales of Soldiers and Civilians, 1891)´Â Á¦2±Ç, ¾Ç¸¶ÀÇ »çÀü(The Devil's Dictionary, 1906)Àº Á¦7±Ç¿¡ ÇØ´çÇϸç, ±¸ÅÙº£¸£Å© ÇÁ·ÎÁ§Æ®(Project Gutenberg)¸¦ ±âÁØÀ¸·Î 12±ÇÀÇ ÀüÁý Áß Á¦1±ÇºÎÅÍ Á¦2±Ç, Á¦8±Ç, Á¦9±Ç, Á¦10±Ç, Á¦11±Ç, ±×¸®°í Á¦12±Ç±îÁö ÃÑ 7±ÇÀÌ °ø°³µÇ¾î ÀÖ½À´Ï´Ù.(2023³â ±âÁØ)

¢º SOME PRIVATIONS OF THE COMING MAN. With effacement of the sense of smell we shall doubtless lose the feature which serves as intake to what it feeds upon; and that will in many ways be an advantage. It will, for example, put a new difficulty in the way of that disagreeable person, the caricaturist?rather, it will shear him of much of his present power. The fellow never tires of furnishing forth the rest of us incredibly snouted in an infinite variety of wicked ways. When noses are no more, caricature will have stilled19 some of its thunder and we can all venture to be eminent. ¢¹ ´Ù°¡¿À´Â »ç¶÷ÀÇ ¸î °¡Áö »ç»ýÈ°(SOME PRIVATIONS OF THE COMING MAN). ÈÄ°¢ÀÌ »ç¶óÁö¸é ¿ì¸®´Â ÈÄ°¢ÀÌ ¸Ô´Â °ÍÀ» ¼·ÃëÇÏ´Â ±â´Éµµ ÀÒ°Ô µÉ °ÍÀÔ´Ï´Ù. ±×¸®°í ±×°ÍÀº ¿©·¯ ¸é¿¡¼­ ÀÌÁ¡ÀÌ µÉ °ÍÀÔ´Ï´Ù. ¿¹¸¦ µé¾î, ±×°ÍÀº ±× ºÒÄèÇÑ »ç¶÷, Áï dzÀÚ ¸¸È­°¡¿¡°Ô »õ·Î¿î ¾î·Á¿òÀ» ¾È°ÜÁÙ °ÍÀÔ´Ï´Ù. ¿ÀÈ÷·Á ÇöÀçÀÇ ÈûÀ» »ó´ç ºÎºÐ ¾Ñ¾Æ°¥ °ÍÀÔ´Ï´Ù. ±× Ä£±¸´Â ¹«ÇÑÈ÷ ´Ù¾çÇÑ »ç¾ÇÇÑ ¹æ½ÄÀ¸·Î ¹ÏÀ» ¼ö ¾øÀ» Á¤µµ·Î ÄÚ¸¦ Âô±×¸° ³ª¸ÓÁö ¿ì¸®¸¦ Á¦°øÇÏ´Â µ¥ ÁöÄ¡Áö ¾Ê½À´Ï´Ù. ÄÚ°¡ ´õ ÀÌ»ó Á¸ÀçÇÏÁö ¾ÊÀ¸¸é ij¸®Ä¿Ã³ÀÇ ÃµµÕ¼Ò¸®°¡ ¾î´À Á¤µµ ÀáÀáÇØÁú °ÍÀÌ¸ç ¿ì¸® ¸ðµÎ´Â ¸ðÇèÀ» ÅëÇØ À¯¸íÇØÁú ¼ö ÀÖ½À´Ï´Ù.

¢º DID WE EAT ONE ANOTHER? Man is naturally a carnivorous animal. That none but green-grocers will dispute. That he was formerly less vegetarian in his diet than at present, is clear from the fact that market gardening increases in the ratio of civilization. So we may safely assume that at some remote period Man subsisted on an exclusively flesh diet. Our uniform vanity has given us the human mind as the acme of intelligence, the human face and figure as the standard of beauty. Of course we cannot deny to human fat and lean an equal superiority over beef, mutton and pork. It is plain that our meat-eating ancestors would think in this way, and being unrestrained by the mawkish sentiment attendant on high civilization, would act habitually on the obvious suggestion. A priori, therefore, it is clear that we ate ourselves. ¢¹ Àηù´Â ¼­·Î ¸Ô¾ú´Â°¡?(DID WE EAT ONE ANOTHER?) Àΰ£Àº º»·¡ À°½Äµ¿¹°ÀÔ´Ï´Ù. û°ú¹° »óÀÎ ¿Ü¿¡´Â ´©±¸µµ ÀÌÀǸ¦ Á¦±âÇÏÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ÀÌÀü¿¡ ±×°¡ Áö±Ýº¸´Ù ä½ÄÀ» ´ú Çß´Ù´Â °ÍÀº ½ÃÀå Á¤¿ø °¡²Ù±â°¡ ¹®¸íÈ­ ºñÀ²À» Áõ°¡½ÃŲ´Ù´Â »ç½Ç¿¡¼­ ºÐ¸íÇØÁý´Ï´Ù. ±×·¯¹Ç·Î ¿ì¸®´Â ¸Õ ¿¾³¯¿¡ Àΰ£ÀÌ ¿À·ÎÁö À°½Ä¸¸À» ÇÏ¸ç »ì¾Ò´Ù°í ¾ÈÀüÇÏ°Ô ÃßÃøÇÒ ¼ö ÀÖ½À´Ï´Ù. ¿ì¸®ÀÇ È¹ÀÏÀûÀÎ Ç㿵½ÉÀº Àΰ£ÀÇ ¸¶À½À» Áö¼ºÀÇ Á¤Á¡À¸·Î, Àΰ£ÀÇ ¾ó±¼°ú ¸ð½ÀÀ» ¾Æ¸§´Ù¿òÀÇ Ç¥ÁØÀ¸·Î ¸¸µé¾ú½À´Ï´Ù. ¹°·Ð ¿ì¸®´Â Àΰ£ÀÇ Áö¹æÀ» ºÎÁ¤ÇÒ ¼ö ¾øÀ¸¸ç ¼è°í±â, ¾ç°í±â, µÅÁö°í±âº¸´Ù ¿ì¿ùÇÏ´Ù°í ¸»ÇÒ ¼ö ¾ø½À´Ï´Ù. ¿ì¸®ÀÇ À°½ÄÀ» ¸Ô´ø Á¶»óµéÀº ÀÌ·± ½ÄÀ¸·Î »ý°¢ÇßÀ» °ÍÀÌ°í, ³ôÀº ¹®¸í¿¡ ¼ö¹ÝµÇ´Â ¾î»öÇÑ °¨Á¤¿¡ ¾ô¸ÅÀÌÁö ¾Ê°í ½À°üÀûÀ¸·Î ±× ¸í¹éÇÑ Á¦¾È¿¡ µû¶ó ÇൿÇßÀ» °ÍÀÌ ºÐ¸íÇÕ´Ï´Ù. ±×·¯¹Ç·Î ¼±ÇèÀûÀ¸·Î ¿ì¸®°¡ ½º½º·Î ¸Ô¾ú´Ù´Â °ÍÀÌ ºÐ¸íÇÕ´Ï´Ù.

¢º ON THE USES OF EUTHANASIA. Pain is cruel, death is merciful. Prolongation of a mortal agony is hardly less barbarous than its infliction. Who when sane in mind and body would not choose to guard himself against a futile suffering by an assurance of accelerated release? Every memory328 is charged with instances, observed or related, of piteous appeals for death from the white lips of agony, yet how rarely can these formulate the prayer! ¢¹ ¾È¶ô»çÀÇ ÀÌ¿ë¿¡ °üÇÏ¿©(ON THE USES OF EUTHANASIA). °íÅëÀº ÀÜÀÎÇÏ°í Á×À½Àº ÀÚºñ·Ó´Ù. ÇʸêÀÇ °íÅëÀ» ¿¬ÀåÇÏ´Â °ÍÀº ±× °íÅ뺸´Ù ´ú ¾ß¸¸ÀûÀÔ´Ï´Ù. ¸ö°ú ¸¶À½ÀÌ ¿ÂÀüÇÒ ¶§, ºü¸¥ ÇعæÀ» º¸ÀåÇÔÀ¸·Î½á ¾µµ¥¾ø´Â °íÅëÀ¸·ÎºÎÅÍ ÀÚ½ÅÀ» º¸È£Çϱâ·Î ¼±ÅÃÇÏÁö ¾ÊÀ» »ç¶÷ÀÌ ´©°¡ ÀÖ°Ú½À´Ï±î? ¸ðµç ±â¾ïÀº °í³úÀÇ ÇϾá ÀÔ¼ú¿¡¼­ Á×À½À» ¾ÖŸ°Ô È£¼ÒÇÏ´Â »ç·Ê·Î °¡µæ Â÷ ÀÖ½À´Ï´Ù. ±×·¯³ª ÀÌ°ÍÀÌ ±âµµ¸¦ °ø½ÄÈ­ÇÏ´Â °æ¿ì´Â ¾ó¸¶³ª µå¹´´Ï´Ù!

¢º THE JEW. But domestic infelicity is not the evil that the learned doctor has in apprehension: what he fears is nothing less momentous than the extinction of Judaism! On consideration it appears not unlikely that in a general blending of races that result would ensue. But what then??will the hand of some great anarch let the curtain fall and universal darkness cover all? Will the passing of Judaism be attended with such discomfortable befallings as the wreck of matter and the crush of worlds? ¢¹ À¯´ëÀÎ(THE JEW). ±×·¯³ª °¡Á¤ÀÇ ºÒÇàÀº ÇÐ½Ä ÀÖ´Â Àǻ簡 µÎ·Á¿öÇÏ´Â ¾ÇÀÌ ¾Æ´Õ´Ï´Ù. ±×°¡ µÎ·Á¿öÇÏ´Â °ÍÀº À¯´ë±³ÀÇ ¸ê¸Á¸¸Å­À̳ª Áß´ëÇÑ °ÍÀÔ´Ï´Ù! °í·ÁÇغ¸¸é ÀÎÁ¾ÀÇ ÀϹÝÀûÀΠȥÇÕ¿¡¼­ °á°ú°¡ ³ª¿Ã °¡´É¼ºÀº °ÅÀÇ ¾ø¾î º¸ÀÔ´Ï´Ù. ±×·¯³ª ±×·¯¸é ¾î¶»°Ô µÉ±î¿ä? ¾î¶² À§´ëÇÑ ¹«Á¤ºÎÁÖÀÇ ¼ÕÀÌ ¸·ÀÌ ³»¸®°í ¿ìÁÖÀÇ ¾îµÒÀÌ ¸ðµç °ÍÀ» µ¤°Ô ÇÒ °ÍÀԴϱî? À¯´ë±³°¡ ¸ê¸ÁÇÏ¸é ¹°ÁúÀÇ Æĸê°ú ¼¼°èÀÇ ºØ±«¿Í °°Àº ºÒÆíÇÑ ÀÏÀÌ µÚµû¸¦ °ÍÀԴϱî?