ÄÜÅÙÃ÷ »ó¼¼º¸±â
¿µ¾î°íÀü1,236 ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦11±Ç 1909~1912(English Classics1,236 The Collected Works of Ambrose Bierce, Vo


¿µ¾î°íÀü1,236 ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦11±Ç 1909~1912(English Classics1,236 The Collected Works of Ambrose Bierce, Vo

¿µ¾î°íÀü1,236 ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦11±Ç 1909~1912(English Classics1,236 The Collected Works of Ambrose Bierce, Vo

<¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce>,< 1842~1914?)> Àú | Å׸¶¿©Çà½Å¹® TTN Theme Travel News Korea

Ãâ°£ÀÏ
2023-11-13
ÆÄÀÏÆ÷¸Ë
ePub
¿ë·®
22 M
Áö¿ø±â±â
PC½º¸¶Æ®ÆùÅÂºí¸´PC
ÇöȲ
½Åû °Ç¼ö : 0 °Ç
°£·« ½Åû ¸Þ¼¼Áö
ÄÜÅÙÃ÷ ¼Ò°³
ÇÑÁÙ¼­Æò

ÄÜÅÙÃ÷ ¼Ò°³

¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý 1909~1912(The Collected Works of Ambrose Bierce by Ambrose Bierce)´Â Àΰ£ º»¼º¿¡ ´ëÇÑ ³Ã¼ÒÀûÀΠŵµ·Î ¾²¶ó¸° ºñ¾î½º(Bitter Bierce)¶ó°í ºÒ¸° 19¼¼±â ¹Ì±¹ ÀÛ°¡ ¾Úºê·ÎÁî ºñ¾î½º(Ambrose Bierce, 1842~1914?)ÀÇ »ýÀü¿¡ Ãâ°£µÈ 12±Ç ºÐ·®ÀÇ ÀüÁý(The Collected Works of Ambrose Bierce)ÀÔ´Ï´Ù. ¢º ¹Ì±¹ ÃâÆÇ»ç ´Ò ÆÛºí¸®½Ì ÄÄÆÛ´Ï(Neale Publishing Company, 1894~1933)´Â 1909³âºÎÅÍ ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý(The Collected Works of Ambrose Bierce)À» ¹ßÇàÇϱ⠽ÃÀÛÇÏ¿´À¸¸ç, 3³â(1912)¸¸¿¡ 12ºÎÀÛÀ¸·Î ¿Ï°£ÇÏ¿´½À´Ï´Ù. ÀüÁýÀÇ Æ¯¼º»ó ±Ç¼ö³ª Ã¥ÀÇ ¸ñÂ÷ ¼ø¿¡ ±¸¾Ö¹ÞÀ¸½Ç ÇÊ¿ä¾øÀÌ, ¾îµð¼­ºÎÅÍ Àо ÁÁÀº ¡®¾Úºê·ÎÁî ºñ¾î½º ÀÛÇ°Áý¡¯À¸·Î ±ºÀÎÀÌÀÚ ÀÛ°¡·Î½á ÀüÀå°ú Ã¥»óÀ» ¿À°£ ¾Úºê·ÎÁî ºñ¾î½º¸¸ÀÇ µ¶Æ¯ÇÑ ¸Å·ÂÀ» ¿ÂÀüÇÏ°Ô Áñ±â½Ç ¼ö ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¾Úºê·ÎÁî ºñ¾î½º ÀüÁý Á¦11±Ç 1909~1912(English Classics1,226 The Collected Works of Ambrose Bierce, Volume 11 by Ambrose Bierce)´Â ±âÁ¸¿¡ ´ÜÇົÀ¸·Î Ãâ°£µÈ ¹Ù ÀÖ´Â ´ÙÀ̾ó À§ÀÇ ±×¸²ÀÚ¿Í ´Ù¸¥ ¿¡¼¼ÀÌ 1909(The Shadow On The Dial, and Other Essays by Ambrose Bierce)¿Í »ó´çºÎºÐ ÁßøµÇ´Â ÀÛÇ°ÁýÀ¸·Î, ´ÙÀ̾ó À§ÀÇ ±×¸²ÀÚ 1909(The Shadow On The Dial)ºÎÅÍ ¸ÁÀÚÀÇ ¾ß¿µ 1903(A Bivouac of the Dead)±îÁö ÃÑ 40ÆíÀÇ ¼öÇÊ(American Essays)°ú ½Ã(Poets) µî ´Ù¾çÇÑ À帣ÀÇ ÀÛÇ°À» Æ÷°ýÇÏ°í ÀÖ½À´Ï´Ù. ´Ü ±âȸ(Opportunity), °³¿¡ °üÇÑ ³í¹®(A Dissertation On Dogs), ÀÚ½ÅÀ» ¹þÀ» ±Ç¸®(The Right To Take Oneself Off) ¼¼ ÀÛÇ°Àº ÀüÁý¿¡ Æ÷ÇÔµÇÁö ¾Ê¾ÒÀ¸¸ç, ±âÁ¸ ´ÜÇົ¿¡ Æ÷ÇÔµÇÁö ¾ÊÀº 24ÆíÀÇ ÀÛÇ°ÀÌ ÀüÁý¿¡ »õ·Ó°Ô Æ÷ÇԵǾú½À´Ï´Ù.

¢º ÃÑ 12±ÇÀÇ ÀüÁý Áß ÀÛ°¡ÀÇ ´ëÇ¥ÀÛÀ̶ó°í ÇÒ ¼ö ÀÖ´Â ¿Ã»©¹Ì ½Ã³Á¹° ´Ù¸®¿¡¼­ »ý±ä ÀÏ(An Occurrence at Owl Creek Bridge, 1890)ÀÌ ¼ö·ÏµÈ ±ºÀΰú ¹Î°£ÀÎ À̾߱â(Tales of Soldiers and Civilians, 1891)´Â Á¦2±Ç, ¾Ç¸¶ÀÇ »çÀü(The Devil's Dictionary, 1906)Àº Á¦7±Ç¿¡ ÇØ´çÇϸç, ±¸ÅÙº£¸£Å© ÇÁ·ÎÁ§Æ®(Project Gutenberg)¸¦ ±âÁØÀ¸·Î 12±ÇÀÇ ÀüÁý Áß Á¦1±ÇºÎÅÍ Á¦2±Ç, Á¦8±Ç, Á¦9±Ç, Á¦10±Ç, Á¦11±Ç, ±×¸®°í Á¦12±Ç±îÁö ÃÑ 7±ÇÀÌ °ø°³µÇ¾î ÀÖ½À´Ï´Ù.(2023³â ±âÁØ)

¢º PUBLISHERS¡¯ NOTE. The greater part of the contents of this volume is published in admirable form by A. M. Robertson, of San Francisco, with the title The Shadow on the Dial and Other Essays. When the prospectus of Mr. Bierce¡¯s Collected Works was issued by our house in 1908 no allowance was made for this matter, but through the generosity of Mr. Robertson, and of Mr. S. O. Howes, the book¡¯s compiler and editor, we are now able to include it in our scheme, with revisions and additions by the author. For this courtesy we are greatly indebted to Messrs. Robertson and Howes. The Neale Publishing Company. April, 1912. ¢¹ ÃâÆÇ»ç ³ëÆ®(PUBLISHERS¡¯ NOTE). ÀÌ Ã¥ÀÇ ³»¿ë ´ëºÎºÐÀº »÷ÇÁ¶õ½Ã½ºÄÚÀÇ A. M. ·Î¹öÆ®½¼(A. M. Robertson)¿¡ ÀÇÇØ ´ÙÀ̾ó À§ÀÇ ±×¸²ÀÚ¿Í ´Ù¸¥ ¿¡¼¼ÀÌ 1909(The Shadow on the Dial and Other Essays)¶ó´Â Á¦¸ñÀ¸·Î ÈǸ¢ÇÑ Çü½ÄÀ¸·Î ÃâÆǵǾú½À´Ï´Ù. 1908³â¿¡ ¿ì¸® Áý¿¡¼­ ºñ¾î½º ¾¾ÀÇ ÀüÁý ¾È³»¼­°¡ ¹ßÇàµÇ¾úÀ» ¶§ ÀÌ ¹®Á¦¿¡ ´ëÇؼ­´Â ¾Æ¹«·± °í·Áµµ ¾ø¾ú½À´Ï´Ù. ±×·¯³ª ·Î¹öÆ®½¼ ¾¾¿Í ÀÌ Ã¥ÀÇ ÆíÂùÀÚÀÌÀÚ ÆíÁýÀÚÀÎ S. O. ÇÏ¿ìÁî(S. O. Howes) ¾¾ÀÇ °ü´ëÇÔÀ» ÅëÇØ ¿ì¸®´Â ÀÌÁ¦ ÀÌ ¹®Á¦¸¦ ÇØ°áÇÒ ¼ö ÀÖ°Ô µÇ¾ú½À´Ï´Ù. ÀúÀÚ°¡ ¼öÁ¤ÇÏ°í Ãß°¡ÇÏ¿© ¿ì¸® °èȹ¿¡ Æ÷ÇÔ½ÃÄ×½À´Ï´Ù. ÀÌ·¯ÇÑ ¿¹ÀÇ¿¡ ´ëÇØ ¿ì¸®´Â ·Î¹öÆ®½¼ ¾¾¿Í ÇÏ¿ìÁî ¾¾¿¡°Ô Å« ºúÀ» Áö°í ÀÖ½À´Ï´Ù. ´Ò ÆÛºí¸®½Ì ÄÄÆÛ´Ï. 1912³â 4¿ù.

¢º A POSSIBLE BENEFACTOR. FROM Paris comes the terrible news that M. Verneuil, a chemist, has succeeded in making rubies at no considerable cost. This will doubtless prove a sharp affliction to many persons addicted to display of rubies on their surfaces, as well as to some who have them under lock and key for sale to the others; for of course the value of the natural stones must eventually fall to that of the artificial, if the two kinds are identical in composition, hardness and color. Rubies will perhaps go out of use altogether, for gems accessible to the poor are worthless to the rich, and gems worthless to the rich are not wanted by the poor. The beauty of the ruby will remain, but so will human nature. ¢¹ ÀáÀçÀûÀÎ ÈÄ¿øÀÚ(A POSSIBLE BENEFACTOR). Æĸ®¿¡¼­ È­ÇÐÀÚÀÎ M. º£¸£´©ÀÌ(M. Verneuil)°¡ »ó´çÇÑ ºñ¿ëÀ» µéÀÌÁö ¾Ê°í ·çºñ¸¦ ¸¸µå´Â µ¥ ¼º°øÇß´Ù´Â ²ûÂïÇÑ ¼Ò½ÄÀÌ ÀüÇØÁ³½À´Ï´Ù. ÀÌ°ÍÀº ÀǽÉÇÒ ¹Ù ¾øÀÌ Ç¥¸é¿¡ ·çºñ¸¦ Àü½ÃÇÏ´Â °Í¿¡ Áßµ¶µÈ ¸¹Àº »ç¶÷µé»Ó¸¸ ¾Æ´Ï¶ó ´Ù¸¥ »ç¶÷µé¿¡°Ô ÆǸÅÇϱâ À§ÇØ ·çºñ¸¦ ÀÚ¹°¼è¿Í ¿­¼è·Î Àá±×°í ÀÖ´Â ÀϺΠ»ç¶÷µé¿¡°Ô ½É°¢ÇÑ °íÅëÀ» ¾È°ÜÁÙ °ÍÀÔ´Ï´Ù. ¹°·Ð µÎ Á¾·ùÀÇ ±¸¼º, °æµµ, »ö»óÀÌ µ¿ÀÏÇÏ´Ù¸é ÀÚ¿¬¼®ÀÇ °¡Ä¡´Â °á±¹ Àΰø¼®ÀÇ °¡Ä¡·Î ¶³¾îÁú ¼ö¹Û¿¡ ¾ø½À´Ï´Ù. ·çºñ´Â ¾Æ¸¶µµ ¿ÏÀüÈ÷ ¾µ¸ð¾ø°Ô µÉ °ÍÀÔ´Ï´Ù. ¿Ö³ÄÇÏ¸é °¡³­ÇÑ »ç¶÷µéÀÌ Á¢±ÙÇÒ ¼ö ÀÖ´Â º¸¼®Àº ºÎÀÚ¿¡°Ô´Â ¾µ¸ð°¡ ¾ø°í, ºÎÀÚ¿¡°Ô ¾µ¸ð¾ø´Â º¸¼®Àº °¡³­ÇÑ »ç¶÷µéÀÌ ¿øÇÏÁö ¾Ê±â ¶§¹®ÀÔ´Ï´Ù. ·çºñÀÇ ¾Æ¸§´Ù¿òÀº ±×´ë·Î À¯ÁöµÇÁö¸¸ Àΰ£ÀÇ º»¼ºµµ ±×´ë·Î À¯ÁöµË´Ï´Ù.

¢º A BIVOUAC OF THE DEAD. AWAY up in the heart of the Allegheny mountains, in Pocahontas county, West Virginia, is a beautiful little valley through which flows the east fork of the Greenbrier river. At a point where the valley road intersects the old Staunton and Parkersburg turnpike, a famous thoroughfare in its day, is a post office in a farm house. The name of the place is Travelers¡¯ Repose, for it was once a tavern. Crowning some low hills within a stone¡¯s throw of the house are long lines of old Confederate fortifications, skilfully designed and so well ¡°preserved¡± that an hour¡¯s work by a brigade would put them into serviceable shape for the next civil war. This place had its battle?what was called a battle in the ¡°green and salad days¡± of the great rebellion. ¢¹ Á×Àº ÀÚÀÇ ¾ß¿µÁö(A BIVOUAC OF THE DEAD). ¿þ½ºÆ®¹öÁö´Ï¾Æ ÁÖ Æ÷īȥŸ½º Ä«¿îƼÀÇ ¾Ù·¯°Ô´Ï »ê¸Æ Á߽ɺο¡´Â ±×¸°ºê¸®¾î °­ÀÇ µ¿ÂÊ Áö·ù°¡ È帣´Â ¾Æ¸§´Ù¿î ÀÛÀº °è°îÀÌ ÀÖ½À´Ï´Ù. °è°î µµ·Î°¡ ´ç½Ã À¯¸íÇÑ µµ·Î¿´´ø ¿À·¡µÈ ½ºÅÏÅÏ(Staunton)°ú ÆÄÄ¿½º¹ö±×(Parkersburg) À¯·á µµ·Î¿Í ±³Â÷ÇÏ´Â ÁöÁ¡¿¡ ³ó°¡ÀÇ ¿ìü±¹ÀÌ ÀÖ½À´Ï´Ù. ÇѶ§ ¼±¼úÁýÀ̾ú´ø °÷À̶ó À̸§Àº ¿©ÇàÀÚÀÇ ¾È½Äó´Ù. Áý¿¡¼­ ¹Ù·Î ´êÀ» ¼ö ÀÖ´Â ³·Àº ¾ð´ö¿¡´Â ¿À·¡µÈ ³²ºÎ±ºÀÇ ¿ä»õ°¡ ±æ°Ô ´Ã¾î¼­ ÀÖ½À´Ï´Ù. ´É¼÷ÇÏ°Ô ¼³°èµÇ¾úÀ¸¸ç ³Ê¹« Àß "º¸Á¸"µÇ¾î ¿©´ÜÀÌ ÇÑ ½Ã°£¸¸ ÀÛ¾÷ÇÏ¸é ´ÙÀ½ ³»Àü¿¡ »ç¿ëÇÒ ¼ö ÀÖ´Â ÇüÅ·Π¸¸µé ¼ö ÀÖ½À´Ï´Ù. ÀÌ°÷¿¡¼­´Â ÀüÅõ°¡ ¹ú¾îÁ³½À´Ï´Ù. ´ë¹Ý¶õÀÇ "±×¸° ¾Ø »ø·¯µå µ¥ÀÌ(Green and Salad Days)" ÀüÅõ¶ó°í ºÒ¸®´Â ÀüÅõ¿´½À´Ï´Ù.