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2024-01-02
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¾Æ³îµå º£³Ý(Arnold Bennett)Àº ¿µ±¹ÀÇ ¼Ò¼³°¡ ¹× ÀÛ°¡·Î Àß ¾Ë·ÁÁø Àι°ÀÌ´Ù. ±×´Â 19¼¼±â ¸»°ú 20¼¼±â ÃÊ¿¡ È°µ¿ÇÑ ÀÛ°¡·Î, ±×ÀÇ ÀÛÇ°Àº ÁÖ·Î ½ºÅÂÆ÷µå¼Å Áö¿ªÀ» ¹è°æÀ¸·Î ÇÑ °ÍÀ¸·Î À¯¸íÇÏ´Ù. ±×ÀÇ ´ëÇ¥ÀÛ Áß Çϳª´Â "Clayhanger"¶ó´Â ¼Ò¼³·Î, ÀÌ ÀÛÇ°Àº ±×ÀÇ ÀÛ°¡ °æ·ÂÀÇ Ãʱ⿡ Ãâ°£µÇ¾ú´Ù. ¶ÇÇÑ "Anna of the Five Towns," "The Old Wives' Tale," ±×¸®°í "Riceyman Steps"¿Í °°Àº ´Ù¸¥ ¼Ò¼³µéµµ ±×ÀÇ ´ëÇ¥ÀÛ Áß Çϳª´Ù.
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¡°The Great Adventure: A Fantasy in Four Acts¡± is a play by Arnold Bennett first published in 1913. It is a comedy about an artist who fakes his own death to escape the pressures of his fame. The play was adapted into a film starring Lionel Barrymore in 1921.
Arnold Bennett is a well-known British novelist and writer. He was a writer active in the late 19th and early 20th centuries, and is famous for his works mainly set in the Staffordshire region. One of his representative works is the novel ¡°Clayhanger,¡± which was published early in his writing career. Other novels such as "Anna of the Five Towns," "The Old Wives' Tale," and "Riceyman Steps" are also among his representative works.
Arnold Bennett is famous for his realist novels that deal with everyday life and everyday events. His works are important historical materials that reflect British society and culture at the time, and his literary style is evaluated as a harmonious combination of realism and stylistic richness. there is.

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126 Redcliffe GardensÀÇ 1Ãþ¿¡ ÀÖ´Â ÇÁ·ÐÆ® ·ë. °¡±¸°¡ dzºÎÇÏÁö¸¸ ±¸½Ä ¹æ½ÄÀ¸·Î ²Ù¸çÁø ¾ÆÆÄÆ®ÀÔ´Ï´Ù. ÁÁÀº »çÁø. ´ëÇü °¡±¸. Áß¾Ó ±Ùó¿¡ ¼ÒÆÄ°¡ ÀÖ½À´Ï´Ù. ¹æÄ¡µÇ°í ¸ÕÁö°¡ °¡µæÇÑ ÀϹÝÀûÀÎ °ø±â. Ä«ÆêÀÌ ¹ÝÂë ±ò·Á ÀÖ½À´Ï´Ù. ±¸¼®¿¡ ³Î·Á ÀÖ´Â Æ®··Å©¿Í °¡¹æ, ÀϺδ ¿­·È½À´Ï´Ù. ³²¼ºº¹ÀÌ ³ëÃâµÆ´Ù. Mantelpiece, R.ÀÌ ¹«Áú¼­ÇÕ´Ï´Ù. µÞ¹®¿¡´Â ´Ù¸¥ ¹æÀ¸·Î À̾îÁö´Â ÀÌÁß ¹®(¿­·Á ÀÖÀ½)ÀÌ ÀÖ½À´Ï´Ù. ¹®, L., Ȧ°ú Çö°ü¹®À¸·Î ¿¬°áµË´Ï´Ù.

Summary
Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room. Door, L., leading to hall and front door.