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1957³â¿¡ ÃâÆÇµÈ ·Î¹öÆ® ½Ç¹ö¹ö±×(Robert Silverberg)ÀÇ "Áö¹èÀÚÀÇ ¾öÁö¼Õ°¡¶ô(The Overlord's Thumb)"Àº ¿ì¸®¸¦ ¿Ü°è Ç༺ ¸¶Å²(Markin)À¸·ÎÀÇ »ý°¢À» ÀÚ±ØÇÏ´Â ¿©ÇàÀ¸·Î ¾È³»ÇÏ´Â SF ´ÜÆí ¼Ò¼³ÀÌ´Ù. ½º¸± ³ÑÄ¡´Â À̾߱⸦ ÅëÇØ ¹®ÈÀû ¿ÀÇØ, Á¾±³Àû °¥µî, ½Ä¹ÎÁÖÀÇÀÇ °á°ú¿¡ ´ëÇÑ ÁÖÁ¦¸¦ ´Ù·ç°í ÀÖ´Ù.
"The Overlord's Thumb"Àº ¿À´Ã³¯¿¡µµ ¿©ÀüÈ÷ °ü·Ã¼ºÀÌ ÀÖ´Â ½Ã´ë¸¦ ÃÊ¿ùÇÑ À̾߱â´Ù. ÀÌ´Â ¿ì¸®¿¡°Ô ¹®ÈÀû ¹Î°¨¼ºÀÇ Á߿伺, ¿ÀÇØÀÇ À§Çè, ´Ù¾çÇÑ »ý¸íü·Î °¡µæ Âù ¿ìÁÖ¿¡¼ ÆòÈ·Î¿î °øÁ¸ÀÇ °¡´É¼ºÀ» °í·ÁÇϵµ·Ï ÀÚ±ØÀ» ÁØ´Ù.
"The Overlord's Thumb" by Robert Silverberg, published in 1957, is a science fiction short story that takes us on a thought-provoking journey to the alien planet Markin. The thrilling story addresses themes of cultural misunderstanding, religious conflict, and the consequences of colonialism.
¡°The Overlord¡¯s Thumb¡± is a timeless story that is still relevant today. This prompts us to consider the importance of cultural sensitivity, the risk of misunderstanding, and the possibility of peaceful coexistence in a universe teeming with diverse life forms.
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ÇØ´Â ÇͺûÀ¸·Î Á³°í Á¸ µ¥¹ß(John Devall) ´ë·ÉÀº ±× ¶§¹®¿¡ ÀáÀ» Á¦´ë·Î ¸ø Àä½À´Ï´Ù. ¸¶Å²ÀÇ ´ë±â´Â ÀϹÝÀûÀ¸·Î Çͺû ºÓÀº ÀϸôÀ» ¿¬ÃâÇÏ´Â µ¥ µµ¿òÀÌ µÇÁö ¾Ê¾ÒÁö¸¸, ÇÞºûÀÇ Çª¸¥»öÀÌ Æ¯È÷ Àß »ê¶õµÇ´Â Àú³á¿¡´Â °¡²û ±×·± ÀÏÀÌ ¹ß»ýÇß½À´Ï´Ù. Marks´Â ºÓÀº ÀϸôÀ» ´Ù°¡¿À´Â ¹®Á¦¿Í ¿¬°áÇß½À´Ï´Ù. ¸¶Å²¿¡ ´ëÇÑ Å׶õ ¹®È ¹× ±º»ç ÀÓ¹«¸¦ À̲ö µ¥¹ß ´ë·ÉÀº ±º»çº¸´Ù´Â ¹®È¿¡ ´õ °ü½ÉÀÌ ¸¹¾Ò±â ¶§¹®¿¡ ÀϸôÀÌ °¥µîÀÇ ¿¹°í¶ó´Â ¸¶Å²ÀÇ ¹ÏÀ½À» ±â²¨ÀÌ ¹Þ¾Æµé¿´½À´Ï´Ù.
Summary
The sun had gone down blood-red, and Colonel John Devall slept poorly because of it. The atmosphere on Markin was not normally conducive to blood-red sunsets, though they did happen occasionally on evenings when the blue of sunlight was scattered particularly well. The Marks connected red sunsets with approaching trouble. Colonel Devall, who headed the Terran cultural and military mission to Markin, was more cultural than military himself, and so was willing to accept the Markin belief that the sunset was a premonition of conflict.