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¿µ¾î°íÀü1,263 Àè ·±´øÀÇ ¾Æ¹öÁö ½Å: Ŭ·Ð´ÙÀÌÅ© À̾߱â 1901(English Classics1,263 The God of His Fathers: Tales of the Klo


¿µ¾î°íÀü1,263 Àè ·±´øÀÇ ¾Æ¹öÁö ½Å: Ŭ·Ð´ÙÀÌÅ© À̾߱â 1901(English Classics1,263 The God of His Fathers: Tales of the Klo

¿µ¾î°íÀü1,263 Àè ·±´øÀÇ ¾Æ¹öÁö ½Å: Ŭ·Ð´ÙÀÌÅ© À̾߱â 1901(English Classics1,263 The God of His Fathers: Tales of the Klo

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¢º ¿µ¾î°íÀü1,263 Àè ·±´øÀÇ ¾Æ¹öÁö ½Å: Ŭ·Ð´ÙÀÌÅ© À̾߱â 1901(English Classics1,263 The God of His Fathers: Tales of the Klondyke by Jack London)Àº 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ¸ðÇè ¼Ò¼³(Adventure Novel)·Î, ¾Æ¹öÁöµéÀÇ Çϳª´Ô(The God Of His Fathers)ºÎÅÍ ¿©¼ºÀÇ °æ¸ê(The Scorn Of Women)±îÁö 11ÆíÀÇ ´ÜÆí Ä÷º¼ÇÀÔ´Ï´Ù. ÀÛ°¡°¡ Á÷Á¢ °æÇèÇÑ 1897³âÀÇ Å¬·Ð´ÙÀÌÅ© °ñµå·¯½Ã(in the Yukon Territory during the Klondike Gold Rush)¶õ Ư¼öÇÑ È¯°æÀ» ¹è°æÀ¸·Î ´ëÀÚ¿¬ÀÇ °¡È¤ÇÔ, Àΰ£ÀÇ ºÒ±¼ÀÇ ÀÇÁö, »ýÁ¸À» À§ÇÑ ¾ß»ýÀÇ ¸öºÎ¸² µî Çö´ë±îÁöµµ µ¶ÀÚµéÀ» ¸Å·á½ÃÅ°´Â Àè ·±´øÀÇ ¸Å·ÂÀ» ¿ÂÀüÇÏ°Ô ¸¸³ª½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º ¹Ì±¹ÀÎÀÇ ¸ðÇè½ÉÀ» °íÃë½ÃŲ ÀÏ·ÃÀÇ ÀÛÇ°±ºÀº ÇöÀç±îÁöµµ ±×ÀÇ ÀÛÇ°À» ¹Ì±¹ ¹®ÇÐÀÇ °íÀü(a classic in American literature)À¸·Î Ãß¾Ó¹Þ°Ô ÇÑ ¿øµ¿·ÂÀÔ´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ 25¼¼ÀÇ Ã»³â ½ÃÀý ¹ßÇ¥ÇÑ ÀÛÇ°À¸·Î, ¸ðÇè ¼Ò¼³(Adventure Novel)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¾Æ¹öÁöµéÀÇ Çϳª´Ô 1901(The God Of His Fathers) : ¡°And myself. Not only do you bring trouble upon yourself, but upon us. I was frozen in with you last winter, as you will well recollect, and I know you for a good man and a fool. If you think it your duty to strive with the heathen, well and good; but, do exercise some wit in the way you go about it. This man, Red Baptiste, is no Indian. He comes of our common stock, is as bull-necked as I ever dared be, and as wild a fanatic the one way as you are the other.

¢¹ ¡°±×¸®°í ³ª Àڽŵµ¿ä. ´ç½ÅÀº ´ç½Å ÀڽŻӸ¸ ¾Æ´Ï¶ó ¿ì¸®¿¡°Ôµµ ¹®Á¦¸¦ °¡Á®¿É´Ï´Ù. ´ç½ÅÀÌ Àß ±â¾ïÇÏ°ÚÁö¸¸ ³ª´Â Áö³­ °Ü¿ï ´ç½Å°ú ÇÔ²² ¾ó¾îºÙ¾î ÀÖ¾ú½À´Ï´Ù. ³ª´Â ´ç½ÅÀÌ ÁÁÀº »ç¶÷ÀÌÀÚ ¹Ùº¸¶ó´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. ´ç½ÅÀÌ À̹æÀΰú ½Î¿ì´Â °ÍÀÌ ´ç½ÅÀÇ Àǹ«¶ó°í »ý°¢ÇÑ´Ù¸é, ÁÁ½À´Ï´Ù. ±×·¯³ª ´ç½ÅÀÌ ±×°Í¿¡ ´ëÇØ Á¢±ÙÇÏ´Â ¹æ½Ä¿¡ À־ ¾à°£ÀÇ ÀçÄ¡¸¦ ¹ßÈÖÇϽʽÿÀ. ÀÌ »ç¶÷, ·¹µå ¹äƼ½ºÆ®(Red Baptiste)´Â Àεð¾ðÀÌ ¾Æ´Õ´Ï´Ù. ±× »ç¶÷Àº ¿ì¸®ÀÇ ÁÖ½ÄÀÌ°í, ³»°¡ °¨È÷ ¸»ÇÒ ¼ö ¾øÀ» ¸¸Å­ ¿Ï°íÇÏ°í, ´ç½Å¸¸Å­À̳ª ¿­¼ºÀûÀÎ ±¤½ÅÀÚÀÔ´Ï´Ù.

¢º When you two come together, hell¡¯ll be to pay, and I don¡¯t care to be mixed up in it. Understand? So take my advice and go away. If you go down-stream, you¡¯ll fall in with the Russians. There¡¯s bound to be Greek priests among them, and they¡¯ll see you safe through to Bering Sea,?that¡¯s where the Yukon empties,?and from there it won¡¯t be hard to get back to civilization. Take my word for it and get out of here as fast as God¡¯ll let you.¡±

¢¹ ³ÊÈñ µÑÀÌ ÇÔ²² ¸ðÀÌ¸é ´ë°¡¸¦ Ä¡¸£°Ô µÉ ÅÙµ¥, ³­ °Å±â¿¡ ¸»·Áµé°í ½ÍÁöµµ ¾Ê½À´Ï´Ù. ÀÌÇØÇÏ°Ú¼Ò? ±×·¯´Ï ³» Á¶¾ðÀ» ¹Þ¾ÆµéÀÌ°í ¶°³ª¼¼¿ä. ÇÏ·ù·Î °¡¸é ·¯½Ã¾ÆÀεé°ú ÇÔ²²ÇÏ°Ô µÉ °ÍÀÔ´Ï´Ù. ±×µé Áß¿¡´Â ¹Ýµå½Ã ±×¸®½º ¼ºÁ÷ÀÚµéÀÌ ÀÖÀ» °ÍÀÌ°í ±×µéÀº ´ç½ÅÀÌ º£¸µ ÇØ, Áï À¯ÄÜ °­ÀÌ ºñ¾î ÀÖ´Â °÷±îÁö ¾ÈÀüÇÏ°Ô °¡´Â °ÍÀ» º¸°Ô µÉ °ÍÀÔ´Ï´Ù. °Å±â¼­ ¹®¸íÀ¸·Î µ¹¾Æ°¡´Â °ÍÀº ¾î·ÆÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. ³» ¸»À» ¹Ï°í ½ÅÀÌ Çã¶ôÇÏ´Â ÇÑ »¡¸® ¿©±â¼­ ³ª°¡¼¼¿ä.¡±

¢º »óó¹ÞÀº ³²ÀÚ 1900(The Man With The Gash) : Jacob Kent experienced a tremendous yearning to try his shotgun on him, but the fascination of the gash was too potent. This was the real Man with the Gash, the man who had so often robbed him in the spirit. This, then, was the embodied entity of the being whose astral form had been projected into his dreams, the man who had so frequently harbored designs against his hoard; hence?there could be no other conclusion?this Man with the Gash had now come in the flesh to dispossess him. And that gash! He could no more keep his eyes from it than stop the beating of his heart. Try as he would, they wandered back to that one point as inevitably as the needle to the pole.

¢¹ Á¦ÀÌÄß ÄËÆ®´Â »êźÃÑÀ» ±×¿¡°Ô ½ÃÇèÇØ º¸°í ½ÍÀº ¾öû³­ ¿­¸ÁÀ» °æÇèÇßÁö¸¸, »óóÀÇ ¸Å·ÂÀº ³Ê¹« °­·ÂÇß½À´Ï´Ù. ÀÌ »ç¶÷Àº Á¤¸» ÀÚÁÖ ±×ÀÇ ¿µÈ¥À» °­Å»Çß´ø ÁøÂ¥ »óó ÀÔÀº »ç³ªÀÌ¿´½À´Ï´Ù. ±×·¸´Ù¸é ÀÌ°ÍÀº ¾Æ½ºÆ®¶ö ÇüÅ°¡ ±×ÀÇ ²Þ¿¡ Åõ»çµÈ Á¸Àç, Áï ÀÚ½ÅÀÇ º¸¹°¿¡ ´ëÇÑ °èȹÀ» ÀÚÁÖ Ç°¾ú´ø »ç¶÷ÀÇ ±¸Ã¼È­µÈ ½Çü¿´½À´Ï´Ù. ±×·¯¹Ç·Î ? ´Ù¸¥ °á·ÐÀº ÀÖÀ» ¼ö ¾ø½À´Ï´Ù ? »óó¸¦ ÀÔÀº ÀÌ »ç¶÷ÀÌ ÀÌÁ¦ ±×¸¦ ÂѾƳ»±â À§ÇØ À°½ÅÀ¸·Î ¿Ô½À´Ï´Ù. ±×¸®°í ±× »óó! ±×´Â ½ÉÀå ¹Úµ¿À» ¸ØÃß´Â °Íº¸´Ù ´õ ÀÌ»ó ´«À» ¶¼Áö ¸øÇß½À´Ï´Ù. ¾Æ¹«¸® ³ë·ÂÇصµ ±×µéÀº ¹Ù´ÃÀÌ ±âµÕ¿¡ ´ê´Â °Íó·³ ÇÊ¿¬ÀûÀ¸·Î ±× ÇÑ ÁöÁ¡À¸·Î ´Ù½Ã ¹æȲÇß½À´Ï´Ù.

¢º ¿©¼ºµéÀÇ ÅõÁö 1906(Grit Of Women) : ¡°Life is a strange thing. Much have I thought on it, and pondered long, yet daily the strangeness of it grows not less, but more. Why this longing for Life? It is a game which no man wins. To live is to toil hard, and to suffer sore, till Old Age creeps heavily upon us and we throw down our hands on the cold ashes of dead fires. It is hard to live. In pain the babe sucks his first breath, in pain the old man gasps his last, and all his days are full of trouble and sorrow; yet he goes down to the open arms of Death, stumbling, falling, with head turned backward, fighting to the last. And Death is kind. It is only Life, and the things of Life that hurt. Yet we love Life, and we hate Death. It is very strange.

¢¹ ¡°ÀλýÀº ÀÌ»óÇÑ ÀÏÀÌ¿¡¿ä. ³ª´Â ±×°Í¿¡ ´ëÇØ ¸¹Àº »ý°¢À» Çß°í ¿À·§µ¿¾È ¼÷°íÇßÁö¸¸, ³¯ÀÌ °¥¼ö·Ï ±× ±âÀÌÇÔÀº Á¡Á¡ ´õ Ä¿Á®¸¸ °¬½À´Ï´Ù. ¿Ö ÀÌ·¸°Ô »îÀ» °¥¸ÁÇմϱî? ´©±¸µµ ÀÌ±æ ¼ö ¾ø´Â °ÔÀÓÀÔ´Ï´Ù. »ê´Ù´Â °ÍÀº ³ë³â±â°¡ ¿ì¸®¿¡°Ô ¾ö½ÀÇØ¿À°í ¿ì¸®°¡ Á×Àº ºÒÀÇ Â÷°¡¿î Àç À§¿¡ ¼ÕÀ» ´øÁú ¶§±îÁö ¿­½ÉÈ÷ ¼ö°íÇÏ°í °íÅë ¹Þ´Â °ÍÀÔ´Ï´Ù. »ì±â°¡ ¾î·Æ½À´Ï´Ù. ¾Æ±â´Â °íÅëÀ¸·Î ÀÎÇØ Ã¹ ¼ûÀ» ½¬°í, ³ëÀÎÀº °íÅëÀ¸·Î ¼ûÀ» Ç涱À̸ç, ±×ÀÇ ¸ðµç ³¯Àº ±«·Î¿ò°ú ½½ÇÄÀ¸·Î °¡µæ Â÷ ÀÖ½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í ±×´Â Á×À½ÀÇ ÆÈÀ» ¹ú·Á ³Ñ¾îÁö°í ¸Ó¸®¸¦ µÚ·Î Á¥Èù ä ³¡±îÁö ½Î¿ì¸ç ³»·Á°©´Ï´Ù. ±×¸®°í Á×À½Àº Ä£ÀýÇÕ´Ï´Ù. »óó¸¦ ÁÖ´Â °ÍÀº ¿ÀÁ÷ »î°ú »îÀÇ °Íµé »Ó¡¦¡¦. ±×·¯³ª ¿ì¸®´Â »îÀ» »ç¶ûÇÏ°í Á×À½À» ¹Ì¿öÇÕ´Ï´Ù. ¸Å¿ì ÀÌ»óÇÕ´Ï´Ù.