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¿µ¾î°íÀü1,279 Àè ·±´øÀÇ ·¹µå ¿ø 1918(English Classics1,279 The Red One by Jack London)


¿µ¾î°íÀü1,279 Àè ·±´øÀÇ ·¹µå ¿ø 1918(English Classics1,279 The Red One by Jack London)

¿µ¾î°íÀü1,279 Àè ·±´øÀÇ ·¹µå ¿ø 1918(English Classics1,279 The Red One by Jack London)

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¢º ¿µ¾î°íÀü1,279 Àè ·±´øÀÇ ·¹µå ¿ø 1918(English Classics1,279 The Red One by Jack London)Àº 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ´ÜÆí ¼Ò¼³ Ä÷º¼Ç(Collection of Short Stories)À¸·Î ·¹µå ¿ø(The Red One)ºÎÅÍ °øÁÖ(The Princess)±îÁö ÃÑ 4ÆíÀÇ ÀÛÇ°À¸·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ »ç¸Á ÈÄ 2³âÀÌ È帥 1918³â 10¿ùÈ£ ÄÚ½º¸ðÆú¸®Åº(The Cosmopolitan)À» ÅëÇØ ÃÖÃÊ·Î °ø°³µÇ¾úÀ¸¸ç, °°Àº ÇØ ¸Æ¹Ð·±(MacMillan) ÃâÆǻ縦 ÅëÇØ ´ÜÇົÀ¸·Î Ãâ°£µÇ¾ú½À´Ï´Ù. Àè ·±´øÇ¥ ´ÜÆí ¼Ò¼³(Short Stories by Jack London)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ¸ñÂ÷(Index)
I. ·¹µå ¿ø(The Red One)
II. Çã½Ã(The Hussy)
III. °í´ëÀÇ ¾Æ¸£°í½ºÃ³·³(Like Argus of the Ancient Times)
IV. °øÁÖ(The Princess)

¢º ·¹µå ¿ø 1918(The Red One) : °úÇÐÀÚ ¹Ù¼Â(Bassett)Àº Èñ±Í ³ªºñ¸¦ ¼öÁýÇϱâ À§ÇØ °ú´ÞÄ«³¯(Guadalcanal) °÷°÷À» ŽÇè ÁßÀÔ´Ï´Ù. ÀÌ °úÁ¤¿¡¼­ Àΰ£À» »ç³ÉÇÏ´Â ¿øÁֹεé°ú Á¢ÃËÇÏ°Ô µÇ°í, ±×µéÀÌ Á¦¹°À» ¹ÙÄ¡´Â ºÓÀº ±¸Ã¼ ? ÀÏ¸í ·¹µå ¿ø(The Red)ÀÇ Á¸À縦 ¾Ë°Ô µË´Ï´Ù. ¿øÁֹεéÀÌ ½ÅÀ¸·Î ¼þ¹èÇÏ´Â ·¹µå ¿øÀÇ ÁøÁ¤ÇÑ Á¤Ã¼´Â °ú¿¬ ¹«¾ùÀϱî¿ä?

¢º But seared deepest of all in Bassett¡¯s brain, was the dank and noisome jungle. It actually stank with evil, and it was always twilight. Rarely did a shaft of sunlight penetrate its matted roof a hundred feet overhead. And beneath that roof was an aerial ooze of vegetation, a monstrous, parasitic dripping of decadent life-forms that rooted in death and lived on death. And through all this he drifted, ever pursued by the flitting shadows of the anthropophagi, themselves ghosts of evil that dared not face him in battle but that knew that, soon or late, they would feed on him.

¢¹ ÇÏÁö¸¸ ¹Ù¼ÂÀÇ ³ú ¼Ó °¡Àå ±íÀº °÷Àº ÃàÃàÇÏ°í ½Ã²ô·¯¿î Á¤±ÛÀ̾ú½À´Ï´Ù. ½ÇÁ¦·Î´Â ¾ÇÃë°¡ ³µ°í Ç×»ó ȲȥÀ̾ú½À´Ï´Ù. ÇÞºûÀÌ 100ÇÇÆ® ¸Ó¸® À§·Î ÇëŬ¾îÁø ÁöºØÀ» °üÅëÇÏ´Â °æ¿ì´Â °ÅÀÇ ¾ø¾ú½À´Ï´Ù. ±×¸®°í ±× ÁöºØ ¾Æ·¡¿¡´Â °øÁß¿¡¼­ Èê·¯³ª¿À´Â Ãʸñ, Áï Á×À½¿¡ »Ñ¸®¸¦ µÎ°í Á×À½À» ¸Ô°í »ç´Â ÅðÆóÀûÀÎ »ý¸íüÀÇ ±â±«ÇÏ°í ±â»ýÀûÀÎ ¹°¹æ¿ïÀÌ Èê·¯³ª¿À°í ÀÖ¾ú½À´Ï´Ù. ±×¸®°í ÀÌ ¸ðµç °úÁ¤¿¡¼­ ±×´Â È𳯸®´Â ÀÇÀÎÀÇ ±×¸²Àڵ鿡°Ô ²÷ÀÓ¾øÀÌ Âѱâ¸ç ¶°µ¹¾Ò½À´Ï´Ù. ±×µéÀº ÀüÅõ¿¡¼­ °¨È÷ ±×¿Í ¸Â¼­Áö ¸øÇßÁö¸¸ Á¶¸¸°£ ±×¸¦ Àâ¾Æ¸ÔÀ» °ÍÀ̶ó´Â °ÍÀ» ¾Ë°í ÀÖ´ø ¾ÇÀÇ À¯·ÉÀ̾ú½À´Ï´Ù.

¢º ¡°I would like to have the curing of your head,¡± Ngurn changed the subject. ¡°It is different from any other head. No devil-devil has a head like it. Besides, I would cure it well. I would take months and months. The moons would come and the moons would go, and the smoke would be very slow, and I should myself gather the materials for the curing smoke. The skin would not wrinkle. It would be as smooth as your skin now.¡±

¢¹ ¡°³ª´Â ´ç½ÅÀÇ ¸Ó¸®¸¦ Ä¡·áÇÏ°í ½Í½À´Ï´Ù.¡± ÀÀ±¸¸¥(Ngurn)Àº ÁÖÁ¦¸¦ ¹Ù²å½À´Ï´Ù. ¡°´Ù¸¥ ¸Ó¸®¿Í´Â ´Þ¶ó¿ä. ¾î¶² ¾Ç¸¶ ¾Ç¸¶µµ ±×·± ¸Ó¸®¸¦ °¡Áö°í ÀÖÁö ¾Ê½À´Ï´Ù. °Ô´Ù°¡ ³ª´Â ±×°ÍÀ» Àß Ä¡·áÇÒ °ÍÀÔ´Ï´Ù. ³ª´Â ¸î ´Þ, ¸î ´ÞÀÌ °É¸± °ÍÀÔ´Ï´Ù. ´ÞÀÌ ¿À°í ´ÞÀÌ °¡°í ¿¬±â°¡ ¸Å¿ì ´À·ÁÁö¹Ç·Î Ä¡·á ¿¬±â¸¦ À§ÇÑ Àç·á¸¦ Á÷Á¢ ¸ð¾Æ¾ß ÇÕ´Ï´Ù. ÇǺΰ¡ ÁÖ¸§ÁöÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù. Áö±ÝÀÇ ´ç½Å ÇǺÎó·³ ¸Å²ô·¯¿ï °Å¿¹¿ä.¡±

¢º What was the Red One??Bassett asked himself a thousand times in the succeeding week, while he seemed to grow stronger. What was the source of the wonderful sound? What was this Sun Singer, this Star-Born One, this mysterious deity, as bestial-conducted as the black and kinky-headed and monkey-like human beasts who worshipped it, and whose silver-sweet, bull-mouthed singing and commanding he had heard at the taboo distance for so long?

¢¹ ·¹µå ¿ø(Red One)Àº ¹«¾ùÀ̾ú´Â°¡? ¹Ù¼ÂÀº ´ÙÀ½ ÁÖ¿¡ Àڽſ¡°Ô õ ¹øÀ̳ª Áú¹®À» Çß°í, ±× µ¿¾È ±×´Â Á¡Á¡ ´õ °­ÇØÁö´Â °Íó·³ º¸¿´½À´Ï´Ù. ¸ÚÁø ¼Ò¸®ÀÇ ±Ù¿øÀº ¹«¾ùÀ̾ú³ª¿ä? ÀÌ ÅÂ¾ç °¡¼ö, ÀÌ º°¿¡¼­ ž ÀÚ, ÀÌ ½ÅºñÇÑ ½ÅÀº ¹«¾ùÀ̾ú½À´Ï±î? ±×¸¦ ¼þ¹èÇÏ´Â °ËÀº º¯Å ¸Ó¸®¿Í ¿ø¼þÀÌ °°Àº Àΰ£ Áü½Âµéó·³ Áü½Â °°Àº ÇൿÀ» ÇÏ°í, Àººû °¨¹Ì·Ó°í Ȳ¼Ò °°Àº ÀÔÀ¸·Î ³ë·¡ÇÏ°í ¸í·ÉÇÏ´Â ÀÌ ½ÅºñÇÑ ½ÅÀº ¹«¾ùÀ̾ú½À´Ï±î? ±Ý±â½ÃµÇ´Â °Å¸®¿¡¼­ ±×·¸°Ô ¿À·§µ¿¾È µé¾ú³ª¿ä?

¢º And Bassett, raising his hand in signal, bending forward his head as agreed so as to expose cleanly the articulation to his taut spinal cord, forgot Balatta, who was merely a woman, a woman merely and only and undesired. He knew, without seeing, when the razor-edged hatchet rose in the air behind him. And for that instant, ere the end, there fell upon Bassett the shadows of the Unknown, a sense of impending marvel of the rending of walls before the imaginable. Almost, when he knew the blow had started and just ere the edge of steel bit the flesh and nerves it seemed that he gazed upon the serene face of the Medusa, Truth?And, simultaneous with the bite of the steel on the onrush of the dark, in a flashing instant of fancy, he saw the vision of his head turning slowly, always turning, in the devil-devil house beside the breadfruit tree.

¢¹ ±×¸®°í ¹Ù¼Â(Bassett)Àº ½ÅÈ£¸¦ º¸³» ¼ÕÀ» µé°í ÆØÆØÇÑ Ã´¼öÀÇ °üÀýÀ» ±ú²ýÇÏ°Ô µå·¯³»±â À§ÇØ µ¿ÀÇÇÑ ´ë·Î ¸Ó¸®¸¦ ¾ÕÀ¸·Î ¼÷À̸鼭 ¹ß¶óŸ¸¦ Àؾî¹ö·È½À´Ï´Ù. ±×´Â ¸éµµ³¯ÀÌ ´Þ¸° ¼Õµµ³¢°¡ Àڱ⠵ڿ¡¼­ °øÁßÀ¸·Î ¼Ú¾Æ¿À¸£´Â °ÍÀ» º¸Áö ¾Ê°íµµ ¾Ë ¼ö ÀÖ¾ú½À´Ï´Ù. ±×¸®°í ±× ¼ø°£, ³¡ÀÌ ³ª±â Àü, ¹ÌÁöÀÇ ±×¸²ÀÚ°¡ ¹Ù¼Â¿¡°Ô ¶³¾îÁ³°í, »ó»óÇÒ ¼ö ÀÖ´Â °Íº¸´Ù ¸ÕÀú º®ÀÌ Âõ¾îÁö´Â °Í¿¡ ´ëÇÑ °æÀ̷οòÀÌ ÀÓ¹ÚÇß½À´Ï´Ù. °ÅÀÇ Å¸°ÝÀÌ ½ÃÀ۵Ǿú´Ù´Â °ÍÀ» ¾Ë¾ÒÀ» ¶§ °­Ã¶ÀÇ ³¯ÀÌ »ì°ú ½Å°æÀ» ¹°¾î¶â±â Á÷Àü¿¡ ±×´Â ¸ÞµÎ»çÀÇ °í¿äÇÑ ¾ó±¼À» ¹Ù¶óº¸´Â °Í °°¾Ò½À´Ï´Ù. ¾îµÎ¿ü´ø ¼ø°£, ¹ø½ÀÌ´Â °ø»ó ¼Ó¿¡¼­ ±×´Â »§³ª¹« ¿·¿¡ ÀÖ´Â ¾Ç¸¶ÀÇ Áý¿¡¼­ ÀÚ½ÅÀÇ ¸Ó¸®°¡ õõÈ÷, Ç×»ó µ¹°í Àִ ȯ»óÀ» º¸¾Ò½À´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Àè ·±´ø(Jack London, 1876~1916)
01. ¹Ì±¹ Á¾±º±âÀÚ(War Correspondent) Ãâ½Å ¼Ò¼³°¡
02. ¹Ì´Ù½ºÀÇ ³ë¿¹µé(The Minions of Midas, 1901)
03. ¾ß»ýÀÇ ºÎ¸§(The Call of the Wild, 1903)
04. ¹Ù´Ù ´Á´ë(The Sea-Wolf, 1904)
05. Èò ¼Û°÷´Ï, È­ÀÌÆ® ÆØ(White Fang, 1906)
06. ½ºÅ×ÀÌÅ© ÇÑ Àå(A Piece of Steak, 1909)
07. Á¸ ¹ß¸®ÄÜ(John Barleycorn, 1913) : ºÐÈ« ÄÚ³¢¸®¸¦ º¸´Ù(Seeing Pink Elephants)
08. ¼¶ÀÇ Á¦¸®(Jerry of the Islands: A True Dog Story, 1917)
09. °ø»ó°úÇмҼ³(Science Fiction)
10. Àè ·±´ø ¸£»Ç - Á¶¼±»ç¶÷ ¿³º¸±â(La Coree en feu - Jack London reports, 1982)
11. Ú¸ ¿ìÁ¤±¹ À§´ëÇÑ ¹Ì±¹ÀÎ ±â³ä ¿ìÇ¥ ½Ã¸®Áî(Great Americans Series Postage Stamp, 1986)
12. Àè ·±´øÀ» ¸¸³ª´Ù TOP10(TOP10 Places of Jack London)
13. Àè ·±´ø ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of Jack London in IMDb and Wikipedia)
14. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Àè ·±´ø(Audio Books of Jack London)
15. Àè ·±´øÀÇ ¾î·Ï 309¼±(309 Quotes of Jack London)
¢º ¿µ¾î°íÀü1,279 Àè ·±´øÀÇ ·¹µå ¿ø 1918(English Classics1,279 The Red One by Jack London)
I. The Red One
II. The Hussy
III. Like Argus of the Ancient Times
IV. The Princess
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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