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¿µ¾î°íÀü1,285 Àè ·±´øÀÇ Á¸ ¹ß¸®ÄÜ 1913(English Classics1,285 John Barleycorn by Jack London)


¿µ¾î°íÀü1,285 Àè ·±´øÀÇ Á¸ ¹ß¸®ÄÜ 1913(English Classics1,285 John Barleycorn by Jack London)

¿µ¾î°íÀü1,285 Àè ·±´øÀÇ Á¸ ¹ß¸®ÄÜ 1913(English Classics1,285 John Barleycorn by Jack London)

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¢º ¿µ¾î°íÀü1,285 Àè ·±´øÀÇ Á¸ ¹ß¸®ÄÜ 1913(English Classics1,285 John Barleycorn by Jack London)Àº 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ÀÚÀüÀûÀÎ À̾߱⸦ ´ãÀº ȸ°í·Ï(Jack London¡®s Autobiographical Memoirs)À¸·Î Ưº°ÇÑ Á¦¸ñÀÌ ºÙ¿©ÁöÁö ¾ÊÀº 34ÆíÀÇ ÀÛÇ°À¸·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ 37¼¼¿¡ ¹ßÇ¥ÇÑ ¿ø¼÷ÇÑ ÀÚÀüÀû ¼Ò¼³ ÀÛÇ°À¸·Î. Àè ·±´øÇ¥ ¿¡¼¼ÀÌ(Essays by Jack London)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º 19¼¼±â ¹Ì±¹¿¡¼­ °¡Àå ¹Ì±¹ÀûÀÎ ÀÛ°¡, Àè ·±´øÀÇ ÀÚÀüÀû ȸ°í·Ï(Jack London¡®s Autobiographical Memoirs) 3ºÎÀÛ!! : Àè ·±´øÀº ´õ ·Îµå 1907(The Road by Jack London)À» ½ÃÀÛÀ¸·Î, ½º³ªÅ©ÀÇ Å©·çÁî 1911(The Cruise Of The Snark by Jack London), ±×¸®°í Á¸ ¹ß¸®ÄÜ 1913(John Barleycorn by Jack London)±îÁö »ýÀü¿¡ ÃÖ¼Ò 3±Ç ÀÌ»óÀÇ ÀÚÀüÀû ȸ°í·Ï(Jack London¡®s Autobiographical Memoirs)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.
¢º Á¸ ¹ß¸®ÄÜ(John Barleycorn)À̶õ À̸§ ÀÚü´Â º¸¸®¿Í º¸¸®·Î ºúÀº ¼úÀ» ÀÇÀÎÈ­ÇÑ µ¿¸íÀÇ ³ë·¡¿¡¼­ µû¿Â °ÍÀ¸·Î, ¿µ±¹°ú ½ºÄÚƲ·£µå¿¡¼­ ³Î¸® ºÒ¸®´Â ¹Î¿äÀÔ´Ï´Ù. Àè ·±´øÀÇ ¼Ò¼³¿¡ µîÀåÇÏ´Â Á¸ ¹ß¸®ÄÜ ¶ÇÇÑ ¼úÀ» ÁÁ¾ÆÇÏ´Ù ¸øÇØ ¾ËÄÚ¿Ã Áßµ¶À¸·Î °íÅë¹Þ´Â ¾î´À »ç³»°¡ µîÀåÇÏÁö¿ä. ÀÛ°¡ÀÇ ¼±¿ø È°µ¿, ¼º°øÇÑ ÀÛ°¡°¡ µÈ °Í, ¼ú°ú ³²ÀÚµéÀÇ ¿ìÁ¤ µî Àè ·±´øÀÇ ÀÚÀüÀûÀÎ ¿ä¼Ò°¡ °÷°÷¿¡ ¹è¾î ÀÖ½À´Ï´Ù.

¢º »ó»ó·ÂÀÌ ¾ø°Å³ª, ȤÀº Àְųª! : Àè ·±´øÀº ¼ú²ÛÀÇ 2°¡Áö À¯Çü(two types of drinkers)¿¡ ´ëÇØ ¼³¸íÇϸ鼭, ÆĶõ »ýÁã¿Í ºÐÈ«»ö ÄÚ³¢¸®¿¡ ´ëÇÑ Èï¹Ì·Î¿î ¿¹½Ã¸¦ µì´Ï´Ù. ´õ ³ª¾Æ°¡ ¾ËÄÚ¿ÃÀÌ À¯¹ßÇÏ´Â È­ÀÌÆ® ·ÎÁ÷(White Logic)À̶õ µ¶Æ¯ÇÑ °³³äÀ» Á¦½ÃÇÏÁÒ. »î°ú »ç¶û°ú ÅõÀïÀÇ ¹«ÀǹÌÇÔ(the eventual pointlessness of life and love and struggle)À» ³ë·¡ÇÏ´Â Á¸ ¹ß¸®ÄÜÀÇ ¿î¸íÀº °ú¿¬ ¾î¶² ¸ð½ÀÀ¸·Î ¸¶¹«¸®µÉ±î¿ä? Àè ·±´øÀÇ ¼ú²Û°ú ¾ËÄڿÿ¡ ´ëÇÑ ½äÀÌ ±Ã±ÝÇϽôٸé, Àϵ¶À» ±ÇÇÕ´Ï´Ù.

¢º There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants. He is the type that gives rise to the jokes in the funny papers.

¢¹ ¼ú²Û¿¡´Â Å©°Ô µÎ °¡Áö À¯ÇüÀÌ ÀÖ½À´Ï´Ù. ¿ì¸® ¸ðµÎ°¡ ¾Æ´Â, ¸ÛûÇÏ°í »ó»ó·ÂÀÌ ¾ø´Â »ç¶÷, ¸¶ºñµÈ ±¸´õ±â¿¡ ³ú°¡ ¸¶ºñµÈ »ç¶÷ÀÌ ÀÖ½À´Ï´Ù. ´Ù¸®¸¦ ³Ð°Ô ¹ú¸®°í ¿©À¯·Ó°Ô °È°í, ¹è¼ö·Î¿¡ ÀÚÁÖ ³Ñ¾îÁö°í, ȲȦ°æÀÇ ±ØÄ¡¿¡ À̸£·¯¼­ ÆĶõ »ýÁã¿Í ºÐÈ«»ö ÄÚ³¢¸®¸¦ º¸´Â »ç¶÷. ±×´Â Àç¹ÌÀÖ´Â ½Å¹®¿¡¼­ ³ó´ãÀ» ÀÏÀ¸Å°´Â À¯ÇüÀÔ´Ï´Ù.

¢º The other type of drinker has imagination, vision. Even when most pleasantly jingled, he walks straight and naturally, never staggers nor falls, and knows just where he is and what he is doing. It is not his body but his brain that is drunken. He may bubble with wit, or expand with good fellowship. Or he may see intellectual spectres and phantoms that are cosmic and logical and that take the forms of syllogisms. It is when in this condition that he strips away the husks of life's healthiest illusions and gravely considers the iron collar of necessity welded about the neck of his soul.

¢¹ ¶Ç ´Ù¸¥ À¯ÇüÀÇ ¼ú²ÛÀº »ó»ó·Â°ú ºñÀüÀ» °¡Áö°í ÀÖ½À´Ï´Ù. °¡Àå À¯ÄèÇÏ°Ô Â©¶û°Å¸± ¶§¿¡µµ ±×´Â °ð°í ÀÚ¿¬½º·´°Ô °È°í °áÄÚ ºñƲ°Å¸®°Å³ª ³Ñ¾îÁöÁö ¾ÊÀ¸¸ç ÀÚ½ÅÀÌ ¾îµð¿¡ ÀÖ°í ¹«¾ùÀ» ÇÏ°í ÀÖ´ÂÁö Á¤È®È÷ ¾Ë°í ÀÖ½À´Ï´Ù. ¼ú¿¡ ÃëÇÑ °ÍÀº ¸öÀÌ ¾Æ´Ï¶ó ³ú´Ù. ±×´Â ÀçÄ¡·Î °ÅÇ°À» ³¾ ¼öµµ ÀÖ°í ÁÁÀº ±³Á¦¸¦ ÅëÇØ È®ÀåÇÒ ¼öµµ ÀÖ½À´Ï´Ù. ¶Ç´Â ±×´Â ¿ìÁÖÀûÀÌ°í ³í¸®ÀûÀÌ¸ç »ï´Ü³í¹ýÀÇ ÇüŸ¦ ÃëÇÏ´Â ÁöÀû À¯·É°ú À¯·ÉÀ» º¼ ¼öµµ ÀÖ½À´Ï´Ù. ¹Ù·Î ÀÌ·¯ÇÑ »óÅ¿¡¼­ ±×´Â Àλý¿¡¼­ °¡Àå °ÇÀüÇÑ È¯»óÀÇ ²®ÁúÀ» ¹þ°Ü³»°í, ÀÚ½ÅÀÇ ¿µÈ¥ÀÇ ¸ñ¿¡ ²À ¸Â´Â ö¸ñ°ÉÀ̸¦ ¾ö¼÷ÇÏ°Ô »ý°¢ÇÏ°Ô µË´Ï´Ù.

¢º This is the hour of John Barleycorn's subtlest power. It is easy for any man to roll in the gutter. But it is a terrible ordeal for a man to stand upright on his two legs unswaying, and decide that in all the universe he finds for himself but one freedom?namely, the anticipating of the day of his death. With this man this is the hour of the white logic (of which more anon), when he knows that he may know only the laws of things?the meaning of things never. This is his danger hour. His feet are taking hold of the pathway that leads down into the grave.

¢¹ Áö±ÝÀº Á¸ ¹ß¸®ÄÜ(John Barleycorn)ÀÇ °¡Àå ¹Ì¹¦ÇÑ ÈûÀÌ ¹ßÈֵǴ ½Ã°£ÀÔ´Ï´Ù. ¾î¶² »ç¶÷ÀÌ¶óµµ ½Ã±Ãâ¿¡ ±¼·¯°¡´Â °ÍÀº ½±½À´Ï´Ù. ±×·¯³ª »ç¶÷ÀÌ Èçµé¸®Áö ¾Ê°í µÎ ´Ù¸®·Î ¶È¹Ù·Î ¼­¼­, ¿Â ¿ìÁÖ¿¡¼­ ÀÚ½ÅÀÌ Ã£À» ¼ö ÀÖ´Â À¯ÀÏÇÑ ÀÚÀ¯´Â ¹Ù·Î ÀÚ½ÅÀÇ Á×À½ÀÇ ³¯À» ±â´ëÇÏ´Â °Í»ÓÀ̶ó°í °áÁ¤ÇÏ´Â °ÍÀº ²ûÂïÇÑ ½Ã·ÃÀÔ´Ï´Ù. ÀÌ »ç¶÷¿¡°Ô´Â Áö±ÝÀÌ ¹éÀÎ ³í¸®(±× Áß ´õ ¸¹Àº °Í)ÀÇ ½Ã°£ÀÔ´Ï´Ù. ±×´Â »ç¹°ÀÇ ¹ýÄ¢¸¸ ¾Ë ¼ö ÀÖÁö¸¸ »ç¹°ÀÇ Àǹ̴ °áÄÚ ¾Ë ¼ö ¾ø´Ù´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. Áö±ÝÀÌ ±×¿¡°Ô À§ÇèÇÑ ½Ã°£ÀÔ´Ï´Ù. ±×ÀÇ ¹ßÀº ¹«´ýÀ¸·Î ³»·Á°¡´Â ±æÀ» ºÙÀâ°í ÀÖ½À´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Àè ·±´ø(Jack London, 1876~1916)
01. ¹Ì±¹ Á¾±º±âÀÚ(War Correspondent) Ãâ½Å ¼Ò¼³°¡
02. ¹Ì´Ù½ºÀÇ ³ë¿¹µé(The Minions of Midas, 1901)
03. ¾ß»ýÀÇ ºÎ¸§(The Call of the Wild, 1903)
04. ¹Ù´Ù ´Á´ë(The Sea-Wolf, 1904)
05. Èò ¼Û°÷´Ï, È­ÀÌÆ® ÆØ(White Fang, 1906)
06. ½ºÅ×ÀÌÅ© ÇÑ Àå(A Piece of Steak, 1909)
07. Á¸ ¹ß¸®ÄÜ(John Barleycorn, 1913) : ºÐÈ« ÄÚ³¢¸®¸¦ º¸´Ù(Seeing Pink Elephants)
08. ¼¶ÀÇ Á¦¸®(Jerry of the Islands: A True Dog Story, 1917)
09. °ø»ó°úÇмҼ³(Science Fiction)
10. Àè ·±´ø ¸£»Ç - Á¶¼±»ç¶÷ ¿³º¸±â(La Coree en feu - Jack London reports, 1982)
11. Ú¸ ¿ìÁ¤±¹ À§´ëÇÑ ¹Ì±¹ÀÎ ±â³ä ¿ìÇ¥ ½Ã¸®Áî(Great Americans Series Postage Stamp, 1986)
12. Àè ·±´øÀ» ¸¸³ª´Ù TOP10(TOP10 Places of Jack London)
13. Àè ·±´ø ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of Jack London in IMDb and Wikipedia)
14. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Àè ·±´ø(Audio Books of Jack London)
15. Àè ·±´øÀÇ ¾î·Ï 309¼±(309 Quotes of Jack London)
¢º ¿µ¾î°íÀü1,285 Àè ·±´øÀÇ Á¸ ¹ß¸®ÄÜ 1913(English Classics1,285 John Barleycorn by Jack London)
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Chapter X.
Chapter XI.
Chapter XII.
Chapter XIII.
Chapter XIV.
Chapter XV.
Chapter XVI.
Chapter XVII.
Chapter XVIII.
Chapter XIX.
Chapter XX.
Chapter XXI.
Chapter XXII.
Chapter XXIII.
Chapter XXIV.
Chapter XXV.
Chapter XXVI.
Chapter XXVII.
Chapter XXVIII.
Chapter XXIX.
Chapter XXX.
Chapter XXXI.
Chapter XXXII.
Chapter XXXIII.
Chapter XXXIV.
Chapter XXXV.
Chapter XXXVI.
Chapter XXXVII.
Chapter XXXVIII.
Chapter XXXIX.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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