¢º ¿µ¾î°íÀü1,287 Àè ·±´øÀÇ °è±ÞÀüÀï 1905(English Classics1,287 War Of The Classes by Jack London)´Â 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays)·Î ¼¹®(Preface)À» Á¦¿ÜÇÏ°í 7ÆíÀÇ Â©¸·ÇÑ ¿¡¼¼ÀÌ·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ 29¼¼¿¡ ¹ßÇ¥ÇÑ Ã»³â±âÀÇ ÀÛÇ°À¸·Î. Àè ·±´øÇ¥ ¿¡¼¼ÀÌ(Essays by Jack London)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º 19¼¼±â ¹Ì±¹¿¡¼ °¡Àå ¹Ì±¹ÀûÀÎ ÀÛ°¡, ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays) 3ºÎÀÛ!! : Àè ·±´øÀº ½É¿¬ÀÇ »ç¶÷µé 1903(The People Of The Abyss by Jack London)À» ½ÃÀÛÀ¸·Î, °è±ÞÀüÀï 1905(War Of The Classes by Jack London), ±×¸®°í Çõ¸í ¼öÇÊÁý 1906(Revolution, and Other Essays by Jack London)±îÁö »ýÀü¿¡ ÃÖ¼Ò 3±Ç ÀÌ»óÀÇ ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.
¢º ¸ñÂ÷(Index)
¼¹®(Preface)
I. °è±ÞÅõÀï 1905(The Class Struggle)
II. Æ®·¥ÇÁ 1904(The Tramp)
III. µüÁö 1903(The Scab)
IV. ÃÖ´ëÄ¡ÀÇ ¹®Á¦(The Question of the Maximum)
V. ¸®ºä 1903(A Review)
VI. Áö¸í¼ö¹è: »õ·Î¿î °³¹ßÀÇ ¶¥(Wanted: A New Land of Development)
VII. ³ª´Â ¾î¶»°Ô »çȸÁÖÀÇÀÚ°¡ µÇ¾ú´Â°¡? 1903(How I Became a Socialist)
¢º PREFACE. It surely is time that the capitalists knew something about this socialism that they feel menaces them. And it is the hope of the writer that the socialistic studies in this volume may in some slight degree enlighten a few capitalistic minds. The capitalist must learn, first and for always, that socialism is based, not upon the equality, but upon the inequality, of men. Next, he must learn that no new birth into spiritual purity is necessary before socialism becomes possible.
¢¹ ¸Ó¸®¸». ÀÚº»°¡µéÀÌ ÀڽŵéÀ» À§ÇùÇÑ´Ù°í ´À³¢´Â »çȸÁÖÀÇ¿¡ ´ëÇØ ÀÌÁ¦ È®½ÇÈ÷ ¾Ë¾Æ¾ß ÇÒ ¶§ÀÔ´Ï´Ù. ±×¸®°í ÀÌ Ã¥ÀÇ »çȸÁÖÀÇ ¿¬±¸°¡ ¼Ò¼öÀÇ ÀÚº»ÁÖÀÇÀû Á¤½ÅÀ» ¾î´À Á¤µµ ±ú´ÞÀ» ¼ö ÀÖ´Ù´Â °ÍÀÌ ÀÛ°¡ÀÇ Èñ¸ÁÀÔ´Ï´Ù. ÀÚº»°¡´Â »çȸÁÖÀÇ°¡ Àΰ£ÀÇ ÆòµîÀÌ ¾Æ´Ï¶ó ºÒÆòµî¿¡ ±âÃÊÇÏ°í ÀÖ´Ù´Â »ç½ÇÀ» ¹«¾ùº¸´Ùµµ Ç×»ó ¹è¿ö¾ß ÇÑ´Ù. ´ÙÀ½À¸·Î, ±×´Â »çȸÁÖÀÇ°¡ °¡´ÉÇØÁö±â Àü¿¡ ¿µÀûÀÎ ¼ø¼öÇÔÀ¸·Î »õ·Î ž ÇÊ¿ä°¡ ¾ø´Ù´Â °ÍÀ» ¹è¿ö¾ß ÇÕ´Ï´Ù.
¢º THE CLASS STRUGGLE. It remains to be seen how promptly the capitalist class will respond to the call to arms. Upon its promptness rests its existence, for if it sits idly by, soothfully proclaiming that what ought not to be cannot be, it will find the roof beams crashing about its head. The capitalist class is in the numerical minority, and bids fair to be outvoted if it does not put a stop to the vast propaganda being waged by its enemy. It is no longer a question of whether or not there is a class struggle. The question now is, what will be the outcome of the class struggle?
¢¹ °è±Þ ÅõÀï. ÀÚº»°¡ °è±ÞÀÌ ¾ó¸¶³ª Áï°¢ÀûÀ¸·Î ¹«±â µ¿¿ø ¿ä±¸¿¡ ¹ÝÀÀÇÒÁö´Â µÎ°í º¼ ÀÏÀÔ´Ï´Ù. ±× ½Å¼Ó¼º¿¡ ±× Á¸Àç°¡ ´Þ·Á ÀÖ½À´Ï´Ù. ¸¸¾à ±×°ÍÀÌ ¸ÛÇÏ´Ï ¾É¾Æ ÀÖÀ¸¸é ¾È µÇ´Â °ÍÀÌ ÀÖÀ» ¼ö ¾ø´Ù°í ´ÙÁ¤ÇÏ°Ô ¼±¾ðÇÑ´Ù¸é, ÁöºØ µéº¸°¡ ¸Ó¸® ÁÖÀ§¿¡¼ ºÎ¼Áö´Â °ÍÀ» ¹ß°ßÇÒ °ÍÀ̱⠶§¹®ÀÔ´Ï´Ù. ÀÚº»°¡ °è±ÞÀº ¼öÀûÀ¸·Î ¼Ò¼ö¿¡ ¼ÓÇϸç, Àû¿¡ ÀÇÇØ ÇàÇØÁö´Â ¸·´ëÇÑ ¼±ÀüÀ» ÁߴܽÃÅ°Áö ¸øÇÑ´Ù¸é Âù¼ºÇ¥¸¦ ¹Þ´Â °ÍÀÌ °øÆòÇÕ´Ï´Ù. °è±Þ ÅõÀïÀÇ Á¸Àç ¿©ºÎ´Â ´õ ÀÌ»ó ¹®Á¦°¡ µÇÁö ¾Ê½À´Ï´Ù. ÀÌÁ¦ ¹®Á¦´Â °è±ÞÅõÀïÀÇ °á°ú°¡ ¹«¾ùÀΰ¡ ÇÏ´Â °ÍÀÔ´Ï´Ù.
¢º THE TRAMP. And, while it is not nice that these men should die, it is ordained that they must die, and we should not quarrel with them if they cumber our highways and kitchen stoops with their perambulating carcasses. This is a form of elimination we not only countenance but compel. Therefore let us be cheerful and honest about it. Let us be as stringent as we please with our police regulations, but for goodness¡¯ sake let us refrain from telling the tramp to go to work. Not only is it unkind, but it is untrue and hypocritical. We know there is no work for him. As the scapegoat to our economic and industrial sinning, or to the plan of things, if you will, we should give him credit. Let us be just. He is so made. Society made him. He did not make himself.
¢¹ Æ®·¥ÇÁ. ±×¸®°í ÀÌ »ç¶÷µéÀÌ Á×´Â °ÍÀº ÁÁÀº ÀÏÀÌ ¾Æ´ÏÁö¸¸, ±×µéÀÌ Á×´Â °ÍÀº Á¤ÇØÁ® ÀÖ´Â ÀÏÀÔ´Ï´Ù. ±×µéÀÌ µ¹¾Æ´Ù´Ï´Â ½Ãü·Î ¿ì¸®ÀÇ °í¼Óµµ·Î¿Í ºÎ¾ý Çö°üÀ» ´õ·´Èù´Ù Çصµ ¿ì¸®´Â ±×µé°ú ´ÙÅõ¾î¼´Â ¾È µË´Ï´Ù. ÀÌ°ÍÀº ¿ì¸®°¡ ¿ëÀÎÇÒ »Ó¸¸ ¾Æ´Ï¶ó °¿äÇÏ´Â Á¦°ÅÀÇ ÇÑ ÇüÅÂÀÔ´Ï´Ù. ±×·¯¹Ç·Î ¿ì¸®´Â ±×°Í¿¡ ´ëÇØ ¸í¶ûÇÏ°í ¼ÖÁ÷ÇÏ°Ô ¸»ÇսôÙ. °æÂû ±ÔÁ¤À» ÃÖ´ëÇÑ ¾ö°ÝÇÏ°Ô Àû¿ëÇ쵂 ºÎ¶ûÀÚ¿¡°Ô ÀÏÇÏ·¯ °¡¶ó°í ¸»ÇÏ´Â °ÍÀº »ï°©½Ã´Ù. ±×°ÍÀº ºÒÄ£ÀýÇÒ »Ó¸¸ ¾Æ´Ï¶ó, »ç½ÇÀÌ ¾Æ´Ï¸ç À§¼±ÀûÀÔ´Ï´Ù. ¿ì¸®´Â ±×¿¡°Ô ÀÏÀÌ ¾ø´Ù´Â °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù. ¿ì¸®ÀÇ °æÁ¦Àû, »ê¾÷Àû ÁË ¶Ç´Â »ç¹°ÀÇ °èȹ¿¡ ´ëÇÑ Èñ»ý¾çÀ¸·Î¼ ¿ì¸®´Â ±×ºÐ²² ¿µ¿¹¸¦ µ¹·Á¾ß ÇÕ´Ï´Ù. ¿ì¸®°¡ Á¤ÀÇ·Ó°Ô µË½Ã´Ù. ±×´Â ±×·¸°Ô ¸¸µé¾îÁ³½À´Ï´Ù. »çȸ°¡ ±×¸¦ ¸¸µé¾ú½À´Ï´Ù. ±×´Â ½º½º·Î¸¦ ¸¸µéÁö ¾Ê¾Ò½À´Ï´Ù.
¢º THE SCAB. In a competitive society, where men struggle with one another for food and shelter, what is more natural than that generosity, when it diminishes the food and shelter of men other than he who is generous, should be held an accursed thing? Wise old saws to the contrary, he who takes from a man¡¯s purse takes from his existence. To strike at a man¡¯s food and shelter is to strike at his life; and in a society organized on a tooth-and-nail basis, such an act, performed though it may be under the guise of generosity, is none the less menacing and terrible.
¢¹ µüÁö. »ç¶÷µéÀÌ ½Ä·®°ú ÁÖ°ÅÁö¸¦ À§ÇØ ¼·Î ÅõÀïÇÏ´Â °æÀï »çȸ¿¡¼, °ü´ëÇÑ »ç¶÷ ÀÌ¿ÜÀÇ »ç¶÷µéÀÇ ½Ä·®°ú ÁÖ°ÅÁö¸¦ °¨¼Ò½ÃÅ°´Â °ü´ëÇÔÀÌ ÀúÁÖ¹ÞÀº °ÍÀ¸·Î °£ÁֵǾî¾ß ÇÑ´Ù´Â °Íº¸´Ù ´õ ÀÚ¿¬½º·¯¿î °ÍÀÌ ¾îµð ÀÖ°Ú½À´Ï±î? Çö¸íÇÑ ´ÄÀºÀÌ´Â ¹Ý´ë·Î »ç¶÷ÀÇ Áö°©À» »©¾Ñ´Â ÀÚ´Â ±×ÀÇ Á¸À縦 »©¾Ñ´Â´Ù°í »ý°¢ÇÕ´Ï´Ù. »ç¶÷ÀÇ À½½Ä°ú Çdzó¸¦ °ø°ÝÇÏ´Â °ÍÀº ±×ÀÇ »ý¸íÀ» °ø°ÝÇÏ´Â °ÍÀÔ´Ï´Ù. ±×¸®°í öÀúÇÏ°Ô Á¶Á÷µÈ »çȸ¿¡¼, °ü´ëÇÔÀ» °¡ÀåÇÏ¿© ÇàÇØÁö´Â ±×·¯ÇÑ ÇàÀ§´Â ±×·³¿¡µµ ºÒ±¸ÇÏ°í À§ÇùÀûÀÌ°í ²ûÂïÇÕ´Ï´Ù.
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Àè ·±´ø(Jack London, 1876~1916)
01. ¹Ì±¹ Á¾±º±âÀÚ(War Correspondent) Ãâ½Å ¼Ò¼³°¡
02. ¹Ì´Ù½ºÀÇ ³ë¿¹µé(The Minions of Midas, 1901)
03. ¾ß»ýÀÇ ºÎ¸§(The Call of the Wild, 1903)
04. ¹Ù´Ù ´Á´ë(The Sea-Wolf, 1904)
05. Èò ¼Û°÷´Ï, ÈÀÌÆ® ÆØ(White Fang, 1906)
06. ½ºÅ×ÀÌÅ© ÇÑ Àå(A Piece of Steak, 1909)
07. Á¸ ¹ß¸®ÄÜ(John Barleycorn, 1913) : ºÐÈ« ÄÚ³¢¸®¸¦ º¸´Ù(Seeing Pink Elephants)
08. ¼¶ÀÇ Á¦¸®(Jerry of the Islands: A True Dog Story, 1917)
09. °ø»ó°úÇмҼ³(Science Fiction)
10. Àè ·±´ø ¸£»Ç - Á¶¼±»ç¶÷ ¿³º¸±â(La Coree en feu - Jack London reports, 1982)
11. Ú¸ ¿ìÁ¤±¹ À§´ëÇÑ ¹Ì±¹ÀÎ ±â³ä ¿ìÇ¥ ½Ã¸®Áî(Great Americans Series Postage Stamp, 1986)
12. Àè ·±´øÀ» ¸¸³ª´Ù TOP10(TOP10 Places of Jack London)
13. Àè ·±´ø ¿øÀÛÀÇ ¿µÈ¡¤µå¶ó¸¶(Movie and Drama of Jack London in IMDb and Wikipedia)
14. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Àè ·±´ø(Audio Books of Jack London)
15. Àè ·±´øÀÇ ¾î·Ï 309¼±(309 Quotes of Jack London)
¢º ¿µ¾î°íÀü1,287 Àè ·±´øÀÇ °è±ÞÀüÀï 1905(English Classics1,287 War Of The Classes by Jack London)
Preface
I. The Class Struggle
II. The Tramp
III. The Scab
IV. The Question of the Maximum
V. A Review
VI. Wanted: A New Land of Development
VII. How I Became a Socialist
Footnotes
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker's Guide to Worlds's Classics)
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