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¿µ¾î°íÀü1,288 Àè ·±´øÀÇ Çõ¸í ¼öÇÊÁý 1906(English Classics1,288 Revolution, and Other Essays by Jack London)


¿µ¾î°íÀü1,288 Àè ·±´øÀÇ Çõ¸í ¼öÇÊÁý 1906(English Classics1,288 Revolution, and Other Essays by Jack London)

¿µ¾î°íÀü1,288 Àè ·±´øÀÇ Çõ¸í ¼öÇÊÁý 1906(English Classics1,288 Revolution, and Other Essays by Jack London)

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¢º ¿µ¾î°íÀü1,288 Àè ·±´øÀÇ Çõ¸í ¼öÇÊÁý 1906(English Classics1,288 Revolution, and Other Essays by Jack London)Àº 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays)·Î Çõ¸í(Revolution)ºÎÅÍ ÀλýÀÌ ³ª¿¡°Ô ÀǹÌÇÏ´Â °Í(What Life Means to Me)±îÁö ÃÑ 13ÆíÀÇ Â©¸·ÇÑ ¿¡¼¼ÀÌ·Î ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ 30¼¼¿¡ ¹ßÇ¥ÇÑ Ã»³â±âÀÇ ÀÛÇ°À¸·Î, Àè ·±´øÇ¥ Èñ°î(Play by Jack London)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º 19¼¼±â ¹Ì±¹¿¡¼­ °¡Àå ¹Ì±¹ÀûÀÎ ÀÛ°¡, ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays) 3ºÎÀÛ!! : Àè ·±´øÀº ½É¿¬ÀÇ »ç¶÷µé 1903(The People Of The Abyss by Jack London)À» ½ÃÀÛÀ¸·Î, °è±ÞÀüÀï 1905(War Of The Classes by Jack London), ±×¸®°í Çõ¸í ¼öÇÊÁý 1906(Revolution, and Other Essays by Jack London)±îÁö »ýÀü¿¡ ÃÖ¼Ò 3±Ç ÀÌ»óÀÇ ³íÇȼǰú ¿¡¼¼ÀÌ(Jack London¡®s Non-Fiction and Essays)¸¦ ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

¢º ¸ñÂ÷(Index)
I. Çõ¸í(Revolution)
II. ¸ùÀ¯º´ÀÚ(The Somnambulists)
III. ´Þ·¯ÀÇ Ç°°Ý(The Dignity of Dollars)
IV. °ñ¸®¾ß(Goliah)
V. Ȳ±Ý ¾ç±Íºñ(The Golden Poppy)
VI. Ç༺ÀÇ ¼öÃà(The Shrinkage of the Planet)
¥¶. ¾Æ¸§´Ù¿î Áý(The House Beautiful)
¥·. ºÏÂÊÀÇ È²±Ý »ç³É²Ûµé(The Gold Hunters of the North)
¥¸. Æ÷¸¶ °í¸£µð¿¡ÇÁ(Foma Gordyeeff)
X. ÀÌ »ÀµéÀº ´Ù½Ã ÀϾ¸®¶ó(These Bones shall Rise Again)
XI. ´Ù¸¥ µ¿¹°µé(The Other Animals)
XII. ³ë¶õ À§Çè(The Yellow Peril)
XIII. ÀλýÀÌ ³ª¿¡°Ô ÀǹÌÇÏ´Â °Í(What Life Means to Me)

¢º REVOLUTION. This revolution is unlike all other revolutions in many respects. It is not sporadic. It is not a flame of popular discontent, arising in a day and dying down in a day. It is older than the present generation. It has a history and traditions, and a martyr-roll only less extensive possibly than the martyr-roll of Christianity. It has also a literature a myriad times more imposing, scientific, and scholarly than the literature of any previous revolution.

¢¹ Çõ¸í. ÀÌ Çõ¸íÀº ¿©·¯ ¸é¿¡¼­ ´Ù¸¥ ¸ðµç Çõ¸í°ú ´Ù¸¨´Ï´Ù. »ê¹ßÀûÀÌÁö ¾Ê½À´Ï´Ù. ±×°ÍÀº ÇÏ·ç¾Æħ¿¡ ÀϾ´Ù°¡ ÇÏ·ç¾Æħ¿¡ »ç±×¶óÁö´Â ´ëÁßÀû ºÒ¸¸ÀÇ ºÒ²ÉÀÌ ¾Æ´Õ´Ï´Ù. Çö ¼¼´ëº¸´Ù ³ªÀÌ°¡ ¸¹½À´Ï´Ù. ±×°ÍÀº ¿ª»ç¿Í ÀüÅëÀ» °¡Áö°í ÀÖÀ¸¸ç, ¼ø±³ÀÚ ¸í´ÜÀº ±âµ¶±³ÀÇ ¼ø±³ÀÚ ¸í´Üº¸´Ù ¹üÀ§°¡ ´úÇÒ »ÓÀÔ´Ï´Ù. ¶ÇÇÑ ÀÌÀü Çõ¸íÀÇ ¹®Çк¸´Ù ÈξÀ ´õ ÀλóÀûÀÌ°í °úÇÐÀûÀÌ°í Çй®ÀûÀÎ ¹®ÇÐÀ» °¡Áö°í ÀÖ½À´Ï´Ù.

¢º THE SOMNAMBULISTS. The mightiest and absurdest sleep-walker on the planet! Chained in the circle of his own imaginings, man is only too keen to forget his origin and to shame that flesh of his that bleeds like all flesh and that is good to eat. Civilization (which is part of the circle of his imaginings) has spread a veneer over the surface of the soft-shelled animal known as man. It is a very thin veneer; but so wonderfully is man constituted that he squirms on his bit of achievement and believes he is garbed in armour-plate.

¢¹ ¸ùÀ¯º´ÀÚ. Áö±¸»ó¿¡¼­ °¡Àå °­·ÂÇÏ°í Å͹«´Ï¾ø´Â ¸ùÀ¯º´ÀÚ! ÀÚ½ÅÀÇ »ó»óÀÇ °í¸®¿¡ °¤Èù Àΰ£Àº ÀÚ½ÅÀÇ ±â¿øÀ» Àؾî¹ö¸®°í ¸ðµç À°Ã¼Ã³·³ ÇÇ°¡ È帣°í ¸Ô±â ÁÁÀº ÀÚ½ÅÀÇ À°Ã¼¸¦ ºÎ²ô·´°Ô ¸¸µå´Â µ¥ ³Ê¹« ¿­ÁßÇÕ´Ï´Ù. ¹®¸í(±×ÀÇ »ó»óÀÇ °í¸®ÀÇ ÀϺÎ)Àº Àΰ£À¸·Î ¾Ë·ÁÁø ºÎµå·¯¿î ²®ÁúÀ» °¡Áø µ¿¹°ÀÇ Ç¥¸é¿¡ º£´Ï¾îÆÇÀ» ÆîÃƽÀ´Ï´Ù. ¸Å¿ì ¾ãÀº º£´Ï¾îÀÔ´Ï´Ù. ±×·¯³ª Àΰ£Àº ³Ê¹«³ª ³î¶ø°Ô ±¸¼ºµÇ¾î À־ ÀÚ½ÅÀÇ ¼ºÃë¿¡ ´ëÇØ ²ÞƲ´ë°í ÀÚ½ÅÀÌ °©¿ÊÀ» ÀÔ¾ú´Ù°í ¹Ï½À´Ï´Ù.

¢º THE DIGNITY OF DOLLARS. Man is a blind, helpless creature. He looks back with pride upon his goodly heritage of the ages, and yet obeys unwittingly every mandate of that heritage; for it is incarnate with him, and in it are embedded the deepest roots of his soul. Strive as he will, he cannot escape it?unless he be a genius, one of those rare creations to whom alone is granted the privilege of doing entirely new and original things in entirely new and original ways.

¢¹ ´Þ·¯ÀÇ Ç°°Ý. Àΰ£Àº ´«¸Ö°í ¹«·ÂÇÑ Á¸ÀçÀÔ´Ï´Ù. ±×´Â ÀÚ½ÅÀÌ ¿À·£ ¼¼¿ù µ¿¾È ½×¾Æ¿Â ÈǸ¢ÇÑ À¯»êÀ» ÀÚ¶û½º·´°Ô µÇµ¹¾Æº¸Áö¸¸, Àڽŵµ ¸ð¸£°Ô ±× À¯»êÀÇ ¸ðµç ¸í·É¿¡ ¼øÁ¾ÇÕ´Ï´Ù. ¿Ö³ÄÇÏ¸é ±×°ÍÀº ±×ºÐ°ú ÇÔ²² ¼ºÀ°½ÅµÇ¾úÀ¸¸ç, ±× ¾È¿¡ ±×ºÐ ¿µÈ¥ÀÇ °¡Àå ±íÀº »Ñ¸®°¡ ¹ÚÇô Àֱ⠶§¹®ÀÔ´Ï´Ù. ±×°¡ ¿øÇÏ´Â ´ë·Î ³ë·ÂÇÏ´õ¶óµµ ±×´Â ±×°ÍÀ» ÇÇÇÒ ¼ö ¾ø½À´Ï´Ù. ±×°¡ õÀç, Áï ¿ÏÀüÈ÷ »õ·Ó°í µ¶Ã¢ÀûÀÎ ¹æ½ÄÀ¸·Î ¿ÏÀüÈ÷ »õ·Ó°í µ¶Ã¢ÀûÀÎ ÀÏÀ» ÇÒ ¼ö Àִ Ư±ÇÀ» À¯ÀÏÇÏ°Ô ºÎ¿©¹ÞÀº Èñ±ÍÇÑ Ã¢Á¶¹° Áß Çϳª°¡ ¾Æ´Ï¶ó¸é ±×´Â ±×°ÍÀ» ÇÇÇÒ ¼ö ¾ø½À´Ï´Ù.

¢º THE SHRINKAGE OF THE PLANET. While much of the shrinkage to which the planet has been subjected is due to the increased knowledge of mathematics and physics, an equal, if not greater, portion may be ascribed to the perfection of the means of locomotion and communication. The enlargement of stellar space, demonstrating with stunning force the insignificance of the earth, has been negative in its effect; but the quickening of travel and intercourse, by making the earth¡¯s parts accessible and knitting them together, has been positive.

¢¹ Áö±¸ÀÇ ¼öÃà. Ç༺ÀÌ Ãà¼ÒµÈ ´ëºÎºÐÀº ¼öÇаú ¹°¸®Çп¡ ´ëÇÑ Áö½ÄÀÇ Áõ°¡·Î ÀÎÇÑ °ÍÀÌÁö¸¸, ´õ Å©Áö´Â ¾Ê´õ¶óµµ µ¿µîÇÑ ºÎºÐÀº À̵¿ ¹× ÀÇ»ç¼ÒÅë ¼ö´ÜÀÇ ¿Ï¼º¿¡ ±âÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù. Áö±¸ÀÇ ¹Ì¹ÌÇÔÀ» ³î¶øµµ·Ï °­·ÂÇÏ°Ô º¸¿©ÁÖ´Â º° °ø°£ÀÇ È®ÀåÀº ±× °á°ú ºÎÁ¤ÀûÀÎ ¿µÇâÀ» ¹ÌÃƽÀ´Ï´Ù. ±×·¯³ª ¶¥ÀÇ ºÎºÐ¿¡ Á¢±ÙÇÒ ¼ö ÀÖ°Ô ÇÏ°í ¼­·Î ¿«À½À¸·Î½á ¿©Çà°ú ¼º±³°¡ È°¼ºÈ­µÈ °ÍÀº ±àÁ¤ÀûÀ̾ú½À´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Àè ·±´ø(Jack London, 1876~1916)
01. ¹Ì±¹ Á¾±º±âÀÚ(War Correspondent) Ãâ½Å ¼Ò¼³°¡
02. ¹Ì´Ù½ºÀÇ ³ë¿¹µé(The Minions of Midas, 1901)
03. ¾ß»ýÀÇ ºÎ¸§(The Call of the Wild, 1903)
04. ¹Ù´Ù ´Á´ë(The Sea-Wolf, 1904)
05. Èò ¼Û°÷´Ï, È­ÀÌÆ® ÆØ(White Fang, 1906)
06. ½ºÅ×ÀÌÅ© ÇÑ Àå(A Piece of Steak, 1909)
07. Á¸ ¹ß¸®ÄÜ(John Barleycorn, 1913) : ºÐÈ« ÄÚ³¢¸®¸¦ º¸´Ù(Seeing Pink Elephants)
08. ¼¶ÀÇ Á¦¸®(Jerry of the Islands: A True Dog Story, 1917)
09. °ø»ó°úÇмҼ³(Science Fiction)
10. Àè ·±´ø ¸£»Ç - Á¶¼±»ç¶÷ ¿³º¸±â(La Coree en feu - Jack London reports, 1982)
11. Ú¸ ¿ìÁ¤±¹ À§´ëÇÑ ¹Ì±¹ÀÎ ±â³ä ¿ìÇ¥ ½Ã¸®Áî(Great Americans Series Postage Stamp, 1986)
12. Àè ·±´øÀ» ¸¸³ª´Ù TOP10(TOP10 Places of Jack London)
13. Àè ·±´ø ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of Jack London in IMDb and Wikipedia)
14. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Àè ·±´ø(Audio Books of Jack London)
15. Àè ·±´øÀÇ ¾î·Ï 309¼±(309 Quotes of Jack London)
¢º ¿µ¾î°íÀü1,288 Àè ·±´øÀÇ Çõ¸í ¼öÇÊÁý 1906(English Classics1,288 Revolution, and Other Essays by Jack London)
I. Revolution
II. The Somnambulists
III. The Dignity of Dollars
IV. Goliah
V. The Golden Poppy
VI. The Shrinkage of the Planet
VII. The House Beautiful
VIII. The Gold Hunters of the North
IX. Foma Gordyeeff
X. These Bones shall Rise Again
XI. The Other Animals
XII. The Yellow Peril
XIII. What Life Means to Me
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 999¼±
¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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