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¿µ¾î°íÀü1,291 Àè ·±´øÀÇ Ä¶¸®Æ÷´Ï¾Æ »ê¸²±Ø: µµÅ丮 ³óºÎ 1916(English Classics1,291 The Acorn Planter: A California Forest

¿µ¾î°íÀü1,291 Àè ·±´øÀÇ Ä¶¸®Æ÷´Ï¾Æ »ê¸²±Ø: µµÅ丮 ³óºÎ 1916(English Classics1,291 The Acorn Planter: A California Forest

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¢º ¿µ¾î°íÀü1,291 Àè ·±´øÀÇ Ä¶¸®Æ÷´Ï¾Æ »ê¸²±Ø: µµÅ丮 ³óºÎ 1916(English Classics1,291 The Acorn Planter: A California Forest Play by Jack London)Àº 19¼¼±â ¹Ì±¹ÀÛ°¡ Àè ·±´ø(Jack London, 1876~1916)ÀÇ ÈçÄ¡ ¾ÊÀº Èñ°î(Jack London¡®s Plays)ÀÔ´Ï´Ù. ¸ðÇè ¼Ò¼³°¡(Adventure Novelist)ÀÌÀÚ µ¿¹°¼Ò¼³°¡(Animal Novelist)·Î ¸í¼ºÀ» ³¯¸° Àè ·±´øÀÌ 40¼¼ÀÇ Áß³â±â¿¡ ¹ßÇ¥ÇÑ ÀÛÇ°À¸·Î. Àè ·±´øÇ¥ Èñ°î(Play by Jack London)¿¡ °ü½ÉÀÌ ÀÖ´Â µ¶Àڵ鿡°Ô Ãßõ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º 19¼¼±â ¹Ì±¹¿¡¼­ °¡Àå ¹Ì±¹ÀûÀÎ ÀÛ°¡, Àè ·±´øÀÇ Èñ°î(Jack London¡®s Plays) 3ºÎÀÛ!! :¡¡Àè ·±´øÀº 3¸·±Ø: ¿©¼º °æ¸ê 1901(Scorn of Women: A Play In Three Acts by Jack London)À» ½ÃÀÛÀ¸·Î, 4¸·±Ø: µµµÏÁú 1910(Theft: A Play In Four Acts by Jack London), ±×¸®°í Ķ¸®Æ÷´Ï¾Æ »ê¸²±Ø: µµÅ丮 ³óºÎ 1916(The Acorn Planter: A California Forest Play by Jack London)±îÁö »ýÀü¿¡ ÃÖ¼Ò 3±Ç ÀÌ»óÀÇ Èñ°î(Jack London¡®s Plays)À» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù.

¢º ¸ñÂ÷(Index)
³íÀï(Argument)
ÇÁ·Ñ·Î±×(Prologue)
1¸·.(Act I.)
2¸·.(Act II.)
¿¡Çʷα×(Epilogue)

¢º ARGUMENT. In the morning of the world, while his tribe makes its camp for the night in a grove, Red Cloud, the first man of men, and the first man of the Nishinam, save in war, sings of the duty of life, which duty is to make life more abundant.

¢¹ ³íÀï. ¼¼»óÀÇ ¾Æħ¿¡ ±×ÀÇ ºÎÁ·ÀÌ ½£¿¡¼­ ¹ãÀ» º¸³»±â À§ÇØ ÁøÀ» Ä¡°í ÀÖ´Â µ¿¾È, ÃÖÃÊÀÇ ÀηùÀÌÀÚ ´Ï½Ã³²ÀÇ ÃÖÃÊÀÇ Àΰ£ÀÎ ·¹µå Ŭ¶ó¿ìµå´Â ÀüÀïÀ» Á¦¿ÜÇÑ »îÀÇ Àǹ«¸¦ ³ë·¡ÇÕ´Ï´Ù. »îÀ» dz¿ä·Ó°Ô ¸¸µå´Â °ÍÀÔ´Ï´Ù.

¢º The Shaman, or medicine man, sings of foreboding and prophecy. The War Chief, who commands in war, sings that war is the only way to life. This Red Cloud denies, affirming that the way of life is the way of the acorn-planter, and that whoso slays one man slays the planter of many acorns. Red Cloud wins the Shaman and the people to his contention.

¢¹ ¹«´ç, Áï ÁÖ¼ú»ç´Â ºÒ±æÇÑ ¿¹°¨°ú ¿¹¾ðÀ» ³ë·¡ÇÕ´Ï´Ù. ÀüÀïÀ» ÁöÈÖÇÏ´Â ´ëÀåÀº ÀüÀ︸ÀÌ »îÀÇ À¯ÀÏÇÑ ±æÀ̶ó°í ³ë·¡ÇÕ´Ï´Ù. ÀÌ ºÓÀº ±¸¸§Àº »ý¸íÀÇ ±æÀº µµÅ丮 ½É´Â ÀÚÀÇ ±æÀ̸ç, ÇÑ »ç¶÷À» Á×ÀÌ´Â ÀÚ´Â ¸¹Àº µµÅ丮¸¦ Á×ÀÌ´Â ÀÚÀÓÀ» ´Ü¾ðÇÏ¸ç ºÎÀÎÇÕ´Ï´Ù. ·¹µå Ŭ¶ó¿ìµå´Â »þ¸Õ°ú ±×ÀÇ ³íÀï¿¡¼­ »ç¶÷µéÀ» À̱é´Ï´Ù.

¢º After the passage of thousands of years, again in the grove appear the Nishinam. In Red Cloud, the War Chief, the Shaman, and the Dew-Woman are repeated the eternal figures of the philosopher, the soldier, the priest, and the woman?types ever realizing themselves afresh in the social adventures of man. Red Cloud recognizes the wrecked explorers as planters and life-makers, and is for treating them with kindness. But the War Chief and the idea of war are dominant The Shaman joins with the war party, and is privy to the massacre of the explorers.

¢¹ ¼öõ ³âÀÌ Áö³­ ÈÄ ´Ù½Ã ½£¼Ó¿¡ ´Ï½Ã³²ÀÌ ³ªÅ¸³­´Ù. ·¹µå Ŭ¶ó¿ìµå¿¡¼­´Â ÀüÀï ÃßÀå, ¹«´ç, À̽½ ¿©ÀÚ°¡ öÇÐÀÚ, ±ºÀÎ, »çÁ¦, ¿©¼ºÀÇ ¿µ¿øÇÑ ¸ð½ÀÀ» ¹Ýº¹Çϸç, ÀÌ·¯ÇÑ À¯ÇüÀº Àΰ£ÀÇ »çȸÀû ¸ðÇè¿¡¼­ Ç×»ó »õ·Ó°Ô ½ÇÇöµË´Ï´Ù. ·¹µå Ŭ¶ó¿ìµå´Â ³­ÆÄµÈ Å½Çè°¡µéÀ» Àç¹èÀÚÀÌÀÚ »ý¸íÀ» ¸¸µå´Â »ç¶÷À¸·Î ÀνÄÇÏ°í ±×µéÀ» Ä£ÀýÇÏ°Ô ´ëÇÕ´Ï´Ù. ±×·¯³ª ÀüÀï ÃßÀå°ú ÀüÀï »ç»óÀÌ Áö¹èÀûÀ̸ç, »þ¸ÕÀº ÀüÀï ¼¼·Â¿¡ ÇÕ·ùÇÏ¿© ŽÇè°¡µéÀ» ÇлìÇÏ´Â µ¥ °ü¿©ÇÏ°í ÀÖ½À´Ï´Ù.

¢º A hundred years pass, when, on their seasonal migration, the Nishinam camp for the night in the grove. They still live, and the war formula for life seems vindicated, despite the imminence of the superior life-makers, the whites, who are flooding into California from north, south, east, and west?the English, the Americans, the Spaniards, and the Russians. The massacre by the white men follows, and Red Cloud, dying, recognizes the white men as brother acorn- lanters, the possessors of the superior life-formula of which he had always been a protagonist. In the Epilogue, or Apotheosis, occur the celebration of the death of war and the triumph of the acorn-planters.

¢¹ 100³âÀÌ Áö³­ ÈÄ °èÀý¿¡ µû¶ó ÀÌÁÖÇϸ鼭 ´Ï½Ã³²Àº ½£¿¡¼­ ¹ãÀ» º¸³»°Ô µË´Ï´Ù. ±×µéÀº ¿©ÀüÈ÷ »ì¾Æ ÀÖ°í, ¶Ù¾î³­ »ý¸í âÁ¶ÀÚÀÎ ¹éÀεéÀÌ ºÏÂÊ, ³²ÂÊ, µ¿ÂÊ, ¼­ÂÊ, Áï ¿µ±¹ÀÎ, ¹Ì±¹ÀÎ, ½ºÆäÀÎÀÎ, ±×¸®°í ·¯½Ã¾ÆÀÎ. ¹éÀε鿡 ÀÇÇÑ ÇлìÀÌ µÚµû¸£°í, Á׾´Â ·¹µå Ŭ¶ó¿ìµå´Â ¹éÀεéÀ» ÀÚ½ÅÀÌ Ç×»ó ÁÖÀΰøÀ̾ú´ø ¿ì¿ùÇÑ »ý¸í °ø½ÄÀÇ ¼ÒÀ¯ÀÚÀÎ µµÅ丮 ÇüÁ¦·Î ÀÎÁ¤ÇÕ´Ï´Ù. ¿¡ÇÊ·Î±× ¶Ç´Â ½Å°ÝÈ­¿¡¼­´Â ÀüÀïÀÇ Á×À½°ú µµÅ丮 Àç¹èÀÚµéÀÇ ½Â¸®¸¦ ÃàÇÏÇÏ´Â Àå¸éÀÌ ³ª¿É´Ï´Ù.

¢º PROLOGUE. Time. In the morning of the world. Scene. A forest hillside where great trees stand with wide spaces between. A stream flows from a spring that bursts out of the hillside. It is a place of lush ferns and brakes, also, of thickets of such shrubs as inhabit a redwood forest floor. At the left, in the open level space at the foot of the hillside, extending out of sight among the trees, is visible a portion of a Nishinam Indian camp. It is a temporary camp for the night. Small cooking fires smoulder.

¢¹ ÇÁ·Ñ·Î±×. ½Ã°£. ¼¼»óÀÇ ¾Æħ¿¡. Àå¸é. Å« ³ª¹«µéÀÌ ³ÐÀº °ø°£À» µÎ°í ¼­ ÀÖ´Â ½£¼Ó ¾ð´ö. »êºñÅ»¿¡¼­ ÅÍÁ® ³ª¿À´Â »ù¿¡¼­ °³¿ïÀÌ È帨´Ï´Ù. ÀÌ°÷Àº ¹«¼ºÇÑ ¾çÄ¡·ù¿Í ºê·¹ÀÌÅ©°¡ ÀÖ´Â °÷À̸ç, »ï³ª¹« ½£ ¹Ù´Ú¿¡ ¼­½ÄÇÏ´Â °ü¸ñ ´ýºÒµµ ÀÖ½À´Ï´Ù. ¿ÞÂÊ ¾ð´ö ±â½¾ÀÇ ¿­¸° °ø°£¿¡´Â ³ª¹«µé »çÀÌ·Î º¸ÀÌÁö ¾Ê°Ô »¸¾î ÀÖÀ¸¸ç ´Ï½Ã³² Àεð¾ð Ä·ÇÁÀÇ ÀϺΰ¡ º¸ÀÔ´Ï´Ù. ¹ãÀ» À§ÇÑ Àӽà ķÇÁÀÔ´Ï´Ù. ÀÛÀº ¿ä¸®¿¡¼­´Â ¿¬±â°¡ ³³´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 15°¡Áö Å°¿öµå·Î Àд Àè ·±´ø(Jack London, 1876~1916)
01. ¹Ì±¹ Á¾±º±âÀÚ(War Correspondent) Ãâ½Å ¼Ò¼³°¡
02. ¹Ì´Ù½ºÀÇ ³ë¿¹µé(The Minions of Midas, 1901)
03. ¾ß»ýÀÇ ºÎ¸§(The Call of the Wild, 1903)
04. ¹Ù´Ù ´Á´ë(The Sea-Wolf, 1904)
05. Èò ¼Û°÷´Ï, È­ÀÌÆ® ÆØ(White Fang, 1906)
06. ½ºÅ×ÀÌÅ© ÇÑ Àå(A Piece of Steak, 1909)
07. Á¸ ¹ß¸®ÄÜ(John Barleycorn, 1913) : ºÐÈ« ÄÚ³¢¸®¸¦ º¸´Ù(Seeing Pink Elephants)
08. ¼¶ÀÇ Á¦¸®(Jerry of the Islands: A True Dog Story, 1917)
09. °ø»ó°úÇмҼ³(Science Fiction)
10. Àè ·±´ø ¸£»Ç - Á¶¼±»ç¶÷ ¿³º¸±â(La Coree en feu - Jack London reports, 1982)
11. Ú¸ ¿ìÁ¤±¹ À§´ëÇÑ ¹Ì±¹ÀÎ ±â³ä ¿ìÇ¥ ½Ã¸®Áî(Great Americans Series Postage Stamp, 1986)
12. Àè ·±´øÀ» ¸¸³ª´Ù TOP10(TOP10 Places of Jack London)
13. Àè ·±´ø ¿øÀÛÀÇ ¿µÈ­¡¤µå¶ó¸¶(Movie and Drama of Jack London in IMDb and Wikipedia)
14. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Àè ·±´ø(Audio Books of Jack London)
15. Àè ·±´øÀÇ ¾î·Ï 309¼±(309 Quotes of Jack London)
¢º ¿µ¾î°íÀü1,291 Àè ·±´øÀÇ Ä¶¸®Æ÷´Ï¾Æ »ê¸²±Ø: µµÅ丮 ³óºÎ 1916(English Classics1,291 The Acorn Planter: A California Forest Play by Jack London)
Argument
Prologue
Act I.
Act II.
Epilogue
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
A04. °í·Á´ë(Korea University) ¼¼Á¾Ä·ÆÛ½º ±ÇÀåµµ¼­ 100¼±
A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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¢º Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±
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