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¿µ¾î°íÀü1,306 À̼ÙÀÇ À̼٠¿ìÈ­ °³Á¤ÆÇ¥° 1884(English Classics1,306 AESOP's Fables by AESOP: A New Revised Version F

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¢º À̼ÙÀÇ À̼٠¿ìÈ­ °³Á¤ÆÇ 1884(AESOP's Fables by AESOP: A New Revised Version From Original Sources) : À̼٠¿ìÈ­´Â ÃÖÃÊ·Î ±×¸®½º¾î(Greek)·Î ÀÛ¼ºµÇ¾úÀ¸¸ç, ÀÌÈÄ ¶óƾ¾î¸¦ ºñ·ÔÇÑ ´Ù¾çÇÑ À¯·´¾ð¾î¿Í Àü ¼¼°èÀÇ ¾ð¾î·Î ¹ø¿ªµÇ¸é¼­ ¡®ÀηùÀÇ ¿ìÈ­Áý¡¯À¸·Î »ç¶û¹Þ°í ÀÖ½À´Ï´Ù. ÀÌ¿¡ µû¶ó À̼٠¿ìÈ­ÁýÀº ¼ö¸¹Àº ½Ã´ë¿Í ¾ð¾î, ÆíÁýÀÚ, »ðÈ­°¡¿¡ µû¶ó ¼ö¹é, ¾Æ´Ï ¼öõ Á¾À¸·Î ¹ß°£µÇ¾úÀ» Á¤µµ·Î ¼ö¸¹Àº ÆǺ»À» ÀÚ¶ûÇÕ´Ï´Ù. À̼٠¿ìÈ­ÁýÀº ¶§·Î´Â Àú¸íÇÑ ÆíÁýÀÚÀÇ ÆǺ»À¸·Î, ¶§·Î´Â ´ç´ë À¯¸í»ðÈ­°¡ÀÇ ¹öÀüÀ¸·Î Áö±Ý ÀÌ ¼ø°£¿¡µµ ¼¼°è °¢ÁöÀÇ µ¶ÀÚµéÀÇ ¼Õ¿¡ µé·Á ÀÖ½À´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN KoreaÀº À̼ÙÀÇ À̼٠¿ìÈ­ °³Á¤ÆÇ 1884(AESOP's Fables by AESOP: A New Revised Version From Original Sources)¿¡ ¼ö·ÏµÈ 239ÆíÀÇ À̼٠¿ìÈ­¸¦ 4±ÇÀ¸·Î ºÐ±ÇÇÏ¿©, ¼Ò°³ÇØ µå¸³´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º LIFE OF ¨¡SOP. The Life and History of ¨¡sop is involved, like that of Homer, the most famous of Greek poets, in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Coti©¡um, the chief city of a province of Phrygia, contend for the distinction of being the birthplace of ¨¡sop. Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts, relating to the birth, life, and death of ¨¡sop. He is, by an almost universal consent, allowed to have been born about the year 620 b.c., and to have been by birth a slave. He was owned by two masters in succession, both inhabitants of Samos, Xanthus and Jadmon, the latter of whom gave him his liberty as a reward for his learning and wit.

¢¹ À̼ÙÀÇ »ý¾Ö. À̼ÙÀÇ »î°ú ¿ª»ç´Â ±×¸®½º ½ÃÀÎ Áß °¡Àå À¯¸íÇÑ È£¸ÓÀÇ »î°ú ¸¶Âù°¡Áö·Î º£ÀÏ¿¡ ½Î¿© ÀÖ½À´Ï´Ù. ¸®µð¾ÆÀÇ ¼öµµ »ç¸£µð½º, ±×¸®½º ¼¶ »ç¸ð½º, Æ®¶óÅ°¾ÆÀÇ °í´ë ½Ä¹ÎÁö¿´´ø ¸Þ¼Àºê¸®¾Æ, ÇÁ¸®±â¾Æ Áö¹æÀÇ ÁÖ¿ä µµ½ÃÀÎ ÄÚƼ¿ò µîÀÌ À̼ÙÀÇ Ãâ»ýÁö¶ó°í ÁÖÀåÇÏ¸ç ¼­·Î ´ÙÅõ°í ÀÖ½À´Ï´Ù. ÀÌ·¸°Ô ÁÖÀåµÈ ¿µ¿¹¸¦ ¾î´À ÇÑ °÷¿¡ È®½ÇÈ÷ ºÎ¿©ÇÒ ¼ö´Â ¾øÁö¸¸, ÇöÀç ÇÐÀÚµéÀÌ À̼ÙÀÇ Ãâ»ý, »ý¾Ö, Á×À½°ú °ü·ÃÇÏ¿© È®¸³µÈ »ç½Ç·Î ¹Þ¾ÆµéÀÌ´Â ¸î °¡Áö »ç°ÇÀÌ ÀÖ½À´Ï´Ù. °ÅÀÇ º¸ÆíÀûÀÎ µ¿ÀÇ¿¡ µû¶ó ±×´Â ±â¿øÀü 620³â°æ¿¡ žÀ¸¸ç, ž ¶§ºÎÅÍ ³ë¿¹·Î ž´Ù´Â °ÍÀÌ ÀÎÁ¤µÇ°í ÀÖ½À´Ï´Ù. ±×´Â »ç¸ð½ºÀÇ ÁÖ¹ÎÀÎ ÀÜÅõ½º¿Í ÀÚµå¸óÀ̶ó´Â µÎ ÁÖÀÎÀÇ ¼ÒÀ¯¿´´Âµ¥, ÈÄÀÚ´Â ±×ÀÇ Çй®°ú ÀçÄ¡¿¡ ´ëÇÑ º¸»óÀ¸·Î ±×¿¡°Ô ÀÚÀ¯¸¦ ÁÖ¾ú½À´Ï´Ù.

¢º These few facts are all that can be relied on with any degree of certainty, in reference to the birth, life, and death of ¨¡sop. They were first brought to light, after a patient search and diligent perusal of ancient authors, by a Frenchman, M. Claude Gaspard Bachet de Mezeriac, who declined the honor of being tutor to Louis XIII. of France, from his desire to devote himself exclusively to literature. He published his life of ¨¡sop, Anno Domini 1632. The later investigations of a host of English and German scholars have added very little to the facts given by M. Mezeriac. The substantial truth of his statements has been confirmed by later criticism and inquiry.

¢¹ À̼ÙÀÇ Åº»ý, »î, Á×À½°ú °ü·ÃÇÏ¿© ¾î´À Á¤µµ È®½ÇÇÏ°Ô ¹ÏÀ» ¼ö ÀÖ´Â °ÍÀº ÀÌ ¸î °¡Áö »ç½Ç»ÓÀÔ´Ï´Ù. À̼ÙÀÇ »ý¾Ö´Â ÇÁ¶û½ºÀΠŬ·Îµå °¡½ºÆĸ£ ¹Ù¼Î µå ¸ÞÁ¦¸®¾ÇÀÌ ¹®Çп¡¸¸ Àü³äÇÏ°í ½Í¾î ÇÁ¶û½º ·çÀÌ 13¼¼ÀÇ °¡Á¤±³»ç¶ó´Â ¿µ¿¹¸¦ °ÅÀýÇÏ°í Àγ»½ÉÀ» °¡Áö°í °í´ë Àú¼­¸¦ ²Ä²ÄÈ÷ ÀÐÀº ³¡¿¡ óÀ½ ¹àÇôÁ³½À´Ï´Ù. ±×´Â 1632³â ¡°À̼ÙÀÇ »ý¾Ö¡±¸¦ Ãâ°£Çß½À´Ï´Ù. ÀÌÈÄ ¼ö¸¹Àº ¿µ±¹°ú µ¶ÀÏ ÇÐÀÚµéÀÇ Á¶»ç´Â ¸ÞÁ¦¸®¾ÇÀÌ ¸»ÇÑ »ç½Ç¿¡ °ÅÀÇ Ãß°¡µÇÁö ¾Ê¾Ò½À´Ï´Ù. ±×ÀÇ Áø¼úÀÇ ½ÇÁúÀûÀÎ Áø½ÇÀº ÈÄ´ëÀÇ ºñÆÇ°ú Á¶»ç¸¦ ÅëÇØ È®ÀεǾú½À´Ï´Ù.

¢º It remains to state, that prior to this publication of M. Mezeriac, the life of ¨¡sop was from the pen of Maximus Planudes, a monk of Constantinople, who was sent on an embassy to Venice by the Byzantine Emperor Andronicus the elder, and who wrote in the early part of the fourteenth century. His life was prefixed to all the early editions of these fables, and was republished as late as 1727 by Archdeacon Croxall as the introduction to his edition of ¨¡sop. This life by Planudes contains, however, so small an amount of truth, and is so full of absurd pictures of the grotesque deformity of ¨¡sop, of wondrous apocryphal stories, of lying legends, and gross anachronisms, that it is now universally condemned as false, puerile, and unauthentic. It is given up in the present day, by general consent, as unworthy of the slightest credit.

¢¹ M. ¸ÞÁ¦¸®¾Ç(M. Mezeriac)ÀÌ ÀÌ ¿ìÈ­¸¦ ÃâÆÇÇϱâ Àü¿¡´Â ÄܽºÅºÆ¼³ëÇÃÀÇ ¼öµµ»ç ¸·½Ã¹«½º Çö󴩵¥½º°¡ 14¼¼±â ÃÊ¿¡ ºñÀÜƾ ȲÁ¦ ¾Èµå·Î´ÏÄí½º°¡ º£´Ï½º¿¡ ÆÄ°ßÇÑ »çÀý´ÜÀ¸·Î ÆÄ°ßµÇ¾î ¾´ À̼ÙÀÇ »ý¾Ö¸¦ ÆæÀ¸·Î ½è´ø °ÍÀÌ ³²¾Æ ÀÖ½À´Ï´Ù. ±×ÀÇ »ý¾Ö´Â ÀÌ ¿ìÈ­ÀÇ ¸ðµç Ãʱâ ÆǺ»¿¡ ¼­¹®À¸·Î ½Ç·ÈÀ¸¸ç, 1727³â Å©·Ï¼Ö ´ëÁÖ±³(Archdeacon Croxall)¿¡ ÀÇÇØ À̼٠¿ìÈ­ ÆÇÀÇ ¼­¹®À¸·Î ´Ù½Ã ÃâÆǵǾú½À´Ï´Ù. ±×·¯³ª Çö󴩵¥½ºÀÇ À̼ٿìÈ­¿¡´Â Áø½ÇÀÌ ³Ê¹« Àû°í À̼ÙÀÇ ±â±«ÇÑ ±âÇü, ±âÀÌÇÑ ¿Ü°æ À̾߱â, °ÅÁþ Àü¼³, ½É°¢ÇÑ ½Ã´ëÂø¿À¿¡ ´ëÇÑ Å͹«´Ï¾ø´Â ±×¸²À¸·Î °¡µæ Â÷ À־ Áö±ÝÀº °ÅÁþÀÌ°í, À¯Ä¡Çϸç, Áø½ÇÇÏÁö ¾Ê´Ù°í º¸ÆíÀûÀ¸·Î ºñ³­¹Þ°í ÀÖ½À´Ï´Ù. ¿À´Ã³¯¿¡´Â ÀϹÝÀûÀÎ ÇÕÀÇ¿¡ µû¶ó Á¶±Ýµµ ÀÎÁ¤ÇÒ °¡Ä¡°¡ ¾ø´Â °ÍÀ¸·Î °£Áֵǰí ÀÖ½À´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 12°¡Áö Å°¿öµå·Î Àд À̼Ù(Aesop, B.C.620~B.C.564)
01. ¼¼°è¿¡¼­ °¡Àå À¯¸íÇÑ ¿ìÈ­Áý(éÕü¥ó¢), À̼٠¿ìÈ­(Fables of Aesop)
02. À̼ÙÀº ½ÇÁ¸ÇÑ ¿ìÈ­ÀÛ°¡ÀÌÀÚ À̾߱â²Û(Fabulist and Storyteller)Àΰ¡, ºÒƯÁ¤ ´Ù¼öÀÇ ÀÛ°¡±º(ÏØ)Àΰ¡?
03. À̼ÙÀº Ãæ°ÝÀûÀ¸·Î ¸ø»ý±ä ±×¸®½º ³ë¿¹(Strikingly Ugly Greek Slave)Àΰ¡, ¿¡Æ¼¿ÀÇÇ¾Æ Ãâ½ÅÀÇ ÈæÀÎ(Black African from Aethiopia)Àΰ¡?
04. À̼ٿ¡ °üÇÑ ¸Å¿ì Ç㱸ÀûÀÎ Àü±â(Highly Fictional Biography), À̼٠·Î¸Ç½º(The Aesop Romance)
05. À̼٠¿ìÈ­ÀÇ Çö´ëÀûÀÎ ºÐ·ù¹ý, Æ丮 À妽º(Perry Index)
06. È£ÁÖ ·°¼Å¸® ÄÚ½º¸Þƽ ºê·£µå À̼Ù(A?sop)ÀÌ À̼ÙÀÎ ÀÌÀ¯´Â?(1987)
07. ¼¼»ó¿¡¼­ °¡Àå Å« µ¿È­Ã¥, ¿¡¹ö·£µå À̼٠ºô¸®Áö(Everland Aesop Village, 2005)
08. À̼ٿìÈ­°¡ 21¼¼±â¿¡µµ ¿©ÀüÈ÷ ÀÐÈ÷´Â ÀÌÀ¯´Â?
09. À̼٠¿ìÈ­¸¦ ¸¸³ª´Ù TOP13(TOP13 Places of Aesop¡¯s Fables)
10. À̼٠¿ìÈ­ ¿øÀÛÀÇ ¿µÈ­, µå¶ó¸¶, ¾Ö´Ï¸ÞÀ̼Ç, À¥Å÷(Movie, Drama, Animation and Webtoon of Aesop¡¯s Fables in IMDb and Wikipedia)
11. ¿Àµð¿ÀºÏÀ¸·Î µè´Â À̼٠¿ìÈ­(Audio Books of Aesop's Fables)
12. À̼٠¿ìÈ­ ¾î·Ï 101¼±(101 Quotes of Aesop¡¯s Fables)
¢º ¿µ¾î°íÀü1,306 À̼ÙÀÇ À̼٠¿ìÈ­ °³Á¤ÆÇ¥° 1884(English Classics1,306 AESOP's Fables by AESOP: A New Revised Version From Original Sources)
LIFE OF ¨¡SOP.
¢¹ ¨¡SOP'S FABLES.
001. The Wolf Turned Shepherd.
002. The Stag at the Pool.
003. The Fox and the Mask.
004. The Bear and the Fox.
005. The Wolf and the Lamb.
006. The One-Eyed Doe.
007. The Dog, Cock and Fox.
008. The Mouse, the Frog, and the Hawk.
009. The Dog and the Oyster.
010. The Wolf and the Shepherds.
011. The Hares and the Frogs.
012. The Lion and the Boar.
013. The Mischievous Dog.
014. The Quack Frog.
015. The Ass, the Fox, and the Lion.
016. The Wolf and the Sheep.
017. The Cock and the Jewel.
018. The Two Pots.
019. The Gnat and the Lion.
020. The Widow and her Little Maidens.
021. The Fox and the Lion.
022. The Town Mouse and the Country Mouse.
023. The Monkey and the Dolphin.
024. The Game-cocks and the Partridge.
025. The Boy and the Nettle.
026. The Trumpeter taken Prisoner.
027. The Fatal Marriage.
028. The Ass and the Charger.
029. The Vain Jackdaw.
030. The Milkmaid and her Pot of Milk.
031. The Playful Ass.
032. The Man and the Satyr.
033. The Oak and the Reeds.
034. The Huntsman and the Fisherman.
035. The Mother and the Wolf.
036. The Shepherd and the Wolf.
037. The Dove and the Crow.
038. The Old Man and the Three Young Men.
039. The Lion and the Fox.
040. The Horse and the Stag.
041. The Lion and the Dolphin.
042. The Mice in Council.
043. The Camel and the Arab.
044. The Fighting Cocks and the Eagle.
045. The Boys and the Frogs.
046. The Crab and its Mother.
047. The Wolf and the Shepherd.
048. The Man and the Lion.
049. The Ox and the Frog.
050. The Birds, the Beasts, and the Bat.
051. The Charcoal-Burner and the Fuller.
052. The Bull and the Goat.
053. The Lion and the Mouse.
054. The Horse and the Ass.
055. The Old Hound.
056. The Crow and the Pitcher.
057. The Ass Eating Thistles.
058. The Wolf and the Lion.
059. The King's Son and the Painted Lion.
060. The Trees and the Axe.
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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