<¿µ¾î·Î Àд °íÀü _ ³ª´Ù´Ï¿¤ È£¼ÕÀÇ °Å¿ï>
"Monsieur du Miroir"´Â Nathaniel HawthorneÀÌ ¾´ ´ÜÆí ¼Ò¼³·Î, 1846³â ±×ÀÇ Ä÷º¼Ç "Mosses from an Old Manse"¿¡ ÃâÆǵǾú´Ù. À̾߱â´Â Monsieur du Miroir¶ó´Â ³²ÀÚ¸¦ Áß½ÉÀ¸·Î Àü°³µÈ´Ù. °Å¿ï'Àº ÇÁ¶û½º¾î·Î. Monsieur du Miroir´Â ºÎÀÚ¿¬½º·´°Ô °Å¿ï¿¡ ÁýÂøÇÏ°í °Å¿ïÀ» ¹Ù¶óº¸¸ç ¸¹Àº ½Ã°£À» º¸³»´Â »ç¶÷ÀÌ´Ù.
Monsieur du Miroir°¡ °Å¿ï¿¡ ´ëÇÑ ÀÚ½ÅÀÇ °æÇèÀ» À̾߱âÇÏ°í ±×°ÍÀÌ ±×ÀÇ »î¿¡ ³¢Ä£ ½É¿ÀÇÑ ¿µÇâ¿¡ ´ëÇØ ¼ºÂûÇÏ¸é¼ ³»·¯Æ¼ºê°¡ Àü°³µÈ´Ù. ±×´Â °Å¿ïÀÌ ¾î¶»°Ô ±×¿¡°Ô ´Ü¼øÇÑ ¹Ý»ç Ç¥¸é ÀÌ»óÀÇ ¿ªÇÒÀ» Çß´ÂÁö ¼³¸íÇÑ´Ù. ±×µéÀº ´Ù¸¥ ¿µ¿ª°ú Â÷¿øÀ¸·Î °¡´Â °ü¹®ÀÌ µÈ´Ù. ±×´Â °Å¿ïÀ» ¿À·§µ¿¾È µé¿©´Ùº¸¸é Çö½ÇÀÇ °æ°è¸¦ ¶Ù¾î³Ñ¾î ¼û°ÜÁø Áø½Ç°ú Áö½Ä¿¡ Á¢±ÙÇÒ ¼ö ÀÖ´Ù°í ¹Ï´Â´Ù.
À̾߱Ⱑ ÁøÇàµÇ¸é¼, °Å¿ï¿¡ ´ëÇÑ Monsieur du MiroirÀÇ ÁýÂøÀº ±×¸¦ ÀÏ·ÃÀÇ ÀÌ»óÇÏ°í ºÒ¾ÈÇÑ ¸¸³²À¸·Î À̲ö´Ù. ±×´Â ÁÖº¯ ¼¼°è·ÎºÎÅÍ Á¡Á¡ ´õ ¸Ö¾îÁö°í, ´Ù¸¥ »ç¶÷µé°ú ÇÔ²² ÀÖ´Â °Íº¸´Ù °Å¿ï°ú ÇÔ²² ÀÖ´Â °ÍÀ» ´õ ÁÁ¾ÆÇÕ´Ï´Ù. °á±¹ °Å¿ï¿¡ ´ëÇÑ ±×ÀÇ ÁýÂøÀº ±×¸¦ ¿ÏÀüÈ÷ ¼Ò¸ð½ÃÄÑ ºñ±ØÀûÀÌ°í ¼ö¼ö²²³¢ °°Àº °á·ÐÀ¸·Î À̾îÁø´Ù.
"Monsieur du Miroir"´Â ÁýÂø, ÀνÄ, Çö½Ç°ú ȯ»ó »çÀÌÀÇ ¸ðÈ£ÇÑ °æ°è¿¡ ´ëÇÑ ÁÖÁ¦¸¦ ´Ù¸£°íÀÖ´Ù.
"Monsieur du Miroir" is a short story written by Nathaniel Hawthorne, published in his collection "Mosses from an Old Manse" in 1846. The story revolves around a man named Monsieur du Miroir. 'Mirror' in French. Monsieur du Miroir is a man who is unnaturally obsessed with mirrors and spends a lot of time looking at them.
The narrative unfolds as Monsieur du Miroir recounts his experience with the mirror and reflects on the profound impact it had on his life. He explains how mirrors were more than just reflective surfaces for him. They become gateways to other realms and dimensions. He believes that if you look into a mirror for a long time, you can transcend the boundaries of reality and access hidden truths and knowledge.
As the story progresses, Monsieur du Miroir's obsession with mirrors leads him into a series of strange and disturbing encounters. He becomes more and more distant from the world around him, preferring the company of mirrors to the company of other people. Eventually, his obsession with the mirror consumes him completely, leading to a tragic and puzzling conclusion.
"Monsieur du Miroir" explores themes of obsession, perception, and the blurred lines between reality and fantasy.
Summary
Than the gentleman above named, there is nobody, in the whole circle of my acquaintance, whom I have more attentively studied, yet of whom I have less real knowledge, beneath the surface which it pleases him to present. Being anxious to discover who and what he really is, and how connected with me, and what are to be the results to him and to myself of the joint interest which, without any choice on my part, seems to be permanently established between us,¡¦.
Contents
Monsieur du Miroir