¢º ¿µ¾î°íÀü1,336 Ç ÇʵùÀÇ ¿¬ÀÎÀÇ Á¶·ÂÀÚ; ȤÀº »ç¶ûÀÇ »õ·Î¿î ±â¼ú 1760(English Classics1,336 The Lovers Assistant; Or, New Art of Love by Henry Fielding and Ovid) : ¿À´ÃÀº Ç ÇʵùÀÇ ¿¬ÀÎÀÇ Á¶·ÂÀÚ; ȤÀº »ç¶ûÀÇ »õ·Î¿î ±â¼ú 1760(The Lovers Assistant; Or, New Art of Love by Henry Fielding and Ovid)¿¡ ´ëÇØ À̾߱âÇغ¼°Ô¿ä. ÀÌ ÀÛÇ°Àº ÇʵùÀÌ ·Î¸¶ ½ÃÀÎ ¿Àºñµð¿ì½º°¡ 3±Ç ºÐ·®À¸·Î ÁýÇÊÇÑ ±³À°¿ë ¾Ö°¡(an instructional elegy series in three books) »ç¶ûÀÇ ±â±³(Ars Amatoria, 2 AD)¸¦ ÀÚ½ÅÀÇ ÇÊü·Î ¹ø¿ªÇÏ°í °¢»öÇÑ ÀÛÇ°ÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!
¢º ¡°The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age.¡± Michel de Montaigne(1533~1592) ¢¹ "Á¦°¡ Ã¥¿¡ ´ëÇÑ Ã¹ ¹ø° ÃëÇâÀº ¿Àºñµð¿ì½ºÀÇ º¯½Å À̾߱â(the fables of the Metamorphoses of Ovid.)¿¡ ´ëÇÑ Áñ°Å¿ò¿¡¼ ºñ·ÔµÇ¾ú½À´Ï´Ù. 7~8¼¼ ¹«·Æ¿¡´Â ´Ù¸¥ ¸ðµç Áñ°Å¿òÀ» ÈÉÃļ¶óµµ Ã¥À» Àаï Çß½À´Ï´Ù. ÀÌ ¾ð¾î°¡ Á¦ ¸ð±¹¾î¿´°í, Á¦°¡ ¾Æ´Â °¡Àå ½¬¿î Ã¥À̾ú°í, Á¦ ¾î¸° ³ªÀÌ¿¡ °¡Àå ÀûÇÕÇÑ ³»¿ëÀ̾ú±â ¶§¹®ÀÔ´Ï´Ù." ÇÁ¶û½º öÇÐÀÚ ¹Ì¼Ð µå ¸ùÅ×´º(Michel de Montaigne, 1533~1592)
¢º ÁٰŸ®(Summary) : ¢¹ ³²¼ºµéÀ» À§ÇÑ Á¶¾ð : ÇʵùÀº ¿©±â¼ ³²¼ºµé¿¡°Ô ¾î¶»°Ô ¿©¼ºÀÇ ¸¶À½À» ¾òÀ» ¼ö ÀÖ´ÂÁö Á¶¾ðÀ» ÇØÁÝ´Ï´Ù. ¿¹¸¦ µé¾î, ¿©¼ºÀÌ ÁÁ¾ÆÇÏ´Â Àå¼Ò¿¡ °¡º¸¶ó°í Á¶¾ðÇÏÁÒ. ±ØÀå, °ø¿ø, ÆÄƼ µî ¿©¼ºµéÀÌ ¸¹ÀÌ ¸ðÀÌ´Â °÷¿¡ °¡¼ ÀÚ¿¬½º·´°Ô ¸¸³²ÀÇ ±âȸ¸¦ ¸¸µé¶ó´Â °Å¿¹¿ä. ¶Ç, ¿Ü¸ð¸¦ °¡²Ù´Â °Íµµ Áß¿äÇÏ´Ù°í ¸»ÇØ¿ä. ÇÏÁö¸¸ ³Ê¹« °úÇÏ°Ô ²Ù¹ÌÁö ¸»°í ÀÚ¿¬½º·´°Ô ¸ÚÀ» ³»¶ó°í Á¶¾ðÇÏÁÒ. ¿Àºñµð¿ì½º ¿øÀÛ¿¡µµ ±×³àÀÇ »ýÀÏÀ» ÀØÁö ¸» °Í(not forgetting her birthday), ±×³à°¡ ´ç½ÅÀ» ±×¸®¿öÇÏ°Ô µÎ´Â °Í - ÇÏÁö¸¸ ¿À·¡ ±×¸®¿öÇÏÁö ¾Ê´Â °Í(letting her miss you - but not for long), ±×³àÀÇ ³ªÀ̸¦ ¹¯Áö ¾Ê´Â °Í(not asking about her age)°ú °°ÀÌ ±¸Ã¼ÀûÀ¸·Î Ç¥ÇöµÇ¾î ÀÖ½À´Ï´Ù.
¢º BOOK I. If in so learned an Age as this, when Arts and Sciences are risen to such Perfection, there be any Gentleman unskilled in the Art of Loving, let him come to my School; where, if he hath any Genius, he will soon become an Adept: For I would by no means have any young Gentlemen think, that Erudition is unnecessary upon this Occasion. It is well known that the Rules of Art are necessary to the Conduct of a Ship; for which reason, none but able and experienced Seamen are preferred to the Command of one. Rules are necessary even to make a good Coachman, as those Gentlemen who have the Ambition to excel this way very well know. In the same manner is Art required to drive the Chariot of Love well. ¢¹ Á¦1±Ç. ¿¹¼ú°ú °úÇÐÀÌ ¿Ïº®ÇÏ°Ô ¹ßÀüÇÑ ÀÌ ½Ã´ë¿¡, »ç¶ûÀÇ ±â¼ú¿¡ ¼Åõ¸¥ ½Å»ç°¡ ÀÖ´Ù¸é, ±×´Â ³» Çб³¿¡ ¿À°Ô Ç϶ó. õÀç°¡ ÀÖ´Ù¸é, ±×´Â °ð Àü¹®°¡°¡ µÉ °ÍÀÌ´Ù. ³ª´Â ÀþÀº ½Å»çµéÀÌ ÀÌ·± °æ¿ì¿¡ ÇнÄÀÌ ºÒÇÊ¿äÇÏ´Ù°í »ý°¢Çϱ⸦ ¹Ù¶óÁö ¾Ê´Â´Ù. ¿¹¼úÀÇ ±ÔÄ¢Àº ¹èÀÇ ¿îÇ׿¡ ÇÊ¿äÇÏ´Ù´Â °ÍÀº Àß ¾Ë·ÁÁø »ç½ÇÀÌ´Ù. ÀÌ·± ÀÌÀ¯·Î À¯´ÉÇÏ°í °æÇèÀÌ ¸¹Àº ¼±¿ø¸¸ÀÌ ÁöÈÖÇÏ´Â °Íº¸´Ù ´õ ¼±È£µÈ´Ù. ±ÔÄ¢Àº ÈǸ¢ÇÑ ¸¶ºÎ¸¦ ¸¸µå´Â µ¥µµ ÇÊ¿äÇÏ´Ù. ÀÌ·± ¸é¿¡¼ ¶Ù¾î³ª·Á´Â ¾ß¸ÁÀ» °¡Áø ½Å»çµéÀÌ Àß ¾Ë°í ÀÖµíÀÌ. °°Àº ¹æ½ÄÀ¸·Î »ç¶ûÀÇ ÀüÂ÷¸¦ Àß ¿îÀüÇÏ´Â µ¥ ¿¹¼úÀÌ ÇÊ¿äÇÏ´Ù.
¢¹ ¿©¼ºµéÀ» À§ÇÑ Á¶¾ð : ¿©±â¼ ÇʵùÀº ¿©¼ºµé¿¡°Ô ¾î¶»°Ô ³²¼ºÀÇ °ü½ÉÀ» ²ø ¼ö ÀÖ´ÂÁö ¾Ë·ÁÁÝ´Ï´Ù. ¿¹¸¦ µé¾î, ÀÚ½ÅÀÇ ¸Å·ÂÀ» Àß µå·¯³»´Â ¹æ¹ýÀ̳ª ´ëÈ ±â¼ú µîÀ» ¼Ò°³ÇØ¿ä. ÇÏÁö¸¸ µ¿½Ã¿¡ ³Ê¹« ½±°Ô ¸¶À½À» ÁÖÁö ¸»¶ó°í Á¶¾ðÇϱ⵵ ÇØ¿ä. Àû´çÇÑ °Å¸®¸¦ À¯ÁöÇÏ¸é¼ ³²¼ºÀÇ °ü½ÉÀ» °è¼Ó À¯ÁöÇÏ´Â °ÍÀÌ Áß¿äÇÏ´Ù°í ¸»ÇÏÁÒ.
¢¹ ¿¬ÀÎ °ü°è¸¦ À¯ÁöÇÏ´Â ¹æ¹ý¿¡ ´ëÇÑ Á¶¾ð : ¿©±â¼ ÇʵùÀº ¼·Î¿¡ ´ëÇÑ Á¸Áß°ú ÀÌÇØÀÇ Á߿伺À» °Á¶ÇÕ´Ï´Ù. ¶ÇÇÑ °ü°è¿¡¼ ¹ß»ýÇÒ ¼ö ÀÖ´Â ´Ù¾çÇÑ ¹®Á¦µé°ú ±× ÇØ°á ¹æ¹ý¿¡ ´ëÇؼµµ À̾߱âÇØ¿ä.
¢º Restore faithfully whatever is deposited in your Hands: Be just in all your Contracts: Avoid all Kind of Fraud, and be not polluted with Blood. A wise Man will be a Rogue only among the Girls: For in all other Articles a Gentleman will be ashamed of breaking his Word. ¢¹ ¼Õ¿¡ ¸Ã°ÜÁø °ÍÀº ¹«¾ùÀ̵ç Ãæ½ÇÈ÷ µ¹·ÁÁֽʽÿÀ. ¸ðµç °è¾à¿¡¼ °øÁ¤ÇØ¾ß ÇÕ´Ï´Ù. ¸ðµç Á¾·ùÀÇ »ç±â¸¦ ÇÇÇÏ°í ÇÇ·Î ´õ·´ÇôÁöÁö ¸¶½Ê½Ã¿À. Çö¸íÇÑ ³²ÀÚ´Â ¿©ÀÚµé »çÀÌ¿¡¼¸¸ »ç±â²ÛÀÌ µÉ °ÍÀÔ´Ï´Ù. ´Ù¸¥ ¸ðµç Á¶Ç׿¡¼ ½Å»ç´Â ÀÚ½ÅÀÇ ¸»À» ¾î±ä °ÍÀ» ºÎ²ô·¯¿öÇÒ °ÍÀÔ´Ï´Ù.
¢¹ ¿¬ÀÎÀÇ Á¶·ÂÀÚ; ȤÀº »ç¶ûÀÇ »õ·Î¿î ±â¼ú 1760(The Lovers Assistant; Or, New Art of Love by Henry Fielding and Ovid)ÀÇ Æ¯Â¡Àº ÇʵùÀÇ À¯¸Ó¿Í dzÀÚ°¡ °÷°÷¿¡ ¼û¾îÀÖ´Ù´Â °Å¿¹¿ä. ±×´Â ÁøÁöÇÑ Á¶¾ðÀ» Çϸ鼵µ µ¿½Ã¿¡ ´ç½Ã »çȸÀÇ ¿¬¾Ö ¹®È¸¦ ÀçÄ¡ÀÖ°Ô ºñÆÇÇÏ°í ÀÖ¾î¿ä. ¿¹¸¦ µé¾î, ³Ê¹« °úµµÇÑ Ä¡ÀåÀ» ÇÏ´Â »ç¶÷µéÀ» dzÀÚÇϰųª, ¿¬¾Ö¸¦ ¸¶Ä¡ ÀüÀïÅÍó·³ ¿©±â´Â »ç¶÷µéÀ» ºñ²¿±âµµ ÇØ¿ä. ¢¹ ¶Ç ÇÑ °¡Áö Àç¹ÌÀÖ´Â Á¡Àº, ÇʵùÀÌ ¿Àºñµð¿ì½ºÀÇ ¿øÀÛÀ» ±×´ë·Î ¹ø¿ªÇÏÁö ¾Ê°í 18¼¼±â ¿µ±¹ÀÇ »óȲ¿¡ ¸Â°Ô °¢»öÇß´Ù´Â Á¡ÀÌÁÒ! ¿¹¸¦ µé¾î, ·Î¸¶ ½Ã´ëÀÇ ¸ñ¿åÅÁ ´ë½Å ¿µ±¹ÀÇ ¿Âõ µµ½ÃÀÎ ¹Ù½º¸¦ ¾ð±ÞÇѴٰųª, ·Î¸¶ÀÇ ¿øÇü °æ±âÀå ´ë½Å ·±´øÀÇ ±ØÀåÀ» ¼Ò°³ÇÏ´Â ½ÄÀÌÁÒ. ¢¹ ÀÌ ÀÛÇ°Àº ´Ü¼øÇÑ ¿¬¾Ö Áöħ¼°¡ ¾Æ´Ï¿¡¿ä. ÇʵùÀº ÀÌ ÀÛÇ°À» ÅëÇØ ´ç½Ã ¿µ±¹ »çȸÀÇ ¸ð½ÀÀ» »ý»ýÇÏ°Ô º¸¿©ÁÖ°í ÀÖ¾î¿ä. ƯÈ÷ »ó·ù »çȸÀÇ ¿¬¾Ö ¹®È¿Í °ü½ÀÀ» ¼¼¹ÐÇÏ°Ô ¹¦»çÇÏ°í ÀÖÁÒ. ±×·¡¼ ÀÌ ÀÛÇ°Àº 18¼¼±â ¿µ±¹ »çȸ¸¦ ÀÌÇØÇÏ´Â µ¥ Áß¿äÇÑ ÀÚ·á·Î ¿©°ÜÁö°í ÀÖ¾î¿ä.
¢¹ ÇÏÁö¸¸ ÁÖÀÇÇÒ Á¡µµ ÀÖ¾î¿ä. ÀÌ ÀÛÇ°¿¡´Â Çö´ëÀÇ °üÁ¡¿¡¼ º¸¸é ¼ºÂ÷º°ÀûÀ̰ųª ºÎÀûÀýÇÑ ³»¿ëµéµµ ´Ù¼ö Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. Ç Çʵù °³ÀÎÀÇ °üÁ¡ÀÎ µ¿½Ã¿¡ ´ç½ÃÀÇ »çȸ ±Ô¹ü°ú °¡Ä¡°üÀ» ¹Ý¿µÇÑ ºÎºÐÀº ÁÖÀÇ ±í°Ô Àоî¾ßÇÒ ÇÊ¿ä°¡ ÀÖÀ¸¸ç, Çö´ëÀÇ µ¶ÀÚµéÀº Ç ÇʵùÀÇ ÀÛÇ°À» ÅëÇØ 18¼¼±â ¿µ±¹ÀÇ ½Ã´ëÀû »óȲÀ» ¿³º¼ ¼ö ÀÖ½À´Ï´Ù.
¢º ¿¬ÀÎÀÇ Á¶·ÂÀÚ; ȤÀº »ç¶ûÀÇ »õ·Î¿î ±â¼ú 1760(The Lovers Assistant; Or, New Art of Love by Henry Fielding and Ovid)ÀÌ ´Ü¼øÇÑ ¿¬¾Ö Áöħ¼°¡ ¾Æ´Ï¶ó 18¼¼±â ¿µ±¹ »çȸ¸¦ µé¿©´Ùº¼ ¼ö ÀÖ´Â Èï¹Ì·Î¿î ÀÛÇ°À̶ó´Â °É ´À³¢¼Ì³ª¿ä? ÇʵùÀº ÀÌ ÀÛÇ°À» ÅëÇØ ¿ì¸®¿¡°Ô »ç¶û°ú ¿¬¾Ö¿¡ ´ëÇÑ Á¶¾ðÀ» Áָ鼵µ, µ¿½Ã¿¡ ´ç½Ã »çȸÀÇ ¸ð½ÀÀ» ÀçÄ¡ÀÖ°Ô ºñÆÇÇÏ°í ÀÖ¾î¿ä. ¢¹ ÀÌ ÀÛÇ°Àº 300³âµµ ´õ µÈ ¿À·¡µÈ ±ÛÀÌÁö¸¸, ±× ¾È¿¡ ´ã±ä Àΰ£ÀÇ º»ÁúÀûÀÎ ¿å¸Á°ú °¨Á¤Àº Áö±Ýµµ Å©°Ô ´Ù¸£Áö ¾Ê½À´Ï´Ù. 21¼¼±â Çѱ¹ÀÇ ¿ì¸®µéµµ ÀÌ ÀÛÇ°À» ÀÐÀ¸¸é¼ »ç¶û°ú °ü°è¿¡ ´ëÇØ ´Ù½Ã ÇÑ ¹ø »ý°¢ÇÏ´Â °è±â·Î »ïÀ¸¸é ¾î¶³±î¿ä?
¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд Ç Çʵù(Henry Fielding, 1707~1754)
01. ¿µ¾î±Ù´ë¼Ò¼³ÀÇ ¾Æ¹öÁö(The Father of Modern Novel in English), Ç Çʵù(Henry Fielding, 1707~1754)
02. °ø¿¬»çÀü°Ë¿¹ý(Licensing Act 1737)À¸·Î º¯È£»ç°¡ µÈ ¿µ±¹ÀÇ ±ØÀÛ°¡
03. ¾Æ³» ¼£·µ Å©·¡µ¶(Charlotte Craddock, 1711~1744)À» ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀ¸·Î ±×¸° ·Î¸ÇƼ½ºÆ®
04. ¾Æ³»°¡ »ç¸ÁÇÑ ÈÄ ¾Æ³»ÀÇ ÇÏ³à ¸Þ¸® ´ë´Ï¾ó(Mary Daniel)°ú ÀçÈ¥ÇÏ´Ù(1747~1754)
05. ¿µ±¹ ¿þ½ºÆ®¹Î½ºÅÍ ¼ö¼®ÆÇ»ç(Chief Metropolitan Stipendiary Magistrate, 1748~1754)°¡ µÈ º¯È£»ç
06. ·±´ø ÃÖÃÊÀÇ °æÂû º¸¿ì ½ºÆ®¸®Æ® ·¯³Ê½º(Bow Street Runners) ¼³¸³¿¡ ±â¿©ÇÏ´Ù(1749)
07. ÄÚº¥Æ® °¡µç Àú³Î(The Covent-Garden Journal, 1752)À» â°£ÇÏ´Ù
08. °Å¸®ÀÇ À̸§¸¶Àú ¹Ù²ã¹ö¸° 2³â°£ÀÇ Á¾ÀÌ ÀüÀï(Paper War of 1752?1753)
09. Æ÷¸£Åõ°¥ ¸®½ºº»¿¡¼ ¿µ¸é¿¡ µé´Ù(1754)
10. ¼¸Ó½Ë ¸ö(William Somerset Maugham, CH, 1874~1965)ÀÌ ¼±Á¤ÇÑ ¼¼°è 10´ë ¼Ò¼³(Great Novelists and Their Novels, 1954) Áß Çϳª
11. Ç ÇʵùÀ» ¸¸³ª´Ù TOP7(TOP7 Places of Henry Fielding)
12. Ç Çʵù ¿øÀÛÀÇ ¿µÈ, µå¶ó¸¶, ¾Ö´Ï¸ÞÀ̼Ç, À¥Å÷(Movie, Drama, Animation and Webtoon of Henry Fielding in IMDb and Wikipedia)
13. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Ç Çʵù(Audio Books of Henry Fielding)
14. Ç Çʵù ¾î·Ï 63¼±(63 Quotes of Henry Fielding)
¢º ¿µ¾î°íÀü1,336 Ç ÇʵùÀÇ ¿¬ÀÎÀÇ Á¶·ÂÀÚ; ȤÀº »ç¶ûÀÇ »õ·Î¿î ±â¼ú 1760(English Classics1,336 The Lovers Assistant; Or, New Art of Love by Henry Fielding and Ovid)
Introduction
Preface
¢¹ BOOK I
Footnotes
Publications Of The Augustan Reprint Society
William Andrews Clark Memorial Library: University Of California
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
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