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¿µ¾î°íÀü1,337 Ç Çʵù ÀüÁý Á¦11±Ç(English Classics1,337 The Works of Henry Fielding, Vol. 11 by Henry Fielding


¿µ¾î°íÀü1,337 Ç Çʵù ÀüÁý Á¦11±Ç(English Classics1,337 The Works of Henry Fielding, Vol. 11 by Henry Fielding

¿µ¾î°íÀü1,337 Ç Çʵù ÀüÁý Á¦11±Ç(English Classics1,337 The Works of Henry Fielding, Vol. 11 by Henry Fielding

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¢º Ç Çʵù ÀüÁý Á¦11±Ç(The Works of Henry Fielding, Vol. 11)¿¡´Â 1749³â Ãâ°£µÈ ÀÌ°è¿©Çà·Ï 1749(A Journey from This World to the Next)¿Í ¿ä¾çÀ» À§ÇØ Æ÷¸£Åõ°¥·Î ¶°³ª´Â ¿©Á¤¿¡ ÁýÇÊÇÑ 1755³âÀÇ ¸®½ºº»Çà Ç×ÇØÀÏÁö 1755(The Journal of a Voyage to Lisbon) µÎ ÀÛÇ°ÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ¿©ÇàÀÇ ¸ñÀûÁö´Â ÀüÇô »ó¹ÝµÇÁö¸¸, Ç Çʵù ƯÀ¯ÀÇ À¯¸Ó¿Í ÀçÄ¡, »çȸ¿¡ ´ëÇÑ Ç³ÀÚ¿Í Àº±ÙÇÑ ºñÆÇÀº µÎ ÀÛÇ°¿¡¼­ ¸ðµÎ ã¾Æº¼ ¼ö ÀÖ´Â ¹Ì´öÀ̱⿡ 21¼¼±â Çѱ¹ÀÇ µ¶ÀÚ¿¡°Ôµµ Àϵ¶À» ±ÇÇÕ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º ÀÌ°è¿©Çà·Ï 1749(A Journey from This World to the Next) : ¢º ¿À´ÃÀº 18¼¼±â ¿µ±¹ÀÛ°¡ Ç Çʵù(Henry Fielding, 1707~1754)ÀÇ Àç¹ÌÀÖ´Â ÀÛÇ° ÀÌ°è¿©Çà·Ï 1749(A Journey from This World to the Next)¿¡ ´ëÇØ À̾߱âÇغ¼°Ô¿ä. ÀÌ ¼Ò¼³Àº 1743³â¿¡ ¹ßÇ¥µÈ ÀÛÇ°À¸·Î, Çʵù ƯÀ¯ÀÇ ÀçÄ¡¿Í dzÀÚ°¡ µ¸º¸ÀÌ´Â ÀÛÇ°ÀÌ¿¡¿ä. ¢¹ ÀÌ ÀÛÇ°ÀÇ ÁÖ¿ä µîÀåÀι°µéÀº °¢ÀÚ µ¶Æ¯ÇÑ ¹è°æ°ú À̾߱⸦ °¡Áö°í ÀÖ¾î¿ä. ÇʵùÀº À̵éÀ» ÅëÇØ ´ç½Ã »çȸÀÇ ´Ù¾çÇÑ ¹®Á¦Á¡µéÀ» ½Å¶öÇÏ°Ô ºñÆÇÇÏ°í, µ¿½Ã¿¡ À¯¸Ó¿Í dzÀÚ¸¦ ÅëÇØ µ¶Àڵ鿡°Ô ±³ÈÆÀ» ÁÖ°í ÀÖ½À´Ï´Ù. ÁÖÀΰø°ú ¸ÓÅ¥¸®ÀÇ ´ëÈ­, ±×¸®°í ´Ù¾çÇÑ ½Â°´µé°úÀÇ ¸¸³²À» ÅëÇØ ¿ì¸®´Â 18¼¼±â ¿µ±¹ »çȸÀÇ ¸ð½ÀÀ» »ý»ýÇÏ°Ô ¿³º¼ ¼ö ÀÖ¾î¿ä. ¢¹ ÀÌ ÀÛÇ°Àº ´Ü¼øÈ÷ »çÈÄ ¼¼°è¸¦ »ó»óÇÑ ¼Ò¼³ÀÌ ¾Æ´Ï¶ó, »î°ú Á×À½, ±×¸®°í ±× ³Ê¸ÓÀÇ ¼¼°è¿¡ ´ëÇÑ ±íÀÌ ÀÖ´Â ¼ºÂûÀ» ´ã°í ÀÖ¾î¿ä. ÇʵùÀÇ ÀçÄ¡ ÀÖ´Â ¹®Ã¼¿Í ³¯Ä«·Î¿î °üÂû·ÂÀ» ÅëÇØ ¿ì¸®´Â ¸¹Àº °ÍÀ» ´À³¢°í ¹è¿ï ¼ö ÀÖ½À´Ï´Ù.

¢º ÁٰŸ®(Summary) : ¢¹ ÀÌ ¼Ò¼³ÀÇ ÁٰŸ®´Â Á¤¸» µ¶Æ¯ÇØ¿ä. À̾߱â´Â ÁÖÀΰøÀÌ Á×´Â °ÍÀ¸·Î ½ÃÀÛÇØ¿ä. ³×, ¸Â¾Æ¿ä. ù ¹®ÀåºÎÅÍ ÁÖÀΰøÀÌ Á×¾î¹ö·Á¿ä! ÁÖÀΰøÀº ÀÚ½ÅÀÇ ÄÚ¸¦ ÅëÇØ ¿µÈ¥ÀÌ ºüÁ®³ª°¡´Â °É ´À³¢°í, ±×·¸°Ô »çÈÄ ¼¼°è·ÎÀÇ ¿©ÇàÀÌ ½ÃÀ۵˴ϴÙ. ¢¹ ÀÌ ¿©Çà¿¡¼­ ÁÖÀΰøÀº ´Ù¾çÇÑ Àι°µéÀ» ¸¸³ª°Ô µÅ¿ä. ±× Áß¿¡´Â ½ÅÈ­ ¼Ó Àι°ÀÎ ¸ÓÅ¥¸®µµ ÀÖ¾î¿ä. ¸ÓÅ¥¸®´Â ÁÖÀΰøÀ» »çÈÄ ¼¼°è·Î ¾È³»ÇÏ´Â ¿ªÇÒÀ» ÇØ¿ä. Àç¹ÌÀÖ´Â °Ç, ÀÌ ¸ÓÅ¥¸®°¡ ±ØÀå¿¡¼­ º» ÀûÀÌ ÀÖ´Â ¹è¿ì °°´Ù°í ÁÖÀΰøÀÌ ¸»ÇÏ´Â °Å¿¹¿ä. ÇʵùÀÌ ´ç½ÃÀÇ ¿¬±Ø ¹®È­¸¦ ºø´ë¾î dzÀÚÇÏ´Â ºÎºÐÀÌÁÒ.

¢¹ ¿©ÇàÀº ¸¶Â÷¸¦ Ÿ°í ÁøÇàµÇ´Âµ¥, ÀÌ ¸¶Â÷¿¡´Â ´Ù¸¥ Á×Àº ¿µÈ¥µéµµ ÇÔ²² Ÿ°í ÀÖ¾î¿ä. °¢ÀÚ ÀÚ½ÅÀÌ ¾î¶»°Ô Á×¾ú´ÂÁö À̾߱⸦ ³ª´©´Â Àå¸éÀÌ ³ª¿À´Âµ¥, ÀÌ ºÎºÐÀÌ Á¤¸» Àç¹ÌÀÖ¾î¿ä. ÇÑ ½Â°´Àº Àǻ簡 ó¹æÇÑ ¾à ¶§¹®¿¡ Á×¾ú´Ù°í ÇÏ°í, ¶Ç ´Ù¸¥ ½Â°´Àº ¸í¿¹ ¶§¹®¿¡ °áÅõ¸¦ ÇÏ´Ù Á×¾ú´Ù°í ÇØ¿ä. ÇʵùÀº ÀÌ·± À̾߱âµéÀ» ÅëÇØ ´ç½Ã »çȸÀÇ ¹®Á¦Á¡µéÀ» ²¿Áý°í ÀÖ¾î¿ä. ¢¹ ¿©Çà Áß¿¡ ±×µéÀº Áúº´ÀÇ µµ½Ã (The City of Diseases)¶ó´Â °÷À» Áö³ª°¡¿ä. ÀÌ µµ½Ã´Â ¾ÆÁÖ ºÒÄèÇÑ ³¿»õ°¡ ³ª°í, »ç¶÷µéÀÌ º´¿¡ ½Ã´Þ¸®°í ÀÖ¾î¿ä. ÇʵùÀº À̸¦ ÅëÇØ ´ç½Ã À¯·´, ƯÈ÷ ³×´ú¶õµåÀÇ À§»ý »óÅÂ¿Í ÀÇ·á ¹®Á¦¸¦ ºñÆÇÇÏ°í ÀÖ¾î¿ä. ÀÌ µµ½Ã¿¡¼­ ¸¸³ª´Â »ç¶÷µéÀº ´Ù¾çÇÑ º´¿¡ °É·Á °íÅë ¹Þ°í ÀÖÀ¸¸ç, ÀÌ´Â ´ç½Ã »çȸÀÇ À§»ý ¹®Á¦¸¦ »ó¡ÀûÀ¸·Î ³ªÅ¸³»°í ÀÖ½À´Ï´Ù. ÇʵùÀº À̸¦ ÅëÇØ ´ç½Ã À¯·´ÀÇ À§»ý »óÅÂ¿Í ÀÇ·á ¹®Á¦¸¦ ºñÆÇÇÏ°í ÀÖÁÒ.

¢¹ ÀÌ ¿©ÇàÀÇ ³¡¿¡´Â ¾ÆÁÖ Èï¹Ì·Î¿î Àå¸éÀÌ ³ª¿Í¿ä. ¿µÈ¥µéÀÌ »õ·Î¿î »îÀ» ¼±ÅÃÇÏ´Â Àå¸éÀä, ¸¶Ä¡ Á¦ºñ»Ì±âó·³ ÀÚ½ÅÀÇ ´ÙÀ½ »ýÀ» »Ì´Â °Å¿¹¿ä. ¿©±â¼­ ÇʵùÀº Á¤¸» ÀçÄ¡ÀÖ°Ô ÀλýÀÇ ¾ÆÀÌ·¯´Ï¸¦ º¸¿©Áà¿ä. ¿¹¸¦ µé¾î, '¹éÀÛ, ºÎÀÚ, °Ç°­, ºÒ¾È'À̶ó´Â »î°ú '±¸µÎÀåÀÌ, º´¾à, Çູ'À̶ó´Â »î Áß¿¡ ¼±ÅÃÇØ¾ß ÇÏ´Â °ÅÁÒ. À̸¦ ÅëÇØ ÇʵùÀº ¿ì¸®°¡ ÈçÈ÷ »ý°¢ÇÏ´Â 'ÁÁÀº »î'ÀÌ ½ÇÁ¦·Î´Â ±×·¸Áö ¾ÊÀ» ¼ö ÀÖ´Ù´Â °É º¸¿©ÁÖ°í ÀÖ¾î¿ä.

¢º ¸®½ºº»Çà Ç×ÇØÀÏÁö 1755(The Journal of a Voyage to Lisbon) : ¸®½ºº»Çà Ç×ÇØÀÏÁö 1755(The Journal of a Voyage to Lisbon)´Â ÇʵùÀÌ 1754³â¿¡ °Ç°­ ¹®Á¦·Î Æ÷¸£Åõ°¥ ¸®½ºº»À¸·Î ¿©ÇàÇϸ鼭 ¾´ Àϱâ Çü½ÄÀÇ ±ÛÀÌ¿¡¿ä. ÇʵùÀº ÀÌ ¿©ÇàÀ» ÅëÇØ ÀÚ½ÅÀÇ °Ç°­À» ȸº¹ÇÏ°íÀÚ Çß°í, ±× °úÁ¤¿¡¼­ °ÞÀº ´Ù¾çÇÑ »ç°ÇµéÀ» ±â·ÏÇß½À´Ï´Ù. ÀÌ ÀÛÇ°Àº ´Ü¼øÇÑ ¿©Çà±â°¡ ¾Æ´Ï¶ó, ÇʵùÀÇ »ç»ó°ú ´ç½Ã »çȸ¿¡ ´ëÇÑ ºñÆÇÀÌ ´ã°Ü Àִ dzÀÚÀûÀÎ ¿ä¼Ò°¡ ¸¹½À´Ï´Ù.

¢º DEDICATION TO THE PUBLIC. To make a traveler an agreeable companion to a man of sense, it is necessary, not only that he should have seen much, but that he should have overlooked much of what he hath seen. Nature is not, any more than a great genius, always admirable in her productions, and therefore the traveler, who may be called her commentator, should not expect to find everywhere subjects worthy of his notice. ¢¹ ´ëÁß¿¡°Ô ¹ÙÄ¡´Â Çå»ç. ¿©ÇàÀÚ¸¦ »ó½ÄÀûÀÎ »ç¶÷¿¡°Ô ±âºÐ ÁÁÀº µ¿¹ÝÀÚ·Î ¸¸µé·Á¸é, ±×°¡ ¸¹Àº °ÍÀ» º¸¾ÒÀ» »Ó¸¸ ¾Æ´Ï¶ó º» °ÍÀÇ ¸¹Àº ºÎºÐÀ» °£°úÇß¾î¾ß ÇÕ´Ï´Ù. ÀÚ¿¬Àº À§´ëÇÑ ÃµÀç°¡ ¾Æ´ÏµíÀÌ Ç×»ó ±× »ý»ê¹°¿¡¼­ °¨ÅºÇÒ ¸¸ÇÑ °ÍÀº ¾Æ´Õ´Ï´Ù. µû¶ó¼­ ÀÚ¿¬¿¡ ´ëÇÑ Çؼ³°¡¶ó°í ÇÒ ¼ö ÀÖ´Â ¿©ÇàÀÚ´Â ÀÚ½ÅÀÇ ÁÖÀǸ¦ ±â¿ïÀÏ ¸¸ÇÑ ÁÖÁ¦¸¦ ¾îµð¼­³ª ãÀ» ¼ö ÀÖÀ» °ÍÀ̶ó°í ±â´ëÇؼ­´Â ¾È µË´Ï´Ù.

¢º ÁٰŸ®(Summary) : À̾߱â´Â ÇʵùÀÌ º´À¸·Î °íÅë ¹Þ°í ÀÖÀ» ¶§ ½ÃÀ۵˴ϴÙ. ±×´Â ÀÇ»ç·ÎºÎÅÍ ¿©ÇàÀ» ±ÇÀ¯¹Þ°í, ¸®½ºº»À¸·Î °¡±â·Î °á½ÉÇØ¿ä. ÇʵùÀº ¿©Çà Áß¿¡ ¸¸³ª´Â »ç¶÷µé°úÀÇ ´ëÈ­, ±×¸®°í ±×µéÀÌ °Þ´Â ´Ù¾çÇÑ »ç°ÇµéÀ» ÅëÇØ ´ç½Ã »çȸÀÇ ¿©·¯ ¹®Á¦¸¦ ºñÆÇÇÕ´Ï´Ù. ¿©Çà Áß ÇʵùÀº ¿©·¯ °¡Áö »ç¶÷µéÀ» ¸¸³ª°Ô µÇ´Âµ¥, À̵éÀº °¢ÀÚ µ¶Æ¯ÇÑ ¼º°Ý°ú ¹è°æÀ» °¡Áö°í ÀÖ¾î¿ä. ±× Áß¿¡´Â ºÎÀ¯ÇÑ »óÀÎ, ¿©ÇàÀÚ, ±×¸®°í ´Ù¾çÇÑ »çȸÀû ÁöÀ§¸¦ °¡Áø Àι°µéÀÌ Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. À̵é°úÀÇ ´ëÈ­´Â ÇʵùÀÌ ´ç½Ã »çȸÀÇ À§¼±°ú ºÎÆи¦ ºñÆÇÇÏ´Â µ¥ Áß¿äÇÑ ¿ªÇÒÀ» ÇÏÁÒ.

¢¹ Ãâ¹ß Áغñ : 1753³â, Ç ÇʵùÀº ½É°¢ÇÑ º´¿¡ °É·Á Ä¡·á¸¦ À§ÇØ ¸®½ºº»À¸·Î °¡±â·Î °á½ÉÇÕ´Ï´Ù. ±×´Â °¡Á·°ú ÇÔ²² Áغñ¸¦ ¸¶Ä¡°í, 1754³â ¿©¸§¿¡ ·±´øÀ» ¶°³ª±â·Î ÇÕ´Ï´Ù. ¢¹ ¿©Á¤ÀÇ ½ÃÀÛ : Çʵù°ú ±×ÀÇ °¡Á·Àº 1754³â 6¿ù, "Äý ¿Àºê Æ÷¸£Åõ°¥" È£¿¡ ½Â¼±ÇÕ´Ï´Ù. ÇʵùÀº ¹è¿¡¼­ÀÇ »ýÈ°°ú ¿©·¯ °¡Áö ¾î·Á¿òÀ» ±â·ÏÇÕ´Ï´Ù. ±×´Â º´¸¶¿Í ½Î¿ì¸ç, ÀÚ½ÅÀÇ ¸ö »óÅÂ¿Í ¿©ÇàÀÇ °íÃæÀ» À¯¸Ó·¯½ºÇÏ°Ô ¹¦»çÇÕ´Ï´Ù. ¢¹ ¿µ±¹ Çؾȿ¡¼­ÀÇ Ç¥·ù : ¹è´Â ·±´øÀ» ¶°³ª ÅÛ½º °­À» µû¶ó ³²ÂÊ ÇؾÈÀ¸·Î ÇâÇÏÁö¸¸, ¹Ù¶÷ÀÌ ¾ø¾î ¿À·§µ¿¾È Ç¥·ùÇÕ´Ï´Ù. ÇʵùÀº ÀÌ ±â°£ µ¿¾È ¿µ±¹ ÇؾÈÀÇ ¿©·¯ Ç×±¸¸¦ ¹æ¹®Çϸç, ±×°÷ÀÇ Ç³°æ°ú »ç¶÷µé¿¡ ´ëÇÑ °üÂûÀ» ±â·ÏÇÕ´Ï´Ù.

¢¹ ¿©Çà ÁßÀÇ »ç°Çµé : ÇʵùÀº ¹è¿¡¼­ ÀϾ´Â ´Ù¾çÇÑ »ç°ÇµéÀ» ±â·ÏÇÕ´Ï´Ù. ¿¹¸¦ µé¾î, ¼±¿øµéÀÌ ¼Ò±Ý¿¡ ÀýÀÎ ¼è°í±â¸¦ ÀÒ¾î¹ö·È´Âµ¥, ±× ¹üÀÎÀÎ »ó¾î¸¦ ÀâÀº Àå¸éÀÌ ´ëÇ¥ÀûÀÌÁÒ! ÀÌ ¿Ü¿¡µµ ÀÛ°¡´Â ¹è¿¡¼­ÀÇ ÀÏ»ó»ýÈ°À» À¯¸Ó·¯½ºÇÏ°Ô ¹¦»çÇϴ°¡ Çϸé, ÀÚ½ÅÀÇ °Ç°­ »óÅÂ¿Í °¡Á·ÀÇ ¾ÈÀ§ ¶ÇÇÑ ²Ä²ÄÇÏ°Ô ±â·ÏÇÏ¿´½À´Ï´Ù. ¢¹ »çȸÀû ºñÆÇ : ÇʵùÀº ¿©Çà Áß¿¡ ¿µ±¹ »çȸÀÇ ¿©·¯ ¹®Á¦µé¿¡ ´ëÇØ ºñÆÇÀûÀÎ °ßÇظ¦ ¹àÈü´Ï´Ù. ±×´Â Á¤Ä¡, °æÁ¦, »çȸÀû ¹®Á¦µé¿¡ ´ëÇØ ³íÆòÇϸç, ÀÚ½ÅÀÇ °æÇèÀ» ÅëÇØ »çȸÀÇ ºÎÁ¶¸®¸¦ Æø·ÎÇÕ´Ï´Ù. ¢¹ ¸®½ºº» µµÂø : ¼Ò¼³ÀÇ ¸¶Áö¸· ºÎºÐ¿¡¼­, ¹è´Â ¸¶Ä§³» ¸®½ºº»¿¡ µµÂøÇÕ´Ï´Ù. ÇʵùÀº µµÂø ÈÄÀÇ °æÇèÀ» °£·«È÷ ±â·ÏÇϸç, ÀÚ½ÅÀÇ ¿©ÇàÀÌ ³¡³µÀ½À» ¾Ë¸³´Ï´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 14°¡Áö Å°¿öµå·Î Àд Ç Çʵù(Henry Fielding, 1707~1754)
01. ¿µ¾î±Ù´ë¼Ò¼³ÀÇ ¾Æ¹öÁö(The Father of Modern Novel in English), Ç Çʵù(Henry Fielding, 1707~1754)
02. °ø¿¬»çÀü°Ë¿­¹ý(Licensing Act 1737)À¸·Î º¯È£»ç°¡ µÈ ¿µ±¹ÀÇ ±ØÀÛ°¡
03. ¾Æ³» ¼£·µ Å©·¡µ¶(Charlotte Craddock, 1711~1744)À» ÀÛÇ° ¼Ó ¿©ÁÖÀΰøÀ¸·Î ±×¸° ·Î¸ÇƼ½ºÆ®
04. ¾Æ³»°¡ »ç¸ÁÇÑ ÈÄ ¾Æ³»ÀÇ ÇÏ³à ¸Þ¸® ´ë´Ï¾ó(Mary Daniel)°ú ÀçÈ¥ÇÏ´Ù(1747~1754)
05. ¿µ±¹ ¿þ½ºÆ®¹Î½ºÅÍ ¼ö¼®ÆÇ»ç(Chief Metropolitan Stipendiary Magistrate, 1748~1754)°¡ µÈ º¯È£»ç
06. ·±´ø ÃÖÃÊÀÇ °æÂû º¸¿ì ½ºÆ®¸®Æ® ·¯³Ê½º(Bow Street Runners) ¼³¸³¿¡ ±â¿©ÇÏ´Ù(1749)
07. ÄÚº¥Æ® °¡µç Àú³Î(The Covent-Garden Journal, 1752)À» â°£ÇÏ´Ù
08. °Å¸®ÀÇ À̸§¸¶Àú ¹Ù²ã¹ö¸° 2³â°£ÀÇ Á¾ÀÌ ÀüÀï(Paper War of 1752?1753)
09. Æ÷¸£Åõ°¥ ¸®½ºº»¿¡¼­ ¿µ¸é¿¡ µé´Ù(1754)
10. ¼­¸Ó½Ë ¸ö(William Somerset Maugham, CH, 1874~1965)ÀÌ ¼±Á¤ÇÑ ¼¼°è 10´ë ¼Ò¼³(Great Novelists and Their Novels, 1954) Áß Çϳª
11. Ç ÇʵùÀ» ¸¸³ª´Ù TOP7(TOP7 Places of Henry Fielding)
12. Ç Çʵù ¿øÀÛÀÇ ¿µÈ­, µå¶ó¸¶, ¾Ö´Ï¸ÞÀ̼Ç, À¥Å÷(Movie, Drama, Animation and Webtoon of Henry Fielding in IMDb and Wikipedia)
13. ¿Àµð¿ÀºÏÀ¸·Î µè´Â Ç Çʵù(Audio Books of Henry Fielding)
14. Ç Çʵù ¾î·Ï 63¼±(63 Quotes of Henry Fielding)
¢º ¿µ¾î°íÀü1,337 Ç Çʵù ÀüÁý Á¦11±Ç(English Classics1,337 The Works of Henry Fielding, Vol. 11 by Henry Fielding)
INTRODUCTION.
¢º A Journey from This World to the Next, ETC. ETC.
INTRODUCTION.
¢¹ BOOK I.
Chapter I. The author dies, meets with Mercury, and is by him conducted to the stage which sets out for the other world
Chapter II. In which the author first refutes some idle opinions concerning spirits, and then the passengers relate their several deaths
Chapter III. The adventures we met with in the City of Diseases
Chapter IV. Discourses on the road, and a deion of the palace of Death
Chapter V. The travellers proceed on their journey, and meet several spirits who are coming into the flesh
Chapter VI. An account of the wheel of fortune, with a method of preparing a spirit for this world
Chapter VII. The proceedings of judge Minos at the gate of Elysium
Chapter VIII. The adventures which the author met on his first entrance into Elysium
Chapter IX. More adventures in Elysium
Chapter X. The author is surprised at meeting Julian the apostate in Elysium; but is satisfied by him by what means he procured his entrance there. Julian relates his adventures in the character of a slave
Chapter XI. In which Julian relates his adventures in the character of an avaricious Jew
Chapter XII. What happened to Julian in the characters of a general, an heir, a carpenter, and a beau
Chapter XIII. Julian passes into a fop
Chapter XIV. Adventures in the person of a monk
Chapter XV. Julian passes into the character of a fidler
Chapter XVI. The history of the wise man
Chapter XVII. Julian enters into the person of a king
Chapter XVIII. Julian passes into a fool
Chapter XIX. Julian appears in the character of a beggar
Chapter XX. Julian performs the part of a statesman
Chapter XXI. Julian¡¯s adventures in the post of a soldier
Chapter XXII. What happened to Julian in the person of a taylor
Chapter XXIII. The life of alderman Julian
Chapter XXIV. Julian recounts what happened to him while he was a poet
Chapter XXV. Julian performs the parts of a knight and a dancing-master
¢¹ BOOK XIX.
Chapter VII. Wherein Anna Boleyn relates the history of her life
¢º THE JOURNAL OF A VOYAGE TO LISBON.
Dedication To The Public.
Preface.
Introduction.
The Voyage.
Footnotes:
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker¡¯s Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff¡¯s Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
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A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
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