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< Classics in English _ The Shewing up of Blanco Posnet by Bernard Shaw >
"The Shewing up of Blanco Posnet" is a play published by George Bernard Shaw in 1909.
This play is a kind of 'Western' set in the American West, and occupies a unique position among Shaw's works. The main character, Blanco Posnet, is a thug accused of horse thievery.

The plot revolves around Blanco's trial. He initially denies his guilt, but it is revealed that he stole a horse to save a sick child.
Through this work, Shaw explores the nature of religion, morality, and justice. In particular, he deals with human nature and the possibility of salvation through Blanco's internal transformation.

"The Shewing up of Blanco Posnet" caused controversy over censorship when it was published. It was banned in England for being blasphemous, but it premiered successfully in Ireland.
In this work, Shaw borrows the form of a Western to convey his philosophical and social messages. He questions conventional morality and religious beliefs, and explores the nature of true morality.
The work is characterized by Shaw's characteristic wit and irony, and his ability to humorously deal with serious topics is well demonstrated.
"The Shewing up of Blanco Posnet" is less well known than Shaw's other famous works, but it is considered an important work that demonstrates his ideas and playwriting skills.
The play deals with universal themes such as religion, morality, and justice, and is still relevant today. It is also often mentioned in discussions about censorship and freedom of expression.
Overall, the work is recognized as an important text that demonstrates Shaw's social critical perspective and deep insight into human nature.

Summary
A number of women are sitting working together in a big room not unlike an old English tithe barn in its timbered construction, but with windows high up next the roof. It is furnished as a courthouse, with the floor raised next the walls, and on this raised flooring a seat for the Sheriff, a rough jury box on his right, and a bar to put prisoners to on his left. In the well in the middle is a table with benches round it. A few other benches are in disorder round the room. The autumn sun is shining warmly through the windows and the open door.

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Contents
PREFACE
THE CENSORSHIP
A READABLE BLUEBOOK
HOW NOT TO DO IT
THE STORY OF THE JOINT SELECT COMMITTEE
WHY THE MANAGERS LOVE THE CENSORSHIP
A TWO GUINEA INSURANCE POLICY
WHY THE GOVERNMENT INTERFERED
THE PEERS ON THE JOINT SELECT COMMITTEE
THE COMMITTEE¡¯S ATTITUDE TOWARD THE THEATRE
A BAD BEGINNING
A COMIC INTERLUDE
AN ANTI-SHAVIAN PANIC
A RARE AND CURIOUS FIRST EDITION
THE TIMES TO THE RESCUE
THE COUNCIL OF TEN
THE SENTENCE
THE EXECUTION
THE REJECTED STATEMENT

PART I
THE DEFINITION OF IMMORALITY
WHAT TOLERATION MEANS
THE CASE FOR TOLERATION
THE LIMITS TO TOLERATION
THE DIFFERENCE BETWEEN LAW AND CENSORSHIP
WHY THE LORD CHAMBERLAIN?
THE DIPLOMATIC OBJECTION TO THE LORD CHAMBERLAIN
THE OBJECTION OF COURT ETIQUET
WHY NOT AN ENLIGHTENED CENSORSHIP?
THE WEAKNESS OF THE LORD CHAMBERLAIN¡¯S DEPARTMENT
AN ENLIGHTENED CENSORSHIP STILL WORSE THAN THE LORD CHAMBERLAIN¡¯S
THE PRACTICAL IMPOSSIBILITIES OF CENSORSHIP
THE ARBITRATION PROPOSAL
THE REJECTED STATEMENT: PART TWO
PROSTITUTION AND DRINK IN THEATRES
WHY THE MANAGERS DREAD LOCAL CONTROL
DESIRABLE LIMITATIONS OF LOCAL CONTROL
SUMMARY
PREFACE RESUMED
CONCLUSION
THE SHEWING-UP OF BLANCO POSNET
ACT