<¿µ¾î·Î Àд °íÀü _ ¹ö³ªµå ¼îÀÇ ´ç½ÅÀº °áÄÚ ¸»ÇÒ ¼ö ¾ø´Ù>
"You Never Can Tell"Àº Á¶Áö ¹ö³ªµå ¼î°¡ 1897³â¿¡ ¹ßÇ¥ÇÑ Èñ°îÀÛÇ°ÀÔ´Ï´Ù.
ÀÌ Èñ°îÀº ¼îÀÇ 'ÄèÈ°ÇÑ Èñ°î(Plays Pleasant)' ½Ã¸®Áî Áß Çϳª·Î, ·Î¸Çƽ Äڹ̵ðÀÇ Çü½ÄÀ» ºô·Á ´ç½Ã ¿µ±¹ »çȸÀÇ °ü½À°ú °¡Ä¡°üÀ» dzÀÚÇÕ´Ï´Ù.
ÁٰŸ®´Â Å©·£µç °¡Á·À» Áß½ÉÀ¸·Î Àü°³µË´Ï´Ù. Æä¹Ì´Ï½ºÆ® ÀÛ°¡ÀÎ ·£ÇÁ¶ûÅ© ºÎÀΰú ±×³àÀÇ ¼¼ ÀÚ³à(±Û·Î¸®¾Æ, µ¹¸®, Çʸ³)°¡ ¿µ±¹ÀÇ Çغ¯ ÈÞ¾çÁö¿¡¼ ¹ú¾îÁö´Â ÀÏ·ÃÀÇ »ç°ÇµéÀ» ´Ù·ì´Ï´Ù.
ÁÖ¿ä °¥µîÀº ±Û·Î¸®¾Æ¿Í ÀþÀº Ä¡°úÀÇ»ç ¹ß·»Å¸ÀÎ »çÀÌÀÇ ·Î¸Ç½º, ±×¸®°í ¿À·§µ¿¾È º°°Å ÁßÀÌ´ø Å©·£µç ºÎºÎÀÇ Àçȸ¸¦ Áß½ÉÀ¸·Î Àü°³µË´Ï´Ù.
¼î´Â ÀÌ ÀÛÇ°À» ÅëÇØ ¼¼´ë °£ÀÇ °¥µî, °áÈ¥ Á¦µµ, ¿©¼ºÀÇ ±Ç¸®, °è±Þ ¹®Á¦ µî ´Ù¾çÇÑ »çȸÀû À̽´¸¦ ´Ù·ì´Ï´Ù. ƯÈ÷ ÀüÅëÀûÀÎ °¡Ä¡°ü°ú »õ·Î¿î »ç»ó »çÀÌÀÇ Ãæµ¹À» À¯¸Ó·¯½ºÇÏ°Ô ±×·Á³À´Ï´Ù.
"You Never Can Tell"À̶ó´Â Á¦¸ñÀº ÀλýÀÇ ¿¹Ãø ºÒ°¡´É¼ºÀ» ¾Ï½ÃÇϸç, ÀÛÇ° Àüü¿¡ °ÉÃÄ ÀÌ ÁÖÁ¦°¡ ¹Ýº¹µË´Ï´Ù.
ÀÌ Èñ°îÀº ¼îÀÇ Æ¯À¯ÀÇ À§Æ®¿Í ÀçÄ¡ ÀÖ´Â ´ë»ç, ±×¸®°í ³¯Ä«·Î¿î »çȸ ºñÆòÀÌ Àß µå·¯³ª´Â ÀÛÇ°ÀÔ´Ï´Ù. ƯÈ÷ ¿þÀÌÅÍ Àª¸®¾öÀÇ Ä³¸¯Å͸¦ ÅëÇØ ¼îÀÇ Ç³ÀÚÀû ¸Þ½ÃÁö°¡ È¿°úÀûÀ¸·Î Àü´ÞµË´Ï´Ù.
"You Never Can Tell"Àº ¹ßÇ¥ ´ç½Ã¿¡´Â Å« ÁÖ¸ñÀ» ¹ÞÁö ¸øÇßÁö¸¸, ÈÄ¿¡ ¼îÀÇ ´ëÇ¥ÀÛ Áß Çϳª·Î ÀÎÁ¤¹Þ°Ô µÇ¾ú½À´Ï´Ù. ¿À´Ã³¯¿¡µµ ¿©ÀüÈ÷ ÀÚÁÖ °ø¿¬µÇ´Â Àαâ ÀÖ´Â ÀÛÇ° Áß ÇϳªÀÔ´Ï´Ù.
ÀÌ ÀÛÇ°Àº ºòÅ丮¾Æ ½Ã´ë ¸»±âÀÇ »çȸ»óÀ» »ý»ýÇÏ°Ô º¸¿©Áָ鼵µ, Àΰ£°ü°è¿Í »çȸ ±¸Á¶¿¡ ´ëÇÑ º¸ÆíÀûÀÎ ÁÖÁ¦¸¦ ´Ù·ç°í ÀÖ¾î Çö´ë °ü°´µé¿¡°Ôµµ ¿©ÀüÈ÷ È£ÀÀÀ» ¾ò°í ÀÖ½À´Ï´Ù.
ÀüüÀûÀ¸·Î "You Never Can Tell"Àº ¼îÀÇ ±ØÀÛ ±â¼ú°ú »çȸ ºñÆòÀû ½Ã°¢ÀÌ Àß ¾î¿ì·¯Áø ÀÛÇ°À¸·Î, ±×ÀÇ ¹®ÇÐÀû Àç´ÉÀ» Àß º¸¿©ÁÖ´Â Áß¿äÇÑ ÅؽºÆ®·Î Æò°¡¹Þ°í ÀÖ½À´Ï´Ù.
"You Never Can Tell" is a play published by George Bernard Shaw in 1897.
This play is one of Shaw's 'Plays Pleasant' series, and satirizes the customs and values of British society at the time by borrowing the format of a romantic comedy.
The plot revolves around the Crandon family. It deals with a series of incidents that occur at a seaside resort in England, involving Mrs. Lanfranc, a feminist writer, and her three children (Gloria, Dolly, and Philip).
The main conflict revolves around the romance between Gloria and the young dentist Valentine, and the reunion of the Crandons, who have been separated for a long time.
Through this work, Shaw deals with various social issues such as generational conflict, the institution of marriage, women's rights, and class issues. In particular, it humorously depicts the clash between traditional values and new ideas.
The title "You Never Can Tell" implies the unpredictability of life, and this theme is repeated throughout the work. This play is a work that shows Shaw's characteristic wit, witty dialogue, and sharp social criticism. In particular, the satirical message of the play is effectively delivered through the character of Waiter William.
"You Never Can Tell" did not receive much attention when it was first published, but it later became recognized as one of Shaw's representative works. It is still one of the most popular works performed today.
The play vividly depicts the social conditions of the late Victorian era, but it also deals with universal themes about human relationships and social structures, so it still resonates with modern audiences.
Overall, "You Never Can Tell" is a work that combines Shaw's playwriting skills and social critical perspectives well, and is considered an important text that shows his literary talent well.
Summary
In a dentist's operating room on a fine August morning in 1896. Not the usual tiny London den, but the best sitting room of a furnished lodging in a terrace on the sea front at a fashionable watering place. The operating chair, with a gas pump and cylinder beside it, is half way between the centre of the room and one of the corners. If you look into the room through the window which lights it, you will see the fireplace in the middle of the wall opposite you, with the door beside it to your left; an M.R.C.S. diploma in a frame hung on the chimneypiece; an easy chair covered in black leather on the hearth; a neat stool and bench, with vice, tools, and a mortar and pestle in the corner to the right. Near this bench stands a slender machine like a whip provided with a stand, a pedal, and an exaggerated winch.
Contents
ACT I
ACT II
ACT III
ACT IV