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Reading Classics in English _ A Room with a View by E. M. Forster
¡°A Room with a View¡± is one of E.M. Forster¡¯s representative works published in 1908. This novel is a romance and social satire that depicts the growth and love of a young woman from the upper class of England in the late Victorian era.
The main character, Lucy Honeychurch, meets George Emerson, a free-spirited Englishman, while traveling to Florence, Italy with her cousin Charlotte, due to an episode surrounding the Room with a View. In the beautiful scenery of Florence, Lucy gradually becomes aware of her suppressed emotions and desires. After returning to England, she becomes engaged to the cultured and sophisticated Cecil Weiss, but struggles between her true love and George, whom she accidentally reunites with.
Through this novel, Forster delicately depicts the conflict between the strict social customs of the Victorian era and the free emotions of individuals. Through the contrasting backgrounds of Italy and England, he effectively contrasts the passion and freedom of Southern Europe with the conventions and oppression of England. This work, which was also made into a movie in 1985, is considered a masterpiece that sharply criticizes the class consciousness and conventions of British society at the time, while elegantly depicting the true self-realization of an individual and the value of love. In particular, it is gaining great sympathy even today because it sublimates the conflict between essential human desires and social constraints into a universal theme through the female protagonist's mental growth.

Summary
"A Room with a View" by E. M. Forster is a novel written during the early 20th century, which explores themes of social conventions and personal freedom. Set primarily in Italy and England, the narrative follows the journey of Lucy Honeychurch, a young woman navigating her feelings about love, societal expectations, and her own desires against the backdrop of her experiences abroad. The opening of the story introduces the character of Lucy and her cousin Charlotte Bartlett as they arrive at the Pension Bertolini in Florence. Disappointed by the accommodation¡¯s lack of a promised view, they bicker about their arrangements. Lucy's eagerness to experience Italy conflicts with Charlotte's more cautious demeanor. Here, the reader meets Mr. Emerson and his son George, who challenge the norms of polite society, offering their rooms to Lucy and Charlotte out of kindness, which Charlotte initially declines. The tension between personal desires and societal expectations is palpable, setting the stage for Lucy's internal conflict and her eventual blossoming into independence and self-discovery.

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Contents
Part One.
Chapter I. The Bertolini
Chapter II. In Santa Croce with No Baedeker
Chapter III. Music, Violets, and the Letter ¡°S¡±
Chapter IV. Fourth Chapter
Chapter V. Possibilities of a Pleasant Outing
Chapter VI. The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them
Chapter VII. They Return

Part Two.
Chapter VIII. Medieval
Chapter IX. Lucy As a Work of Art
Chapter X. Cecil as a Humourist
Chapter XI. In Mrs. Vyse¡¯s Well-Appointed Flat
Chapter XII. Twelfth Chapter
Chapter XIII. How Miss Bartlett¡¯s Boiler Was So Tiresome
Chapter XIV. How Lucy Faced the External Situation Bravely
Chapter XV. The Disaster Within
Chapter XVI. Lying to George
Chapter XVII. Lying to Cecil
Chapter XVIII. Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants
Chapter XIX. Lying to Mr. Emerson
Chapter XX. The End of the Middle Ages