"Art and Morality: A Defence of 'The Picture of Dorian Gray'" by Stuart Mason is a late 19th-century analysis that aims to defend Oscar Wilde's controversial novel, The Picture of Dorian Gray. The work explores the interplay between art and ethics, specifically countering criticisms that Wilde's narrative is immoral.
At the center of this analysis is Dorian Gray, a young man who makes a Faustian bargain, allowing his outward appearance to remain untouched while bearing the consequences of his moral corruption. The opening of Mason’s work introduces the initial reactions and critiques that The Picture of Dorian Gray faced upon its publication. It emphasizes Wilde’s artistic philosophy?that art should be independent of moral judgment?and his belief that an artist's work should not be confined by public expectations or ethical norms.
The text further broadens the discussion to examine the nature of beauty, the principles of aestheticism, and the historical reception of Wilde’s ideas. Mason argues that what is often labeled "unhealthy" by the public stems from a misunderstanding of genuine artistic value, ultimately defending Wilde's work as a profound exploration of art beyond the limits of moral scrutiny.

LONDON: J. JACOBS, EDGWARE ROAD, W. 1908.
ART AND MORALITY
A STUDY IN PUPPYDOM.
MR. WILDE'S BAD CASE.
MR. OSCAR WILDE AGAIN.
MR. OSCAR WILDE'S DEFENCE.
LETTER FROM "A LONDON EDITOR."
MR. OSCAR WILDE'S DEFENCE.
"THE LAST WORD."
"THE DAILY CHRONICLE" ON "DORIAN GRAY."
OSCAR WILDE'S REPLY.
"THE SCOTS OBSERVER'S" REVIEW.
OSCAR WILDE'S REPLIES.
PROFUSE AND PERFERVID.
"THE PICTURE OF DORIAN GRAY."
PUNCH on "DORIAN GRAY."
OUR BOOKING OFFICE.
A REVULSION FROM REALISM.
THE ROMANCE OF THE IMPOSSIBLE.
WALTER PATER ON "DORIAN GRAY."
THE MORALITY OF "DORIAN GRAY."
PASSAGES WHICH APPEAR IN THE 1890 EDITION ONLY.
BIBLIOGRAPHY.