The first section focuses on Oscar Wilde’s early critiques and reflections on art and literature, highlighting his philosophy that beauty, truth, and emotional resonance are the core values of art.
In "The Tomb of Keats," Wilde describes the poet John Keats's grave, offering profound insights into the nature of beauty and mortality through the lens of Keats’s short life and enduring literary legacy. "The Grosvenor Gallery, 1877" and "1879" analyze contemporary art exhibitions, emphasizing Wilde’s belief that art must connect with its audience through authenticity and emotional depth.
In "Woman’s Dress" and "Dress Reform," Wilde advocates for the reform of women’s clothing, proposing a philosophy of fashion that combines aesthetic sensibility with practicality. Through these essays, Wilde argues that art should not remain confined to passive appreciation but play a vital role in everyday life.
Lastly, in "Mr. Whistler’s Ten O’Clock," Wilde critiques James McNeill Whistler’s lecture, exploring the relationship between art and life while making a compelling case for the independence of art.

DEDICATION: TO WALTER LEDGER
INTRODUCTION
THE TOMB OF KEATS
THE GROSVENOR GALLERY, 1877
THE GROSVENOR GALLERY 1879
L’ENVOI
MRS. LANGTRY AS HESTER GRAZEBROOK
WOMAN’S DRESS
MORE RADICAL IDEAS UPON DRESS REFORM
MR. WHISTLER’S TEN O’CLOCK
THE RELATION OF DRESS TO ART: A NOTE IN BLACK AND WHITE ON MR. WHISTLER’S LECTURE
KEATS’S SONNET ON BLUE
THE AMERICAN INVASION
SERMONS IN STONES AT BLOOMSBURY: THE NEW SCULPTURE ROOM AT THE BRITISH MUSEUM
THE UNITY OF THE ARTS: A LECTURE AND A FIVE O’CLOCK
Footnotes.