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¢º ¾È³çÇϼ¼¿ä, ¿µ¾î°íÀü(English Classics) µ¶ÀÚ ¿©·¯ºÐ! ¿À´ÃÀº âÀÛµ¿È­ÀÇ °³Ã´ÀÚ(Pioneer of Creative Fairy Tales)¶ó ºÒ¸®´Â Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾(H. C. Andersen, 1805~1875)ÀÇ ÀÛÇ° Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ µ¿È­Áý 18Æí 1835(Andersen's Fairy Tales by H. C. Andersen)¸¦ ¼Ò°³ÇØ µå¸®°Ú½À´Ï´Ù. ¾Èµ¥¸£¼¾Àº ¼Ò¼³À» ½ÃÀÛÀ¸·Î Èñ°î, ½Ã, ¿©Çà±â µî ´Ù¾çÇÑ À帣ÀÇ ÀÛÇ°À» ¿Õ¼ºÇÏ°Ô ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡(A Prolific Writer)ÀÔ´Ï´Ù¸¸, ±×ÀÇ ´ëÇ¥ÀÛÀº 156Æí¿¡ ´ÞÇϴ âÀÛµ¿È­ÀÏ °ÍÀÔ´Ï´Ù. ¾Èµ¥¸£¼¾ÀÇ Ã¢ÀÛµ¿È­ 156ÆíÀº ÃÖ¼Ò 125°³ ÀÌ»óÀÇ ¾ð¾î·Î ¹ø¿ªµÇ¾î Àü ¼¼°èÀο¡°Ô ÀÐÈ÷°í ÀÖÀ¸¸ç, ´Ü¼øÇÑ µ¿È­¸¦ ³Ñ¾î¼­ ¾Æµ¿ ¹®ÇÐÀÇ ÀϺηΠÀÚ¸®¸Å±èÇÏ¿´½À´Ï´Ù. ¾Èµ¥¸£¼¾ ź»ý 200ÁÖ³â! ¾Èµ¥¸£¼¾ÀÇ ÇØ(Andersen Year, 2005)¸¦ ¸Â¾Æ ±×ÀÇ ÀÛÇ°À» ´Ù½Ã ÇÑ ¹ø Á¤µ¶ÇØ º¸´Â °ÍÀº ¾î¶³±î¿ä? ¼ºÀÎÀÌ µÈ µ¶ÀÚ ¿©·¯ºÐ¿¡°Ôµµ ¾î¸° ½ÃÀý µ¿½ÉÀ» Àϱú¿ì´Â »ö´Ù¸¥ °æÇèÀ» ¼±»çÇÒ °ÍÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º 1835³â Ãâ°£µÈ Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ µ¿È­Áý 18Æí 1835(Andersen's Fairy Tales by H. C. Andersen)¿¡´Â 18ÆíÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù. ´Ù¸¥ µ¿È­Áý°ú ÁßøµÇ´Â ÀÛÇ°ÀÌ ÀûÁö ¾ÊÀ¸³ª, ±×¸²ÀÚ(The Shadow, 1847)³ª ¿¤´õºÎ½¬(The Elderbush, 1844)ó·³ ´ëÁßÀûÀ¸·Î ³Î¸® ¾Ë·ÁÁöÁö ¾ÊÀº ÀÛÇ°µµ ´ë°Å Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. µÎ ÀÛÇ°Àº ¾î¸°ÀÌ¿ë µ¿È­¶ó°í Çϱ⿡´Â öÇÐÀûÀÎ È­µÎ¸¦ ´øÁö´Â ´ÜÆíÀ̴ϸ¸Å­ ¾Èµ¥¸£¼¾ µ¿È­ÀÇ ¶Ç ´Ù¸¥ ¸Å·ÂÀ» ¹ß°ßÇÏ½Ç ¼ö ÀÖ´Â ÀÛÇ°À¸·Î Àϵ¶À» ±ÇÇÕ´Ï´Ù.

¢º µÅÁöÄ¡±â ¿ÕÀÚ(The Swineherd, 1841) : ¿ÕÀÚ°¡ Ç㸧ÇÑ ¿ÊÀ» ÀÔ°í, µÅÁö¸¦ µ¹º¸´Â õÇÑ ÀÏÀ» ÇÏ°í ÀÖ´Ù¸é, ±×´Â ¿ÕÀÚÀϱî¿ä, ¾Æ´Ï¸é µÅÁöÄ¡±âÀϱî¿ä? °¡³­ÇÑ ¿ÕÀÚ°¡ ¼±¹°ÇÑ Çâ±â»Õ»Õ Àå¹Ì³ª¹«¿Í ´ÞÄÞÇÑ ³ë·¡¸¦ ºÎ¸£´Â ³ªÀÌÆðÔÀÏÀº °ÅÀýÇßÁö¸¸, Çâ±â·Î¿î ³¿»õ¸¦ dz±â´Â ¸¶¹ýÀÇ Áֹ泿ºñ¸¦ °®°í ½Í¾î µÅÁöÄ¡±â¿¡°Ô ¹é¹øÀÇ Å°½º¸¦ ¾à¼ÓÇÑ °øÁÖ´Â °ú¿¬ ÀÌ·ç¾îÁú ¼ö ÀÖÀ»±î¿ä? °æ°íÇÕ´Ï´Ù. µ¿È­ ¼Ó ¿ÕÀÚ¿Í °øÁÖ´Â ¹Ýµå½Ã ÇູÇÏ°Ô ¿À·¡¿À·¡ »ê´Ù´Â ´ç½ÅÀÇ ¼±ÀÔ°ßÀº ¾Èµ¥¸£¼¾¿¡ ÀÇÇØ ¹«ÂüÈ÷ ±úÁú °ÍÀÔ´Ï´Ù!!

¢º ¡°Thou would'st not have an honorable Prince! Thou could'st not prize the rose and the nightingale, but thou wast ready to kiss the swineherd for the sake of a trumpery plaything. Thou art rightly served.¡± ¢¹ ¡°´ç½Å¿¡°Ô´Â ¸í¿¹·Î¿î ¿ÕÀÚ°¡ ¾øÀ» °ÍÀÔ´Ï´Ù! ´ç½ÅÀº Àå¹Ì¿Í ³ªÀÌÆðÔÀÏÀ» ¼ÒÁßÈ÷ ¿©±æ ¼ö´Â ¾ø¾úÁö¸¸, È­·ÁÇÑ Àå³­°¨À» À§ÇØ µÅÁöÄ¡±â¿¡°Ô »Ç»ÇÇÒ Áغñ°¡ µÇ¾î ÀÖ¾ú½À´Ï´Ù. ´ç½ÅÀº Á¤´çÇÏ°Ô ¼¶±èÀ» ¹Þ¾Ò½À´Ï´Ù.¡±

¢º °øÁÖ¿Í ¿ÏµÎÄá(The Real Princess, 1835) : ÁøÂ¥ °øÁÖ(The Real Princess)ÀÇ Á¶°ÇÀº °ú¿¬ ¹«¾ùÀϱî¿ä? ¾Èµ¥¸£¼¾Àº ÁøÂ¥ °øÁÖ¶ó¸é ¹Ýµå½Ã ¼¶¼¼ÇÔ(Wasn't this a lady of real delicacy?)À» °®Ãç¾ß ÇÑ´Ù°í È®½ÅÇß½À´Ï´Ù. ¾ó¸¶³ª ¼¶¼¼ÇؾßÇÒ±î¿ä? ¿ÏµÎÄá 3¾ËÀ» ħ´ë¿¡ ¿Ã¸° ÈÄ ±× À§¿¡ 20°³ÀÇ ¸ÅÆ®¸®½º¿Í 20°³ÀÇ ±êÅРħ´ë¸¦ ±ñ ÈÄ ÀáÀ» ÀÚ´Â °ÍÀÔ´Ï´Ù. ±×·±µ¥ ¹«¾ð°¡ ºÒÆíÇÑ °ÍÀ» ´À²¼´Ù¸é? ´ç½ÅÀº °øÁÖÀÔ´Ï´Ù. À̹ø °Ü¿ï¿£ ¿ÕÀÚ´Ô¿¡°Ô ¡®Èçµé¸®Áö ¾Ê´Â Æí¾ÈÇÔ¡¯À» ¼±¹°ÇØ µå·Á¾ß°Ú¾î¿ä!

¢º Princesses he found in plenty; but whether they were real Princesses it was impossible for him to decide, for now one thing, now another, seemed to him not quite right about the ladies. At last he returned to his palace quite cast down, because he wished so much to have a real Princess for his wife. ¢¹ ±×´Â °øÁÖµéÀ» ¸¹ÀÌ Ã£¾Ò½À´Ï´Ù. ±×·¯³ª ±×µéÀÌ ÁøÂ¥ °øÁÖÀÎÁö ¾Æ´ÑÁö¸¦ °áÁ¤ÇÏ´Â °ÍÀº ºÒ°¡´ÉÇß½À´Ï´Ù. Áö±ÝÀ¸·Î¼­´Â ±× ¿©Àε鿡 ´ëÇØ ÇÑ °¡Áö, ¶Ç ´Ù¸¥ °ÍÀÌ ÀüÇô ¿ÇÁö ¾ÊÀº °Í °°¾Ò½À´Ï´Ù. ¸¶Ä§³» ±×´Â ÀÚ½ÅÀÇ ¾Æ³»¸¦ À§ÇØ ÁøÂ¥ °øÁÖ¸¦ °®±â¸¦ ±×Åä·Ï ¿øÇ߱⠶§¹®¿¡ ¿ÏÀüÈ÷ ³«´ãÇÑ Ã¤ ÀÚ½ÅÀÇ ±ÃÀüÀ¸·Î µ¹¾Æ¿Ô½À´Ï´Ù.

¢º ±×¸²ÀÚ(The Shadow, 1847) : Àΰ£À̶ó¸é °ÅºÎÇÒ ¼ö ¾ø´Â Á¸Àç! ±×¸²ÀÚ¸¦ ¼ÒÀç·Î ÇÑ ÀÛÇ°Àº ÇÁ¶û½º Ãâ½ÅÀÇ µ¶ÀÏ ½ÃÀÎ ¾Æµ¨º£¸£Æ® Æù »þ¹Ì¼Ò(Adelbert von Chamisso, 1781~1838)ÀÇ ÇÇÅÍ ½¶·¹¹ÐÀÇ ±â¹¦ÇÑ À̾߱â(Peter Schlemihls wundersame Geschichte, 1814), ¾ÆÀÏ·£µå ÀÛ°¡ ¿À½ºÄ« ¿ÍÀϵå(Oscar Wilde, 1854~1900)ÀÇ ¾îºÎ¿Í ±×ÀÇ ¿µÈ¥(The Fisherman and His Soul, 1891), ¹«¶óÄ«¹Ì ÇÏ·çÅ°(õ½ß¾õðâ§, Haruki Murakami, 1949~)ÀÇ 15¹ø° ÀåÆí¼Ò¼³ µµ½Ã¿Í ±× ºÒÈ®½ÇÇÑ º®(ʶªÈª½ªÎÜôü¬ª«ªÊÛú, 2023) µîÀÌ ÀÖ½À´Ï´Ù. ¾Èµ¥¸£¼¾Àº ÀÌ ÀÛÇ°À» ÅëÇØ µ¶ÀÚ¿¡°Ô µµ¹ßÀûÀÎ Áú¹®À» ´øÁý´Ï´Ù. ÀÚ½ÅÀÇ ¸ö¿¡¼­ ¶³¾îÁ®³ª°£ ±×¸²ÀÚ°¡, ¾î´Àµ¡ ´Ä°í º´µç ÀÚ±â ÀÚ½ÅÀ» ±×¸²ÀÚ·Î »ïÀ¸·Á ÇÑ´Ù¸é?

¢º ¡°I have lived to see the most cruel thing that anyone can live to see!¡± said the shadow. ¡°Only imagine?yes, it is true, such a poor shadow-skull cannot bear much?only think, my shadow has become mad; he thinks that he is a man, and that I?now only think?that I am his shadow!¡± ¢¹ ¡°³ª´Â ´©±º°¡°¡ º¼ ¼ö ÀÖ´Â °¡Àå ÀÜÀÎÇÑ °ÍÀ» º¸±â À§ÇØ »ì¾Æ¿Ô¾î!" ±×¸²ÀÚ°¡ ¸»Çß´Ù. "±×³É »ó»óÇØ ºÁ. ¸Â¾Æ, »ç½Ç, ±×·± ºÒ½ÖÇÑ ±×¸²ÀÚ µÎ°³°ñÀº ¸¹Àº °ÍÀ» °ßµô ¼ö ¾ø¾î. »ý°¢ÇØ ºÁ. ³» ±×¸²ÀÚ°¡ ¹ÌÃƾî. ±×´Â ÀÚ½ÅÀÌ »ç¶÷À̶ó°í »ý°¢ÇÏ°í, ³ª´Â Áö±Ý »ý°¢¸¸ ÇØ. ³»°¡ ±×ÀÇ ±×¸²ÀÚ¶ó°í!¡±

¢º »¡°£ ±¸µÎ(The Red Shoes, 1845) : Áß¼¼À¯·´ÀÇ µ¿È­ Áß¿¡´Â Áö³ªÄ¡°Ô ÀÜÀÎÇؼ­ µµÀúÈ÷ ¾ÆÀ̵鿡°Ô ÀоîÁÙ ¼ö ¾ø´Â ÀÜȤµ¿È­°¡ ¿©·µ Àִµ¥¿ä, ¡®»¡°£ ±¸µÎ¡¯°¡ ´ëÇ¥ÀûÀÔ´Ï´Ù. Çѱ¹ÀÇ µ¶Àڵ鿡°Ô´Â °øÆ÷¿µÈ­ ºÐÈ«½Å(ÝÏûõ½Å, 2005), ¾ÆÀÌÀ¯ Á¤±Ô 3ÁýÀÇ Å¸ÀÌƲ°î ºÐÈ«½Å(2013), »çÀÌÄÚÁö¸¸ ±¦Âú¾Æ(Psycho but It's Okay, 2020) Á¦2È­ »¡°£ ±¸µÎ ¾Æ°¡¾¾ µîÀ¸·Î ¿ì¸® °ç¿¡¼­ ²ÙÁØÈ÷ ÀçâÀ۵ǰí ÀÖ¾î ´õ¿í Ä£¼÷ÇÑ ¾Èµ¥¸£¼¾ ÀÛÇ°ÀÌÁÒ! µ§¸¶Å©ÀÇ ±¸Àü¼³È­(De r©ªde sko)¸¦ ¸ðƼºê·Î ÇÏ°í ÀÖÀ¸³ª, ¾Èµ¥¸£¼¾ÀÌ ´ÙµëÀº ÈÄ ¼¼°èÀûÀ¸·Î ³Î¸® ¾Ë·ÁÁ³½À´Ï´Ù. ¾Èµ¥¸£¼¾Àº Àå·Ê½ÄÀå¿¡ »¡°£ ±¸µÎ¸¦ ½Å°í °¡´Â ºÎÀãÁý öºÎÁö ÀÔ¾ç³àÀÇ À̸§À» ÀÚ½ÅÀÌ ½È¾îÇÏ´Â À̺¹ ÀڸŠī·» ¸¶¸® ¾Ø´õ½¼(Karen Marie Andersen, 1848~1906)ÀÇ À̸§¿¡¼­ µû¿Ô½À´Ï´Ù. Ä«·»Àº ±¸µÎÀåÀÌ ¾Æ¹öÁö°¡ Á¤¼º²¯ ¸¸µé¾îÁØ ½Å¹ßÀÌ ¸¾¿¡ µéÁö ¾Ê´Â´Ù¸ç ºÒÆòÇÏ¿´´Âµ¥, ÀÌ¿¡ ºÐ³ëÇÑ ¾Æ¹öÁö°¡ ±×³àÀÇ ¾Õ¿¡¼­ ½Å¹ßÀ» À߶ó¹ö·È´Ù´Â¡¦¡¦. ¾Æ¹öÁö ¼º°Ýµµ º¸ÅëÀÌ ¾Æ´Ï¾úÁö¸¸, ¾Èµ¥¸£¼¾ÀÇ º¹¼ö½Éµµ ³î¶ø³×¿ä. ´öºÐ¿¡ ±×³à´Â Àü ¼¼°èÀÇ ¾ÆÀ̵鿡°Ô ¿µ¿øÈ÷ »¡°£ ±¸µÎ¸¦ ½Å°í ÃãÃß´Â ¼Ò³à·Î ±â¾ïµÇ°Ô µÇ¾ú½À´Ï´Ù.

¢º "Dance you shall," said he, "dance in your red shoes till you are pale and cold, till your skin shrivels up and you are a skeleton! Dance you shall, from door to door, and where proud and wicked children live you shall knock, so that they may hear you and fear you! Dance you shall, dance?!¡± ¢¹ "ÃãÃß¾î¶ó," ±×°¡ ¸»Çß´Ù, "ºÓÀº ±¸µÎ¸¦ ½Å°í â¹éÇÏ°í Â÷°¡¿öÁú ¶§±îÁö, ÇǺΰ¡ ½Ãµé¾îÁö°í ÇØ°ñÀÌ µÉ ¶§±îÁö ÃãÃß¾î¶ó! ÃãÃß¾î¶ó, ÁýÁý¸¶´Ù, °Å¸¸ÇÏ°í »ç¾ÇÇÑ ¾ÆÀ̵éÀÌ »ç´Â °÷¿¡´Â µÎµå·Á¼­ ±×µéÀÌ ³ÊÀÇ ¸»À» µè°í µÎ·Á¿öÇÏ°Ô ÇÏ¿©¶ó! ÃãÃß¾î¶ó, ÃãÃß¾î¶ó?!"

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾(H. C. Andersen, 1805~1875)
01. âÀÛµ¿È­ÀÇ °³Ã´ÀÚ(Pioneer of Creative Fairy Tales)
02. ¾Èµ¥¸£¼¾Àº ´ëü ¸î ÆíÀÇ µ¿È­¸¦ ½è³ª¿ä?
03. ¾Èµ¥¸£¼¾Àº Æò»ý °áÈ¥Àº ¹°·Ð ¿¬¾Öµµ ÇÏÁö ¾ÊÀº ´ë¸¶¹ý»ç?!
04. ¾Èµ¥¸£¼¾ÀÌ ³²ÀÚµµ ÁÁ¾ÆÇÑ ¾ç¼º¾ÖÀÚ?!
05. 40¼¼ ¾Èµ¥¸£¼¾, µ¶Àϵ¿È­ÀÛ°¡ ±×¸²ÇüÁ¦¸¦ ¸¸³ª´Ù(1845)
06. ¾Èµ¥¸£¼¾ÀÌ ±¹»ÍÀÛ°¡?! Ȧ°Å ´Ü½ºÄÉ(Holger Danske, 1845)
07. 41¼¼ ¾Èµ¥¸£¼¾, µ¶ÀÏ ³¶¸¸ÆÄ ÀÛ°î°¡ ¸àµ¨½ºÁ¸À» ¸¸³ª´Ù(1846)
08. 52¼¼ ¾Èµ¥¸£¼¾, ¿µ±¹ÀÛ°¡ Âû½º µðŲ½º¸¦ ´Ù½Ã ¸¸³ª´Ù(1847 & 1857)
09. ¾Æµ¿¹®ÇаèÀÇ ³ëº§»ó(Nobel Prize of Children¡¯s Literature) Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ »ó(Hans Christian Andersen Awards, 1956~)
10. ±¹Á¦ ¾î¸°ÀÌÃ¥ÀÇ ³¯(International Children¡¯s Book Day, ICBD, 1967~)ÀÌ 4¿ù 2ÀÏÀÎ ÀÌÀ¯´Â?
11. ¾Èµ¥¸£¼¾ ź»ý 200ÁÖ³â! ¾Èµ¥¸£¼¾ÀÇ ÇØ(Andersen Year, 2005)
12. ¼¼°è 5´ë ÀÚ¼­Àü Áß Çϳª(One of the World¡¯s Top 5 Autobiographies)
13. ¾Èµ¥¸£¼¾À» ¸¸³ª´Ù TOP96(TOP96 Places of H. C. Andersen)
13-1. ¿Àµ§¼¼ÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Odense) TOP7
13-2. ¿Àµ§¼¼ÀÇ ¾Èµ¥¸£¼¾ µ¿È­ Á¶°¢»ó(Fairy Tale Sculptures in Odense) TOP14
13-3. ÄÚÆæÇÏ°ÕÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Copenhagen) TOP11
13-4. µ§¸¶Å©ÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Denmark) TOP10
13-5. ¼¼°èÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in the World) TOP19
13-6. ¼¼°èÀÇ Àξî°øÁÖ(The Little Mermaid in the World) TOP35
14. ¾Èµ¥¸£¼¾ ¿øÀÛÀÇ ¹®È­ÄÜÅÙÃ÷(Cultural Contents of H. C. Andersen in IMDb and Wikipedia)
15. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ¾Èµ¥¸£¼¾ ¹Ù¿ò(Audio Books of H. C. Andersen)
16. ¾Èµ¥¸£¼¾ ¾î·Ï 59¼±(59 Quotes of H. C. Andersen)
¢º ¿µ¾î°íÀü1,407 Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ µ¿È­Áý 18Æí 1835(English Classics1,407 Andersen's Fairy Tales by H. C. Andersen)
01. The Emperor's New Clothes
02. The Swineherd
03. The Real Princess
04. The Shoes Of Fortune
05. The Fir Tree
06. The Snow Queen
07. The Leap-Frog
08. The Elderbush
09. The Bell
10. The Old House
11. The Happy Family
12. The Story Of A Mother
13. The False Collar
14. The Shadow
15. The Little Match Girl
16. The Dream Of Little Tuk
17. The Naughty Boy
18. The Red Shoes
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë(Seoul University) ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼´ë(Yonsei University) Çʵ¶µµ¼­ °íÀü 200¼±
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A05. ¼­¿ï´ë¡¤¿¬¼¼´ë¡¤°í·Á´ë(SKY University) °øÅë ±ÇÀåµµ¼­ 60±Ç
A06. ¼º±Õ°ü´ë(Sungkyunkwan University) ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë(Kyung Hee University) Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë, POSTECH) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó(Literary Awards) ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
A11. ¿µ¾î°íÀü(English Classics) ¿Àµð¿ÀºÏÀ» ¹«·á·Î µè´Â 5°¡Áö ¹æ¹ý(How to listen to FREE audio Books legally?)
A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies and TV Shows Based on English Classic Books)
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