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¢º ¾È³çÇϼ¼¿ä, ¿µ¾î°íÀü(English Classics) µ¶ÀÚ ¿©·¯ºÐ! ¿À´ÃÀº âÀÛµ¿È­ÀÇ °³Ã´ÀÚ(Pioneer of Creative Fairy Tales)¶ó ºÒ¸®´Â Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾(H. C. Andersen, 1805~1875)ÀÇ ÀÛÇ° Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ÀÇ À¯Æ²¶õÆ®ÀÇ ¸ð·¡¾ð´ö 1860(The Sand-Hills of Jutland by H. C. Andersen)À» ¼Ò°³ÇØ µå¸®°Ú½À´Ï´Ù. ¾Èµ¥¸£¼¾Àº ¼Ò¼³À» ½ÃÀÛÀ¸·Î Èñ°î, ½Ã, ¿©Çà±â µî ´Ù¾çÇÑ À帣ÀÇ ÀÛÇ°À» ¿Õ¼ºÇÏ°Ô ¹ßÇ¥ÇÑ ´ÙÀÛÀÛ°¡(A Prolific Writer)ÀÔ´Ï´Ù¸¸, ±×ÀÇ ´ëÇ¥ÀÛÀº 156Æí¿¡ ´ÞÇϴ âÀÛµ¿È­ÀÏ °ÍÀÔ´Ï´Ù. ¾Èµ¥¸£¼¾ÀÇ Ã¢ÀÛµ¿È­ 156ÆíÀº ÃÖ¼Ò 125°³ ÀÌ»óÀÇ ¾ð¾î·Î ¹ø¿ªµÇ¾î Àü ¼¼°èÀο¡°Ô ÀÐÈ÷°í ÀÖÀ¸¸ç, ´Ü¼øÇÑ µ¿È­¸¦ ³Ñ¾î¼­ ¾Æµ¿ ¹®ÇÐÀÇ ÀϺηΠÀÚ¸®¸Å±èÇÏ¿´½À´Ï´Ù. ¾Èµ¥¸£¼¾ ź»ý 200ÁÖ³â! ¾Èµ¥¸£¼¾ÀÇ ÇØ(Andersen Year, 2005)¸¦ ¸Â¾Æ ±×ÀÇ ÀÛÇ°À» ´Ù½Ã ÇÑ ¹ø Á¤µ¶ÇØ º¸´Â °ÍÀº ¾î¶³±î¿ä? ¼ºÀÎÀÌ µÈ µ¶ÀÚ ¿©·¯ºÐ¿¡°Ôµµ ¾î¸° ½ÃÀý µ¿½ÉÀ» Àϱú¿ì´Â »ö´Ù¸¥ °æÇèÀ» ¼±»çÇÒ °ÍÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»!

¢º Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ÀÇ À¯Æ²¶õÆ®ÀÇ ¸ð·¡¾ð´ö 1860(The Sand-Hills of Jutland by H. C. Andersen)Àº Ç¥Á¦ÀÛ À¯Æ²¶õÆ®ÀÇ ¸ð·¡¾ð´ö(The Sand-Hills Of Jutland, 1858)ºÎÅÍ ¸Å·Â(Charming)±îÁö ÃÑ 18ÆíÀÇ °¢±â ´Ù¸¥ °³¼ºÀÇ ´ÜÆíÀÌ ¼ö·ÏµÈ ´ÜÇົÀÔ´Ï´Ù. Àΰ£°ú ÀÚ¿¬, ¸¶¹ýÀÇ ¼¼°è¸¦ ¼ÒÀç·Î ÇÑ ÁøÈë¿ÕÀÇ µþ(The Mud-King's Daughter)°ú Á¾ÀÇ °ñÂ¥±â(The Bell's Hollow), ±â¹ßÇÑ »ó»ó·ÂÀÇ ¼Ò½ÃÁö ¸·´ë±â·Î ¸¸µç ¼öÇÁ(Soup Made Of A Sausage-Stick), Á¦¸ñºÎÅÍ ¿Ü·Î¿òÀÌ ¹°¾À dz±â´Â ´ÄÀº ÃÑ°¢ÀÇ ³ªÀÌƮĸ(The Old Bachelor's Nightcap), ±³¸¸°ú °â¼Õ »çÀÌÀÇ »§À» ¹âÀº ¼Ò³à(The Girl Who Trod Upon Bread), ¸ð¼º¾Ö¿Í À¯·ÉÀÇ ³¸¼± Á¶ÇÕ ¾Ø ¸®½ºº£½º, Çغ¯¿¡¼­ÀÇ À¯·É(Anne Lisbeth; Or, The Apparition Of The Beach)¡¦¡¦. Àü ¼¼°èÀÎÀÇ ½É±ÝÀ» ¿ï¸° ¾Èµ¥¸£¼¾ µ¿È­ÀÇ ¼¼°è°üÀ» 55¼¼ÀÇ ³ªÀÌ¿¡ Á¢¾îµç ¾Èµ¥¸£¼¾ÀÇ ÁßÈÄÇÑ ¸ñ¼Ò¸®·Î ¸¸³ªº¸½Ç ¼ö ÀÖ½À´Ï´Ù.

¢º À¯Æ²¶õÆ®ÀÇ ¸ð·¡¾ð´ö(The Sand-Hills Of Jutland, 1858) : ¾Èµ¥¸£¼¾Àº ½ºÄÚƲ·£µå¿Í À¯Æ²¶õÆ®¸¦ ÀÕ´Â Ç×Çؼ±À¸·Î µ¶ÀÚ ¿©·¯ºÐÀ» ÃÊ´ëÇÕ´Ï´Ù. À¯Æ²¶õÆ®(Jutland)´Â ºÏÇØ(North Sea), ½ºÄ«°Ô¶óÅ© ÇØÇù(Skagerrak), ¹ßÆ® ÇØ(Baltisches Meer), µ¶ÀÏ°ú ¸Â´ê¾Æ ÀÖ´Â µ§¸¶Å©ºÎÅÍ µ¶ÀÏ ºÏºÎ¸¦ Æ÷°ýÇÏ´Â ºÏÀ¯·´ Áö¸íÀÔ´Ï´Ù. ¼±¿øµéÀº ³­Æļ±¿¡¼­ Á׾´Â ¾î¸Ó´Ï¿Í ¾î¸° ¾ÆÀ̸¦ ±¸Á¶Çϴµ¥...?!

¢º The sand had covered the lofty arches, sand-thorns and wild roses grow over the church, where the wayfarer now struggles on towards its spire, which towers above the sand, an imposing tombstone over the grave, seen from miles around?no king had ever a grander one! None disturb the repose of the dead?none knew where Jorgen lay, until now?the storm sang the secret for me among the sand-hills! ¢¹ ¸ð·¡°¡ ³ôÀº ¾ÆÄ¡¸¦ µ¤¾ú°í, ¸ð·¡ °¡½Ã¿Í ¾ß»ý Àå¹Ì°¡ ±³È¸ À§·Î ÀÚ¶ó¸ç, ÀÌÁ¦ ¼ø·ÊÀÚ´Â ¸ð·¡ À§·Î ¿ì¶Ò ¼ÚÀº ÷žÀ» ÇâÇØ Èû°ã°Ô ³ª¾Æ°¡°í, ¹«´ý À§¿¡´Â ¸î ¸¶ÀÏ ¶³¾îÁø °÷¿¡¼­µµ º¸ÀÌ´Â ÀλóÀûÀÎ ¹¦ºñ°¡ ÀÖ½À´Ï´Ù. ¾î¶² ¿Õµµ À̺¸´Ù ´õ À§´ëÇÑ ¿ÕÀº ¾ø¾ú½À´Ï´Ù! ¾Æ¹«µµ Á×Àº ÀÚÀÇ ¾È½ÄÀ» ¹æÇØÇÏÁö ¸øÇÕ´Ï´Ù. ¾Æ¹«µµ ¿ä¸£°ÕÀÌ ¾îµð¿¡ ´©¿ö ÀÖ´ÂÁö ¾ËÁö ¸øÇß½À´Ï´Ù. Áö±Ý±îÁö ÆødzÀÌ ¸ð·¡ ¾ð´ö »çÀÌ¿¡¼­ Àú¿¡°Ô ºñ¹ÐÀ» ³ë·¡Çß½À´Ï´Ù!

¢º ÁøÈë¿ÕÀÇ µþ(The Mud-King's Daughter, 1865) : ¾Èµ¥¸£¼¾Àº Ȳ»õ¸¦ ¼ö´ÙÀïÀÌ Ä³¸¯ÅÍ·Î ¿©·¯ µ¿È­¿¡ µîÀå½ÃÄ×½À´Ï´Ù. Å« ´Ë¿¡¼­ ´ë´ë¼Õ¼Õ »ç´Â Ȳ»õ´Â ´Ë°ú ´Ë ¾îµò°¡¿¡ ÀÖÀ» ÁøÈë ¿Õ¿¡ ´ëÇÑ Èï¹Ì·Î¿î À̾߱⸦ ¿©·µ ¾Ë°í Àִµ¥¡¦¡¦.

¢º Of the two most ancient and longest traditions that have been handed down among the storks, we are all acquainted with one?that about Moses, who was placed by his mother on the banks of the Nile, was found there by the king's daughter, was well brought up, and became a great man, such as has never been heard of since in the place where he was buried. The other story is not well known, probably because it is a tale of home; yet it has passed down from one stork grandam to another for a thousand years, and each succeeding narrator has told it better and better, and now we shall tell it best of all. ¢¹ Ȳ»õµé »çÀÌ¿¡¼­ ÀüÇØÁø °¡Àå ¿À·¡µÇ°í °¡Àå ±ä µÎ °¡Áö ÀüÅë Áß ¿ì¸® ¸ðµÎ´Â Çϳª¸¦ ¾Ë°í ÀÖ½À´Ï´Ù. ±×°ÍÀº ¾î¸Ó´Ï°¡ ³ªÀÏ °­µÏ¿¡ µÎ¾ú´Ù°¡ ¿ÕÀÇ µþÀÌ ±×°÷¿¡¼­ ¹ß°ßÇÏ°í Àß ÀÚ¶úÀ¸¸ç À§´ëÇÑ »ç¶÷ÀÌ µÈ ¸ð¼¼¿¡ ´ëÇÑ À̾߱âÀÔ´Ï´Ù. ±×°¡ ¹¯Èù °÷¿¡¼­ ±× ÀÌÈķδ µé¾îº» ÀûÀÌ ¾ø½À´Ï´Ù. ´Ù¸¥ À̾߱â´Â Àß ¾Ë·ÁÁöÁö ¾Ê¾Ò´Âµ¥, ¾Æ¸¶µµ ±×°ÍÀÌ °íÇâ¿¡ ´ëÇÑ À̾߱âÀ̱⠶§¹®ÀÏ °ÍÀÔ´Ï´Ù. ±×·¯³ª ±×°ÍÀº õ ³â µ¿¾È ÇÑ È²»õ ÇÒ¸Ó´Ï¿¡¼­ ´Ù¸¥ ÇÒ¸Ó´Ï¿¡°Ô ÀüÇØÁ® ³»·Á¿Ô°í, ±× µÚ¸¦ ÀÌÀº À̾߱â²ÛµéÀº Á¡Á¡ ´õ Àß À̾߱âÇØ¿ÔÀ¸¸ç, ÀÌÁ¦ ¿ì¸®°¡ °¡Àå Àß À̾߱âÇÒ °ÍÀÔ´Ï´Ù.

¢º ¼Ò½ÃÁö ¸·´ë±â·Î ¸¸µç ¼öÇÁ(Soup Made Of A Sausage-Stick) : ±Ù»çÇÑ ¸¸Âù¿¡ Âü°¡ÇÑ ¸ðµç ÁãµéÀÌ ¹èºÒ¸® ¸Ô°í ³­ ÈÄ ¿ÀÁ÷ ¼Ò½ÃÁö ¸·´ë±â(Sausage-Stick)¸¸ÀÌ ³²¾Ò½À´Ï´Ù. ¹è°¡ ºÎ¸¥ ÁãµéÀº ¸·´ë±â¸¸À¸·Î ¸ÀÀÖ´Â ½ºÇÁ¸¦ ¸¸µå´Â ¹æ¹ý¿¡ ´ëÇØ Åä·ÐÀ» ½ÃÀÛÇß½À´Ï´Ù. ¸¶Ä§³» ´ÄÀº Áã ¿ÕÀÇ ¸íÀ¸·Î 1³âÇÏ°íµµ 1ÀÏ°£ÀÇ ½Ã°£ µ¿¾È ±× ¹æ¹ýÀ» ¾Ë¾Æ¿À¶ó°í Áö½ÃÇß°í, ³× ¸¶¸®ÀÇ ÀþÀº Áã°¡ Ãâ¹ßÇß½À´Ï´Ù. ±×µéÀÌ µ¹¾Æ¿Í µé·ÁÁÖ´Â À̾߱â´Â °ú¿¬ ¾î¶² Á¶¸®¹ýÀϱî¿ä?! ¿©·¯ºÐµµ Á÷Á¢ ¸¸µé¾îº¸½Ã°Ú½À´Ï±î? Á˼ÛÇÏÁö¸¸, Àú´Â »ç¾çÇÏ°Ú½À´Ï´Ù.

¢º "I have not travelled at all," said the last mouse. "I remained in our own country. It is not necessary to go to foreign lands?one can learn as well at home. I remained there. I have not acquired any information of unnatural beings. I have not eaten information, or conversed with owls. I confined myself to original thoughts. Will some one now be so good as to fill the kettle with water, and put it on? Let there be plenty of fire under it. Let the water boil?boil briskly; then throw the sausage-stick in. Will his majesty the King of the Mice be so condescending as to put his tail into the boiling pot, and stir it about? The longer he stirs it, the richer the soup will become. It costs nothing, and requires no other ingredients?it only needs to be stirred.¡° ¢¹ "³ª´Â ÀüÇô ¿©ÇàÀ» ÇÏÁö ¾Ê¾Ò¾î." ¸¶Áö¸· Áã°¡ ¸»Çß´Ù. "³ª´Â ¿ì¸®³ª¶ó¿¡ ¸Ó¹°·¶¾î. ¿Ü±¹¿¡ °¥ ÇÊ¿ä°¡ ¾ø¾î. Áý¿¡¼­µµ ¹è¿ï ¼ö ÀÖ¾î. ³ª´Â ±×°÷¿¡ ¸Ó¹°·¶¾î. ³ª´Â ºñÀÚ¿¬ÀûÀÎ Á¸Àç¿¡ ´ëÇÑ Á¤º¸¸¦ ¾òÁö ¸øÇß¾î. ³ª´Â Á¤º¸¸¦ ¸ÔÁöµµ ¾Ê¾Ò°í, ¿Ã»©¹Ì¿Í ´ëÈ­ÇÏÁöµµ ¾Ê¾Ò¾î. ³ª´Â µ¶Ã¢ÀûÀÎ »ý°¢¿¡ ±¹ÇÑÇß¾î. ÀÌÁ¦ ´©°¡ ÁÖÀüÀÚ¿¡ ¹°À» ä¿ì°í ±×°ÍÀ» ³ÖÀ» ¸¸Å­ ÈǸ¢ÇÒ±î? ±× ¾Æ·¡¿¡ ºÒÀÌ ÃæºÐÈ÷ ÀÖ°Ô Ç϶ó. ¹°À» ²úÀÌ°Ô Ç϶ó. ºü¸£°Ô ²úÀÌ°Ô Ç϶ó. ±×¸®°í ¼Ò½ÃÁö ¸·´ë±â¸¦ ³Ö¾î¶ó. ÁãµéÀÇ ¿ÕÀÌ ²¿¸®¸¦ ²ú´Â ³¿ºñ¿¡ ³Ö°í Àú¾îÁÙ ¸¸Å­ °Å¸¸ÇÒ±î? ±×°¡ ´õ ¿À·¡ ÀúÀ»¼ö·Ï ¼öÇÁ´Â ´õ dzºÎÇØÁú °Å¾ß. ±×°ÍÀº ºñ¿ëÀÌ µéÁö ¾Ê°í, ´Ù¸¥ Àç·áµµ ÇÊ¿ä ¾ø¾î. Àú¾îÁֱ⸸ ÇÏ¸é µÅ."

¢º ¾Ø ¸®½ºº£½º, Çغ¯¿¡¼­ÀÇ À¯·É(Anne Lisbeth; Or, The Apparition Of The Beach, 1859) : ¾Æ¸§´Ù¿î ¿Ü¸ðÀÇ ¾Ø ¸®½ºº£½º°¡ ¹éÀÛÀÇ ½Ã°ñÁý¿¡¼­ ±×ÀÇ ¾ÆµéÀ» µ¹º¸´Â µ¿¾È Á¤ÀÛ ±×ÀÇ ¾ÆµéÀº ¿Ü·Î¿ò°ú ¹è°íÇÄ¿¡ ½Ã´Þ·Á¾ß Çß½À´Ï´Ù. ¾Ø°ú ¾ù°¥·Á ¹ö¸° ¾ÆµéÀÇ »îÀº ¼Ò³âÀÌ ¾î´Àµ¡ ¼ºÀåÇØ ¹Ù´Ù·Î ¶°³ª°í, ºÒÀÇÀÇ »ç°í¸¦ ´çÇÑ ÈÄ¡¦¡¦. Àá½Ã ±³Â÷Á¡¿¡¼­ ¸¸³ª°Ô µÇ´Âµ¥...?!
¢º "Bury me?bury me!" resounded still about her. She dreaded the crowing of the cock, and the first red streak in the east, because, if they came before her labours were ended, she would be lost. And the cock crowed, and in the east it began to be light. The grave was but half dug. An ice-cold hand glided over her head and her face, down to where her heart was. "Only half a grave!" sighed a voice near her; and something seemed to vanish away?vanish into the deep sea. It was "the apparition of the beach." Anne Lisbeth sank, terror-stricken and benumbed, on the ground. She had lost feeling and consciousness. ¢¹ "³ª¸¦ ¹¯¾îÁà?³ª¸¦ ¹¯¾îÁà!" ±×³àÀÇ ÁÖº¯¿¡¼­ ¿©ÀüÈ÷ ¿ï·Á ÆÛÁ³´Ù. ±×³à´Â ¼öżÀÇ ¿ïÀ½¼Ò¸®¿Í µ¿ÂÊ¿¡¼­ ù ¹ø° ºÓÀº ÁÙ¹«´Ì°¡ µÎ·Á¿ü´Ù. ±×³àÀÇ ³ëµ¿ÀÌ ³¡³ª±â Àü¿¡ ±×·± ÀÏÀÌ »ý±ä´Ù¸é ±×³à´Â ±æÀ» ÀÒÀ» °ÍÀ̱⠶§¹®À̾ú´Ù. ¼öżÀÌ ¿ï¾ú°í, µ¿ÂÊ¿¡¼­ ºûÀÌ ³ª±â ½ÃÀÛÇß´Ù. ¹«´ýÀº ¹Ý¸¸ ÆÄ¿© ÀÖ¾ú´Ù. ¾óÀ½Ã³·³ Â÷°¡¿î ¼ÕÀÌ ±×³àÀÇ ¸Ó¸®¿Í ¾ó±¼ À§·Î ¹Ì²ô·¯Á® ³»·Á ½ÉÀåÀÌ ÀÖ´Â °÷±îÁö ³»·Á°¬´Ù. "¹Ý¸¸ ¹«´ýÀ̾ß!" ±×³à ±Ùó¿¡¼­ ¸ñ¼Ò¸®°¡ ÇѼûÀ» ½¬¸ç ¸»Çß´Ù. ±×¸®°í ¹«¾ð°¡°¡ »ç¶óÁö´Â µíÇß´Ù?±íÀº ¹Ù´Ù ¼ÓÀ¸·Î »ç¶óÁ³´Ù. ±×°ÍÀº "Çغ¯ÀÇ È¯¿µ"À̾ú´Ù. ¾Ø ¸®½ºº£½º´Â °øÆ÷¿¡ Áú·Á ¹«°¨°¢ÇØÁø ä ¶¥¹Ù´Ú¿¡ °¡¶ó¾É¾Ò´Ù. ±×³à´Â °¨°¢°ú ÀǽÄÀ» ÀÒ¾ú´Ù.

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¢º ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 1,999¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
¢º 16°¡Áö Å°¿öµå·Î Àд Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾(H. C. Andersen, 1805~1875)
01. âÀÛµ¿È­ÀÇ °³Ã´ÀÚ(Pioneer of Creative Fairy Tales)
02. ¾Èµ¥¸£¼¾Àº ´ëü ¸î ÆíÀÇ µ¿È­¸¦ ½è³ª¿ä?
03. ¾Èµ¥¸£¼¾Àº Æò»ý °áÈ¥Àº ¹°·Ð ¿¬¾Öµµ ÇÏÁö ¾ÊÀº ´ë¸¶¹ý»ç?!
04. ¾Èµ¥¸£¼¾ÀÌ ³²ÀÚµµ ÁÁ¾ÆÇÑ ¾ç¼º¾ÖÀÚ?!
05. 40¼¼ ¾Èµ¥¸£¼¾, µ¶Àϵ¿È­ÀÛ°¡ ±×¸²ÇüÁ¦¸¦ ¸¸³ª´Ù(1845)
06. ¾Èµ¥¸£¼¾ÀÌ ±¹»ÍÀÛ°¡?! Ȧ°Å ´Ü½ºÄÉ(Holger Danske, 1845)
07. 41¼¼ ¾Èµ¥¸£¼¾, µ¶ÀÏ ³¶¸¸ÆÄ ÀÛ°î°¡ ¸àµ¨½ºÁ¸À» ¸¸³ª´Ù(1846)
08. 52¼¼ ¾Èµ¥¸£¼¾, ¿µ±¹ÀÛ°¡ Âû½º µðŲ½º¸¦ ´Ù½Ã ¸¸³ª´Ù(1847 & 1857)
09. ¾Æµ¿¹®ÇаèÀÇ ³ëº§»ó(Nobel Prize of Children¡¯s Literature) Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ »ó(Hans Christian Andersen Awards, 1956~)
10. ±¹Á¦ ¾î¸°ÀÌÃ¥ÀÇ ³¯(International Children¡¯s Book Day, ICBD, 1967~)ÀÌ 4¿ù 2ÀÏÀÎ ÀÌÀ¯´Â?
11. ¾Èµ¥¸£¼¾ ź»ý 200ÁÖ³â! ¾Èµ¥¸£¼¾ÀÇ ÇØ(Andersen Year, 2005)
12. ¼¼°è 5´ë ÀÚ¼­Àü Áß Çϳª(One of the World¡¯s Top 5 Autobiographies)
13. ¾Èµ¥¸£¼¾À» ¸¸³ª´Ù TOP96(TOP96 Places of H. C. Andersen)
13-1. ¿Àµ§¼¼ÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Odense) TOP7
13-2. ¿Àµ§¼¼ÀÇ ¾Èµ¥¸£¼¾ µ¿È­ Á¶°¢»ó(Fairy Tale Sculptures in Odense) TOP14
13-3. ÄÚÆæÇÏ°ÕÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Copenhagen) TOP11
13-4. µ§¸¶Å©ÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in Denmark) TOP10
13-5. ¼¼°èÀÇ ¾Èµ¥¸£¼¾(H. C. Andersen in the World) TOP19
13-6. ¼¼°èÀÇ Àξî°øÁÖ(The Little Mermaid in the World) TOP35
14. ¾Èµ¥¸£¼¾ ¿øÀÛÀÇ ¹®È­ÄÜÅÙÃ÷(Cultural Contents of H. C. Andersen in IMDb and Wikipedia)
15. ¿Àµð¿ÀºÏÀ¸·Î µè´Â ¾Èµ¥¸£¼¾ ¹Ù¿ò(Audio Books of H. C. Andersen)
16. ¾Èµ¥¸£¼¾ ¾î·Ï 59¼±(59 Quotes of H. C. Andersen)
¢º ¿µ¾î°íÀü1,414 Çѽº Å©¸®½ºÆ¼¾È ¾Èµ¥¸£¼¾ÀÇ À¯Æ²¶õÆ®ÀÇ ¸ð·¡¾ð´ö 1860(English Classics1,414 The Sand-Hills of Jutland by H. C. Andersen)
01. The Sand-Hills Of Jutland
02. The Mud-King's Daughter
03. The Quickest Runners
04. The Bell's Hollow
05. Soup Made Of A Sausage-Stick
05-I.
05-II. What The First Little Mouse Had Seen And Learnt On Her Journey.
05-III. What The Second Mouse Had To Relate.
05-IV. What The Fourth Mouse?Who Spoke Before The Third One Had Spoken?Had To Relate.
05-V. How The Soup Was Made.
06. The Neck Of A Bottle
07. The Old Bachelor's Nightcap
08. Something
09. The Old Oak Tree's Last Dream
10. The Wind Relates The Story Of Waldemar Daae And His Daughters
11. The Girl Who Trod Upon Bread
12. Ole, The Watchman Of The Tower
12-1. The First Visit.
12-2. The Second Visit.
13. Anne Lisbeth; Or, The Apparition Of The Beach
14. Children's Prattle
15. A Row Of Pearls
15-I.
15-II.
16. The Pen And The Inkstand
17. The Child In The Grave
18. Charming
¢º ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds's Classics)
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