Jack London’s The House of Pride, and Other Tales of Hawaii is a collection of short stories written in the early 20th century, centered on the lives of individuals in Hawaii. The collection explores themes of identity, class, and the impacts of colonialism, delving into the personal desires, societal expectations, and complex connections between the characters and their families and homeland.
The opening story introduces Percival Ford, a wealthy man who considers himself a “spiritual aristocrat,” attending a farewell dance for army personnel departing for Alaska. Despite his social status, Ford feels out of place among the carefree officers and their wives, disapproving of their frivolous lifestyles. He reflects on his strict upbringing under his father, Isaac Ford, a highly respected figure, as he grapples with his insecurities and moral convictions.
Central to the story is Ford’s complicated relationship with his half-brother, Joe Garland, who embodies the free-spirited lifestyle Ford despises. The stark contrast between the two brothers creates tension, forming a key axis of the narrative. This initial setup lays the foundation for a deeper exploration of family dynamics, identity, and societal roles as the story unfolds.

THE HOUSE OF PRIDE
KOOLAU THE LEPER
GOOD-BYE, JACK
ALOHA OE
CHUN AH CHUN
THE SHERIFF OF KONA
JACK LONDON BY HIMSELF