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ÀÌ ÀÛÇ°Àº ÄÁÆ®¸® Ŭ·´¿¡¼ÀÇ »ç±³ ¸ðÀÓÀ» ¹è°æÀ¸·Î, Nan Farley¶ó´Â ÀþÀº ¿©¼ºÀÇ º¹ÀâÇÑ »îÀ» ´Ù·ì´Ï´Ù. À̾߱â´Â ±×³à°¡ »çȸÀû ±â´ë¸¦ ÇìÃijª°¡¸é¼ °³ÀÎÀû °ü°èµé°ú ¾ç¾Æ¹öÁö Timothy FarleyÀÇ Áö¼ÓÀûÀÎ ¿µÇâ·Â »çÀÌ¿¡¼ °í¹ÎÇÏ´Â ¸ð½ÀÀ» º¸¿©ÁÝ´Ï´Ù.
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°ú°ÅÀÇ Àι°ÀÌÀÚ ÇöÀç´Â ¿ÜÆÇ¿øÀÌ µÈ Jeremiah Amidon°úÀÇ ¸¸³²Àº ±×³àÀÇ Ä³¸¯ÅÍ¿¡ ¶Ç ´Ù¸¥ ÃþÀ§¸¦ ´õÇϸç, »çȸ °è±Þ°ú °³ÀÎÀû ¾ß¸ÁÀ̶ó´Â ÁÖÁ¦¸¦ ºÎ°¢½Ãŵ´Ï´Ù.
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Classics Read in English _ The Proof of the Pudding by Meredith Nicholson
"The Proof of the Pudding" by Meredith Nicholson is a novel written in the early 20th century. The story introduces readers to a social gathering at the Country Club, focusing on the complex life of a young woman named Nan Farley. The narrative delves into her attempts to navigate the expectations of society while grappling with her personal relationships and the lingering influence of her foster-father, Timothy Farley. At the start of the novel, the scene is set at a lively luncheon where Nan captivates her audience with her mimicry, showcasing her talent for entertainment. However, despite the laughter and applause, she feels an unease and soon escapes to the solitude of the riverbank, reflecting her internal struggles. The encounter with Jeremiah Amidon, a young man from her past who is now a commercial traveler, adds another layer to her character, highlighting themes of social class and personal ambition. The opening establishes a foundation for the exploration of Nan's past, her relationships with the people around her, and the impact they have on her future.
Among the contents
It was three o¡¯clock, but the luncheon the Kinneys were giving at the Country Club had survived the passing of less leisurely patrons and now dominated the house. The negro waiters, having served all the food and drink prescribed, perched on the railing of the veranda outside the dining-room, ready to offer further liquids if they should be demanded. Such demands had not been infrequent during the two hours that had intervened since the party sat down, as a row of empty champagne bottles in the club pantry testified. The negroes watched with discreet grins the antics of a girl of twenty-two who seemed to be the center of interest. She had been entertaining the company with a variety of impersonations of local characters, rising and moving about for the better display of her powers of mimicry. Hand-clapping and cries of ¡°Go on!¡± followed each of these performances.
Contents
I. A Young Lady of Moods
II. The Affairs of Mrs. Copeland
III. Mr. Farley becomes Explicit
IV. Nan and Billy¡¯s Wife
V. A Collector of Facts
VI. An Error of Judgment
VII. Welcome Callers
VIII. Mrs. Copeland¡¯s Good Fortune
IX. A Narrow Escape
X. The Ambitions of Mr. Amidon
XI. Canoeing
XII. Last Wills and Testaments
XIII. A Kinney Lark and its Consequences
XIV. Bills Payable
XV. Fate and Billy Copeland
XVI. An Abrupt Ending
XVII. Shadows
XVIII. Nan against Nan
XIX. Not according to Law
XX. The Copeland-Farley Cellar
XXI. A Solvent House
XXII. Null and Void
XXIII. In Trust
XXIV. ¡°I never stopped loving him!¡±
XXV. Copeland¡¯s Unknown Benefactor
XXVI. Jerry¡¯s Dark Days
XXVII. ¡°Just helping; just being kind!¡±