16세기 스페인 시의 르네상스를 연 가르실라소 데 라 베가. 그는 칸시오네로가 교양시의 주류로 자리잡았던 스페인시에 이탈리아 르네상스 풍의 기법과 운율을 도입했다. 세련되고 아름다운 소네트와 칸시온, 목가시는 물론, 그간 소개되지 않았던 애가와 서간시까지 그의 시 모두를 소개한다.

소네트 1 ·····················3
소네트 2 ·····················4
소네트 3 ·····················5
소네트 4 ·····················6
소네트 5 ·····················7
소네트 6 ·····················8
소네트 7 ·····················9
소네트 8 ·····················11
소네트 9 ·····················12
소네트 10 ····················13
소네트 11 ····················14
소네트 12 ····················15
소네트 13 ····················17
소네트 14 ····················19
소네트 15 ····················20
소네트 16 ····················22
소네트 17 ····················24
소네트 18 ····················25
소네트 19 ····················26
소네트 20 ····················28
소네트 21 ····················29
소네트 22 ····················31
소네트 23 ····················33
소네트 24 ····················34
소네트 25 ····················36
소네트 26 ····················37
소네트 27 ····················38
소네트 28 ····················39
소네트 29 ····················40
소네트 30 ····················42
소네트 31 ····················44
소네트 32 ····················45
소네트 33 ····················46
소네트 34 ····················48
소네트 35 ····················49
소네트 36 ····················51
소네트 37 ····················53
소네트 38 ····················55
소네트 39 ····················56
소네트 40 ····················58
칸시온 1 ·····················59
칸시온 2 ·····················63
칸시온 3 ·····················67
칸시온 4 ·····················71
칸시온 5 ·····················80
애가(哀歌) 1 ···················89
애가 2 ·····················107
보스칸에게 보내는 서간시 ············118
목가시 1 ····················123
목가시 2 ····················150
목가시 3 ····················266


해설 ······················291
지은이에 대해 ··················314
옮긴이에 대해 ··················315