The Practice and Science of Drawing (¼¼°è¸íÈ µå·ÎÀ×ÀÇ ±â¼ú: ÀÏ·¯½ºÆ® »ðÀÔ)
¼¼°è¸íÀÛÀº ¾î¶»°Ô µå·ÎÀ×(½ºÄÉÄ¡, ±×¸®±â)Çϴ°¡?
±×¿¡ ´ëÇÑ µå·ÎÀ×(Drawing) ºñ¹ý, ±â¼úÀÇ ´äÀ» µéÀ» ¼ö ÀÖ´Ù.
Harold Speed (ÇØ·²µå ½ºÇǵå)ÀÇ µå·ÎÀ× ¼¼°è¸íÈÀÇ ¼¼°è
"¸ðµç ¿¹¼úÀÛÇ°Àº
¾Ö¸ÅÇÑ ¾ÆÀ̵ð¾î¿¡¼ ½ÃÀ۵ȴÙ.
ÀǽÄÀûÀ¸·Î °øºÎÇϵÇ,
¹«ÀǽÄÀûÀ¸·Î ±×·Á¶ó."
¹Ì¼úÇеµ(¹Ì´ë»ý)
¹Ì¼ú ÀԽà Áغñ»ýÀ̶ó¸é ²À Àоî¾ßÇÒ ¹ÙÀ̺í!
ÀÏ·¯½ºÆ® »ðÀԵǾî ÀÖ½À´Ï´Ù.
ÆÇ±Ç ÆäÀÌÁö
CONTENTS
I. INTRODUCTION
II. DRAWING
III. VISION
IV. LINE DRAWING
V. MASS DRAWING
VI. THE ACADEMIC AND CONVENTIONAL
VII. THE STUDY OF DRAWING
VIII. LINE DRAWING: PRACTICAL
IX. MASS DRAWING: PRACTICAL
X. RHYTHM
XI. RHYTHM: VARIETY OF LINE
XII. RHYTHM: UNITY OF LINE
XIII. RHYTHM: VARIETY OF MASS
XIV. RHYTHM: UNITY OF MASS
XV. RHYTHM: BALANCE
XVI. RHYTHM: PROPORTION
XVII. PORTRAIT DRAWING
XVIII. THE VISUAL MEMORY
XIX. PROCEDURE
XX. MATERIALS
XXI. CONCLUSION
APPENDIX