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The Practice and Science of Drawing (¼¼°è¸íÈ­ µå·ÎÀ×ÀÇ ±â¼ú


The Practice and Science of Drawing (¼¼°è¸íÈ­ µå·ÎÀ×ÀÇ ±â¼ú

The Practice and Science of Drawing (¼¼°è¸íÈ­ µå·ÎÀ×ÀÇ ±â¼ú

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2016-10-26
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The Practice and Science of Drawing (¼¼°è¸íÈ­ µå·ÎÀ×ÀÇ ±â¼ú: ÀÏ·¯½ºÆ® »ðÀÔ) ¼¼°è¸íÀÛÀº ¾î¶»°Ô µå·ÎÀ×(½ºÄÉÄ¡, ±×¸®±â)Çϴ°¡? ±×¿¡ ´ëÇÑ µå·ÎÀ×(Drawing) ºñ¹ý, ±â¼úÀÇ ´äÀ» µéÀ» ¼ö ÀÖ´Ù. Harold Speed (ÇØ·²µå ½ºÇǵå)ÀÇ µå·ÎÀ× ¼¼°è¸íÈ­ÀÇ ¼¼°è "¸ðµç ¿¹¼úÀÛÇ°Àº ¾Ö¸ÅÇÑ ¾ÆÀ̵ð¾î¿¡¼­ ½ÃÀ۵ȴÙ. ÀǽÄÀûÀ¸·Î °øºÎÇϵÇ, ¹«ÀǽÄÀûÀ¸·Î ±×·Á¶ó." ¹Ì¼úÇеµ(¹Ì´ë»ý) ¹Ì¼ú ÀԽà Áغñ»ýÀ̶ó¸é ²À Àоî¾ßÇÒ ¹ÙÀ̺í! ÀÏ·¯½ºÆ® »ðÀԵǾî ÀÖ½À´Ï´Ù.

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CONTENTS
I. INTRODUCTION
II. DRAWING
III. VISION
IV. LINE DRAWING
V. MASS DRAWING
VI. THE ACADEMIC AND CONVENTIONAL
VII. THE STUDY OF DRAWING
VIII. LINE DRAWING: PRACTICAL
IX. MASS DRAWING: PRACTICAL
X. RHYTHM
XI. RHYTHM: VARIETY OF LINE
XII. RHYTHM: UNITY OF LINE
XIII. RHYTHM: VARIETY OF MASS
XIV. RHYTHM: UNITY OF MASS
XV. RHYTHM: BALANCE
XVI. RHYTHM: PROPORTION
XVII. PORTRAIT DRAWING
XVIII. THE VISUAL MEMORY
XIX. PROCEDURE
XX. MATERIALS
XXI. CONCLUSION
APPENDIX