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Ǫºí¸®¿ì½º ¿Àºñµð¿ì½º ³ª¼Ò; ±â¿øÀü 43³â 3¿ù 20ÀÏ - ¼±â 17/18), ¿µ¾î±Ç ¼¼°è¿¡¼ Ovid·Î ¾Ë·ÁÁø ¾Æ¿ì±¸½ºÅõ½º ÅëÄ¡ ±â°£ µ¿¾È »ì¾Ò´ø ·Î¸¶ ½ÃÀÎÀÌ´Ù. ±×´Â Virgil°ú HoraceÀÇ µ¿½Ã´ë »ç¶÷À̾ú´Ù. ±×´Â ¼»ç½Ã ¿îÀ²·Î ¾²¿©Áø 15±ÇÀÇ ¿¬¼ÓÀûÀÎ ½ÅÈ À̾߱âÀÎ º¯ÅÂ(Metamorphoses)¿Í ¾Ö°¡ÀÇ 2Çà½Ã, ƯÈ÷ Amores("¿¬¾Ö")¿Í Ars Amatoria("»ç¶ûÀÇ ¿¹¼ú")·Î °¡Àå Àß ¾Ë·ÁÁ® ÀÖ½À´Ï´Ù. "). ±×ÀÇ ½Ã´Â Èı⠰í´ë¿Í Áß¼¼¿¡ ¸¹ÀÌ ¸ð¹æµÇ¾î ¼¾ç ¿¹¼ú°ú ¹®Çп¡ Å« ¿µÇâÀ» ¹ÌÃÆ´Ù.
Publius Ovidius Nassau; March 20, 43 BC - 17/18 AD), known in the English-speaking world as Ovid, was a Roman poet who lived during the reign of Augustus. He was a contemporary of Virgil and Horace. He is best known for his Metamorphoses, a series of 15 volumes of mythological tales written in epic rhyme, and for his elegiac duo, particularly Amores ("Love") and Ars Amatoria ("The Art of Love"). "). His poetry was much imitated in late antiquity and the Middle Ages, and had a great influence on Western art and literature.
CONTENTS
ACKNOWLEDGEMENTS
PREFACE
INTRODUCTION
TEXTUAL INTRODUCTION
P. OVIDI NASONIS
EPISTVLARM EX PONTO LIBER QVARTVS
CONSPECTVS SIGLORVM
I. Ad Sextum Pompeium
II. Ad Seuerum
III. Ad ingratum
IIII. Ad Sextum Pompeium
V. Ad Sextum Pompeium
VI. Ad Brutum
VII. Ad Vestalem
VIII. Ad Suillium
IX. Ad Graecinum
X. Ad Albinouanum
XI. Ad Gallionem
XII. Ad Tuticanum
XIII. Ad Carum
XIV. Ad Tuticanum
XV. Ad Sextum Pompeium
XVI. Ad inuidum
COMMENTARY
I. To Sextus Pompeius
II. To Cornelius Severus
III. To An Unfaithful Friend
IV. To Sextus Pompeius
V. To Sextus Pompeius
VI. To Brutus
VII. To Vestalis
VIII. To Suillius
IX. To Graecinus
X. To Albinovanus Pedo
XI. To Gallio
XII. To Tuticanus
XIII. To Carus
XIV. To Tuticanus
XV. To Sextus Pompeius
XVI. To a Detractor