<영어로 읽는 고전 공포소설 : 파뉘의 데브럴2>
Le Fanu의 1865년 작품으로 신비한 분위기와 섬세하고 사실적인 묘사로 비평가들의 찬사를 받았다.
Joseph Thomas Sheridan Le Fanu는 고딕 이야기와 미스터리 소설의 아일랜드 작가다. 그는 19세기 최고의 유령 이야기 작가였으며 빅토리아 시대 장르의 발전에 중심적인 역할을 했다. M.R. James는 Le Fanu를 "유령 이야기 작가로서 절대적으로 일류"라고 평가했다. 그의 가장 잘 알려진 세 작품은 Uncle Silas, Carmilla 및 The House by the Churchyard다.
Le Fanu's 1865 work was critically acclaimed for its mysterious atmosphere and detailed, realistic depiction.
Joseph Thomas Sheridan Le Fanu is an Irish author of gothic tales and mystery novels. He was the foremost ghost story writer of the 19th century and played a central role in the development of the Victorian era genre. M.R. James described Le Fanu as "absolutely first-rate as a ghost story writer". His three best known works are Uncle Silas, Carmilla and The House by the Churchyard.
CONTENTS
I. Lady Alice and Varbarriere tete-a-tete in the Library
II. M. Varbarriere orders his Wings
III. Monsieur Varbarriere talks with Donica Gwynn
IV. A Story of a Magician and a Vampire
V. Farewell
VI. At the Bell and Horns
VII. M. Varbarriere's Plans
VIII. Tempest
IX. Guy Deverell at Slowton
X. Uncle and Nephew
XI. In Lady Mary's Boudoir
XII. The Guests together
XIII. A Visitor in the Library
XIV. Pelter opens his Mind
XV. The Pipe of Peace
XVI. A Rencontre in the Gallery
XVII. Old Donnie and Lady Jane
XVIII. Alone?Yet not alone
XIX. Varbarriere the Tyrant debates with the weaker Varbarrieres
XX. M. Varbarriere decides
XXI. At the Green Chamber
XXII. In the Green Chamber
XXIII. The Morning
XXIV. The Doctor's Visit
XXV. The Patient interrogated
XXVI. General Lennox appears
XXVII. Lady Alice Redcliffe makes General Lennox's Acquaintance
XXVIII. The Bishop sees the Patient
XXIX. In the Yard of the Marlowe Arms
XXX. About Lady Jane
XXXI. Lady Jane's Toilet
XXXII. The two Doctors consult
XXXIII. Varbarriere in the Sick-room
XXXIV. Guy Deverell arrives
XXXV. I am Thine and Thou art Mine, Body and Soul, for ever
XXXVI. In the Chaise
XXXVII. Old Lady Alice talks with Guy
XXXVIII. Something more of Lady Jane Lennox
XXXIX. The Last
