<영어로 읽는 고전 _ 타고르의 창조적 통합>
"크리에이티브 유니티"는 라빈드라나트 타고르가 1922년에 출판한 에세이 모음집입니다. 이 책은 타고르가 서구 국가들을 순회하며 행한 강연들을 바탕으로 하고 있습니다. 주요 주제로는 예술, 문학, 철학, 교육, 동서양 문화의 조화 등이 다뤄집니다. 타고르는 이 작품을 통해 창조성과 통합의 중요성을 강조하며, 개인과 우주 간의 조화로운 관계를 탐구합니다.

그는 예술의 본질과 목적, 인간의 창조적 충동, 그리고 동양과 서양 문화의 상호 이해와 교류의 필요성에 대해 깊이 있는 통찰을 제공합니다. 특히 타고르는 예술이 단순한 미적 추구를 넘어 인간 정신의 표현이자 우주와의 연결 수단이라고 주장합니다.

이 책은 타고르의 폭넓은 지식과 깊은 철학적 사고를 잘 보여주며, 그의 범세계주의적 비전과 인문주의적 관점을 잘 드러냅니다. "크리에이티브 유니티"는 타고르의 사상을 이해하는 데 중요한 작품으로, 현대에도 여전히 관련성 있는 통찰들을 제공하고 있습니다.


"Creative Unity" is a collection of essays by Rabindranath Tagore published in 1922. The book is based on lectures given by Tagore during his tour of Western countries. The main topics covered are art, literature, philosophy, education, and harmony between Eastern and Western cultures. Through this work, Tagore emphasizes the importance of creativity and unity, and explores the harmonious relationship between the individual and the universe.

He provides deep insights into the nature and purpose of art, the creative impulse of human beings, and the need for mutual understanding and exchange between Eastern and Western cultures. In particular, Tagore argues that art is more than just an aesthetic pursuit; it is an expression of the human spirit and a means of connection with the universe.

This book demonstrates Tagore's broad knowledge and deep philosophical thinking, and it clearly reveals his cosmopolitan vision and humanistic perspective. "Creative Unity" is an important work for understanding Tagore's thought, and it provides insights that are still relevant today.

Summary
Civility is beauty of behaviour. It requires for its perfection patience, self-control, and an environment of leisure. For genuine courtesy is a creation, like pictures, like music. It is a harmonious blending of voice, gesture and movement, words and action, in which generosity of conduct is expressed. It reveals the man himself and has no ulterior purpose.
Our needs are always in a hurry. They rush and hustle, they are rude and unceremonious; they have no surplus of leisure, no patience for anything else but fulfilment of purpose. We frequently see in our country at the present day men utilising empty kerosene cans for carrying water. These cans are emblems of discourtesy; they are curt and abrupt, they have not the least shame for their unmannerliness, they do not care to be ever so slightly more than useful.

Contents
Introduction
The Poet's Religion
The Creative Ideal
The Religion of the Forest
An Indian Folk Religion
East and West
The Modern Age
The Spirit of Freedom
The Nation
Woman and Home
An Eastern University