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'My Reminiscences' is an autobiographical work by Rabindranath Tagore, published in 1912. This book is a memoir written in recollection of Tagore's life from childhood to adolescence.

In this work, Tagore vividly describes his experiences growing up in an elite family in Kolkata in the late 19th century. He writes in detail about his family, education, literary influences, and his growth as an artist.

Through this book, Tagore vividly conveys the social and cultural environment of Bengal at that time. The life of his wealthy family, the Indian educational system under British colonial rule, and the intellectual atmosphere of the Bengal Renaissance are well described.

In particular, this memoir is an important source for understanding Tagore's literary and philosophical development. He delicately records how his poetic sensibility was formed and how his views on nature and humanity developed.

'My Memoirs' is considered to be an important historical document that goes beyond a simple personal history and is also important for understanding the cultural and social changes in India in the late 19th century. Written in Tagore's characteristically lyrical and philosophical style, this book is considered an essential work for understanding his literary world.

This autobiography not only provides insight into Tagore's early life, but also allows us to glimpse his thoughts on India's cultural identity and the process of modernization. 'My Memoirs' is recognized as an outstanding literary work that portrays a portrait of an era through Tagore's personal history.

Summary
I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. He makes many a big thing small and small thing big. He has no compunction in putting into the background that which was to the fore, or bringing to the front that which was behind. In short he is painting pictures, and not writing history.
Thus, over Life's outward aspect passes the series of events, and within is being painted a set of pictures. The two correspond but are not one.

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Contents
PART I
1. Memory's canvas
2. Teaching Begins
3. Within and Without

PART II
4. Servocracy
5. The Normal School
6. Versification
7. Various Learning
8. My First Outing
9. Practising Poetry

PART III
10. Srikantha Babu
11. Our Bengali Course Ends
12. The Professor
13. My Father
14. A Journey with my Father
15. At the Himalayas

PART IV
16. My Return
17. Home Studies
18. My Home Environment
19. Literary Companions
20. Publishing
21. Bhanu Singha
22. Patriotism
23. The Bharati

PART V
24. Ahmedabad
25. England
26. Loken Palit
27. The Broken Heart

PART VI
28. European Music
29. Valmiki Pratibha
30. Evening Songs
31. An Essay on Music
32. The River-side
33. More About the Evening Songs
34. Morning Songs

PART VII
35. Rajendrahal Mitra
36. Karwar
37. Nature's Revenge
38. Pictures and Songs
39. An Intervening Period
40. Bankim Chandra

PART VIII
41. The Steamer Hulk
42. Bereavements
43. The Rains and Autumn
44. Sharps and Flats