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Classics in English _ The Law of the Land by Emerson Hough
"The Law of the Land" is a work that combines elements of court drama and western novels published by Emerson Hough in 1914.
The novel is set in the Mississippi River Valley and depicts the adventures and romances that young lawyer John Eddring experiences as he pursues justice. The work unfolds while dealing with law and justice, as well as social issues in the American South at the time.
In this work, Hough delicately depicts the efforts to realize justice within the boundaries of the law, and the conflicts of reality that sometimes come up against its limits. In particular, he keenly captures the changing social conditions, racial issues, and class issues of the American South after the Civil War.
The work is evaluated as having well-balanced the tension of court drama and the adventurous elements of western novels. It also provides a deep reflection on law and justice in American society at the time, while at the same time capturing the interest of readers with its exciting story development.
Summary
"The Law of the Land" by Emerson Hough is a novel written in the early 20th century. The story likely explores themes of societal change and individual agency set against the backdrop of the Southern United States. The narrative introduces us to central characters, including Miss Lady, a vibrant young woman navigating her identity, and John Eddring, a gentleman from the South, whose lives intertwine amid emerging social dynamics. The opening of the novel paints a picture of the genteel life at an old Southern plantation, inviting readers into the world of Miss Lady as she dances, filled with youthful exuberance. However, this idyllic setting is soon disrupted by the arrival of her mother, who hints at the pressures and expectations facing young women like Miss Lady. As the chapter unfolds, the story shifts between the domestic sphere and the broader implications of change brought about by the railroad's arrival, which symbolizes modernity intruding on traditional life. Eddring's presence and his profession suggest that the narrative will delve into the complexities and conflicts arising from these societal transformations, hinting at deeper questions of fate, choice, and the negotiation between personal desires and social responsibilities.
Contents
BOOK I
I. Miss LADY
II. MULEY
III. THE VISITOR
IV. A QUESTION OF VALUATION
V. CERTAIN PROBLEMS
VI. THE DRUM
VII. THE BELL
VIII. THE VOLCANO
IX. ON ITS MAJESTY'S SERVICE
X. MISS LADY OF THE STAIR
XI. COLONEL CALVIN BLOUNT'S PROPOSAL
XII. A WOMAN SCORNED
XIII. JOHN DOE vs. Y.V.R.R.
XIV. NUMBER 4
XV. THE PURSUIT
XVI. THE TRAVELING BAG
XVII. MISS LADY AND HENRY DECHERD
XVIII. MISFORTUNE
BOOK II
I. THE MAKING OF THE WILDERNESS
BOOK III
I. EDDRING, AGENT OF CLAIMS
II. THE OPINIONS OF CALVIN BLOUNT
III. REGARDING LOUISE LOISSON
IV. THE RELIGION OF JULES
V. DISCOVERY
VI. THE DANCER
VII. THE SUMMONS
VIII. THE STOLEN STEAMBOAT
IX. THE ACCUSER
X. THE VOYAGE
XI. THE WILDERNESS
XII. THE HOUSE OF HORROR
XIII. THE NIGHT IN THE FOREST
XIV. AT THE BIG HOUSE
XV. CERTAIN MOTIVES
XVI. THE NEW SHERIFF
XVII. THE LAW OF THE LAND
XVIII. MISS LADY AT THE BIG HOUSE
XIX. THREE LADIES LOUISE
XX. THE LID OF THE GRAVE
XXI. THE RED RIOT OF YOUTH
XXII. AMENDE HONORABLE