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Pierre; or The Ambiguities


Pierre; or The Ambiguities

Pierre; or The Ambiguities

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2024-11-20
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30 M
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Herman Melville's Pierre; or The Ambiguities is a novel written in the mid-19th century that explores themes of love, identity, and the complexities of relationships. The protagonist, Pierre Glendinning, navigates his emotions, particularly his growing affection for Lucy Tartan, while grappling with societal expectations and personal desires. Set in rural New England, the story contrasts the beauty of nature with the inner conflicts of its characters.
The novel opens on a peaceful summer morning, depicting Pierre as he steps outside, captivated by the natural beauty around him. As he walks toward a nearby cottage, he encounters Lucy at the window, sparking a tender exchange filled with admiration and playful banter. Pierre is portrayed as the only son of a wealthy widow, Mrs. Glendinning, hinting at a deep bond between them that will later be tested. This beginning lays the foundation for Pierre's journey, highlighting both his romantic inclinations and the complexities of his life, setting the stage for a story filled with love's trials and tribulations.

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BOOK I. PIERRE JUST EMERGING FROM HIS TEENS
I.
II.
III.
IV.
V.
VI.
BOOK II. LOVE, DELIGHT, AND ALARM
I.
II.
III.
IV.
V.
VI.
VII.
BOOK III. THE PRESENTIMENT AND THE VERIFICATION
I.
II.
III.
IV.
V.
VI.
BOOK IV. RETROSPECTIVE
I.
II.
III.
IV.
V.
BOOK V. MISGIVINGS AND PREPARATIVES
I.
II.
III.
IV.
V.
VI.
VII.
BOOK VI. ISABEL, AND THE FIRST PART OF THE STORY OF I.
II.
III.
IV.
V.
VI.
BOOK VII. INTERMEDIATE BETWEEN PIERRE¡¯S TWO INTERVIEWS WITH ISABEL AT THE FARM-HOUSE
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
BOOK VIII. THE SECOND INTERVIEW, AND THE SECOND PART OF THE STORY OF ISABEL. THEIR IMMEDIATE IMPULSIVE EFFECT UPON PIERRE
I.
II.
III.
IV.
V.
VI.
VII.
BOOK IX. MORE LIGHT, AND THE GLOOM OF THAT LIGHT. MORE GLOOM, AND THE LIGHT OF THAT GLOOM.
I.
II.
III.
IV.
BOOK X. THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE
I.
II.
III.
BOOK XI. HE CROSSES THE RUBICON
I.
II.
III.
IV.
BOOK XII. ISABEL, MRS. GLENDINNING, THE PORTRAIT, AND LUCY
I.
II.
III.
IV.
BOOK XIII. THEY DEPART THE MEADOWS.
I.
II.
BOOK XIV. THE JOURNEY AND THE PAMPHLET
I.
II.
III.
BOOK XV. THE COUSINS
I.
II.
III.
BOOK XVI. FIRST NIGHT OF THEIR ARRIVAL IN THE CITY
I.
II.
III.
BOOK XVII. YOUNG AMERICA IN LITERATURE
I.
II.
III.
BOOK XVIII. PIERRE, AS A JUVENILE AUTHOR, RECONSIDERED
I.
II.
BOOK XIX. THE CHURCH OF THE APOSTLES
I.
II.
BOOK XX. CHARLIE MILLTHORPE
I.
II.
BOOK XXI. PIERRE IMMATURELY ATTEMPTS A MATURE WORK. TIDINGS FROM THE MEADOWS. PLINLIMMON.
I.
II.
III.
BOOK XXII. THE FLOWER-CURTAIN LIFTED FROM BEFORE A TROPICAL AUTHOR; WITH SOME REMARKS ON THE TRANSCENDENTAL FLESH-BRUSH PHILOSOPHY
I.
II.
III.
IV.
BOOK XXIII. A LETTER FOR PIERRE. ISABEL. ARRIVAL OF LUCY¡¯S EASEL AND TRUNKS AT THE APOSTLES¡¯
I.
II.
III.
IV.
BOOK XXIV. LUCY AT THE APOSTLES¡¯
I.
II.
III.
IV.
BOOK XXV. LUCY, ISABEL, AND PIERRE. PIERRE AT HIS BOOK. ENCELADUS
I.
II.
III.
IV.
V.
BOOK XXVI. A WALK; A FOREIGN PORTRAIT; A SAIL. AND THE END
I.
II.
III.
IV.
V.
VI.
VII.
VIII.