ÄÜÅÙÃ÷ »ó¼¼º¸±â
ÇÇÅÍ B. Ä«ÀÎÀÇ Æȷθ¶ÀÇ ÀںνÉ


ÇÇÅÍ B. Ä«ÀÎÀÇ Æȷθ¶ÀÇ ÀںνÉ

ÇÇÅÍ B. Ä«ÀÎÀÇ Æȷθ¶ÀÇ ÀںνÉ

<ÇÇÅÍ B. Ä«ÀÎ(Peter B. Kyne)> Àú | µðÁîºñÁîºÏ½º

Ãâ°£ÀÏ
2024-11-15
ÆÄÀÏÆ÷¸Ë
ePub
¿ë·®
15 M
Áö¿ø±â±â
PC½º¸¶Æ®ÆùÅÂºí¸´PC
ÇöȲ
º¸À¯ ±Ç¼ö : 0 ±Ç, ½Åû °Ç¼ö : 0 °Ç
°£·« ½Åû ¸Þ¼¼Áö
ÄÜÅÙÃ÷ ¼Ò°³
¸ñÂ÷
ÇÑÁÙ¼­Æò

ÄÜÅÙÃ÷ ¼Ò°³

¿µ¾î·Î Àд °íÀü _ ÇÇÅÍ B. Ä«ÀÎÀÇ Æȷθ¶ÀÇ ÀںνÉ
"The Pride of Palomar"´Â °¡¹®ÀÇ À¯»êÀ» ÁöÅ°·Á´Â ÇÑ ÀþÀºÀÌÀÇ ÅõÀïÀ» ±×¸° ÇÇÅÍ B. Ä«ÀÎÀÇ ¼Ò¼³ÀÔ´Ï´Ù.
Á¦1Â÷ ¼¼°è´ëÀü ÂüÀü ÈÄ µ¹¾Æ¿Â µ· ¸¶ÀÌŬ ÆÄ·¯·¼Àº ÀÚ½ÅÀÇ °íÇâÀÎ Æȷθ¶¸£ ¸ñÀåÀÌ À§±â¿¡ óÇßÀ½À» ¾Ë°Ô µË´Ï´Ù. ¾Æ¹öÁö°¡ ³²±ä °Å´ëÇÑ ºúÀ¸·Î ÀÎÇØ ´ë´ë·Î ³»·Á¿Â ¸ñÀåÀÌ ÀϺ»ÀÎ »ç¾÷°¡µé¿¡°Ô ³Ñ¾î°¥ À§±â¿¡ ³õÀÌÀÚ, ¸¶ÀÌŬÀº °¡¹®ÀÇ ÀÚÁ¸½É°ú ÀüÅëÀ» ÁöÅ°±â À§ÇÑ Èû°Ü¿î ½Î¿òÀ» ½ÃÀÛÇÕ´Ï´Ù.
1921³â¿¡ Ãâ°£µÈ ÀÌ ÀÛÇ°Àº 1920³â´ë Ķ¸®Æ÷´Ï¾ÆÀÇ »çȸÀû º¯È­¿Í °¥µîÀ» ¹è°æÀ¸·Î ÇÕ´Ï´Ù. ÀüÅë°ú Áøº¸ÀÇ Ãæµ¹, ¹®È­Àû °¥µî, °¡Á·ÀÇ À¯»êÀÌ °®´Â Àǹ̸¦ ±íÀÌ ÀÖ°Ô ´Ù·ç¸é¼­µµ, ´ç½Ã ¹Ì±¹ ¼­ºÎÀÇ Çö½ÇÀûÀÎ ¸ð½ÀÀ» »ý»ýÇÏ°Ô ´ã¾Æ³½ ÀÛÇ°ÀÔ´Ï´Ù.

Classics in English _ The Pride of Palomar by Peter B. Kyne
"The Pride of Palomar" is a novel by Peter B. Cain about a young man's struggle to preserve his family's legacy.
After returning from World War I, Don Michael Parrall finds his hometown, Palomar Ranch, in jeopardy. When his father's huge debt threatens to take over the ranch, Michael begins a difficult fight to preserve his family's pride and tradition.
Published in 1921, this work is set against the backdrop of social change and conflict in 1920s California. It deeply explores the clash between tradition and progress, cultural conflict, and the meaning of family heritage, while vividly depicting the realistic aspects of the American West at the time.

Summary
"The Pride of Palomar" by Peter B. Kyne is a novel written in the early 20th century. The story revolves around themes of heritage, loss, and the poignant beauty of life in old California, particularly through the eyes of its central character, Michael Joseph Farrel, known as Don Mike, who is navigating the aftermath of World War I. The narrative explores his return to California following the tragic news of his father's death and the implications of changing times on traditional ranch life. The opening of the novel introduces us to the elderly Pablo Artelan, the majordomo of Rancho Palomar, who is plagued with anxiety as he waits for Don Mike, who has been away at war. Old Don Miguel Farrel, Pablo¡¯s employer, shows concern for Pablo's state of mind as they discuss the absence of quail during the dry season, which serves as a metaphor for what Don Mike will face upon his return. Soon, a telegram arrives bearing tragic news: Don Mike has died in battle. Yet, unbeknownst to them, Don Mike returns, creating a layered drama steeped in emotional conflicts and rich local color, setting the stage for personal and societal change in a California grappling with its history and future.

¸ñÂ÷

Contents
CHAPTER I. For the first time in sixty years
CHAPTER II. First Sergeant Michael Joseph Farrel entered the orderly-room
CHAPTER III. There were three people in the observation-car
CHAPTER IV. Farrel remained in the smoking-car throughout
CHAPTER V. The tears which Don Mike Farrel had descried in the eyes
CHAPTER VI. But the unknown knight had not returned to the observation-car
CHAPTER VII. At seven o'clock, dinner being over
CHAPTER VIII. The fierce gust of emotion which swept
CHAPTER IX. It was as he had left it
CHAPTER X. That night, Miguel Farrel did not sleep
CHAPTER XI. "I am convinced," said Miguel Farrel
CHAPTER XII. They walked out to the barn
CHAPTER XIII. The return of Pablo Artelan to the hacienda
CHAPTER XIV. Following his illuminating interview with Pablo
CHAPTER XV. At a point where the road
CHAPTER XVI. It was eleven o'clock when the car rolled down
CHAPTER XVII. John Parker and his wife, with the unsuspecting Okada
CHAPTER XVIII. Don Mike's assumption that Pablo would seek balm
CHAPTER XIX. When the Parkers emerged from the hacienda
CHAPTER XX. Miguel Farrel pulled up his pinto on the brow of
CHAPTER XXI. At the base of El Palomar
CHAPTER XXII. Dinner that night was singularly free from conversation
CHAPTER XXIII. As Farrel approached the Mission de la Madre Dolorosa
CHAPTER XXIV. Once again a tragic scene had been enacted
CHAPTER XXV. Bill Conway driving up the San Gregorio in
CHAPTER XXVI. It was fully two weeks before Miguel returned to
CHAPTER XXVII. Kay Parker was seated on the bench under the catalpa tree
CHAPTER XXVIII. Kay's first coherent thought was to claim the privilege of her sex
CHAPTER XXIX. "We've been waiting for you, Miguel
CHAPTER XXX. The following day Don Mike
CHAPTER XXXI. John Parker's boredom had been cured by a stop-watch
CHAPTER XXXII. Four days before Thanksgiving Brother Anthony returned