영어로 읽는 고전 _ E.M. 포스터의 하워즈 엔드
“하워즈 엔드(Howards End)”는 1910년 출간된 E. M. Forster의 대표작으로, 20세기 초 영국 사회의 계급과 가치관의 충돌을 섬세하게 그린 작품이다. 이 소설은 세 가족의 삶이 '하워즈 엔드'라는 전원주택을 중심으로 얽히며 전개된다.
지적이고 진보적인 슐레겔 자매, 실용주의적이고 물질적인 윌콕스 가문, 그리고 가난한 중산층 베이스트 가족은 각각 다른 계급과 가치관을 대변한다. 작품은 이들의 관계를 통해 전통과 진보, 물질과 정신, 이성과 감성의 대립을 탐구한다.
소설의 중심에 있는 하워즈 엔드 저택은 영국의 전통적 가치와 정체성을 상징하는 공간이다. Forster는 이 공간을 통해 급변하는 산업화 시대에 영국이 직면한 정신적 위기와 전통의 계승 문제를 다룬다. 특히 '누가 영국을 물려받을 것인가'라는 상징적 질문을 던지며 당시 영국 사회의 본질적 갈등을 포착한다.
작품은 1992년 영화로도 제작되어 큰 성공을 거두었다. 작가는 우아한 문체와 섬세한 심리 묘사로 계급 간의 갈등과 화해의 가능성을 탐구하며, 인간적 교감과 이해의 중요성을 강조한다. 오늘날에도 이 소설은 사회적 분열과 통합이라는 현대적 문제에 대한 깊은 통찰을 제공하는 걸작으로 평가받고 있다.

Reading Classics in English Howards End by E. M. Forster
“Howards End” is E.M. Forster's masterpiece published in 1910, and delicately depicts the clash of classes and values in early 20th-century British society. The novel unfolds around the lives of three families centered around a country house called 'Howards End'.
The intellectual and progressive Schlegel sisters, the pragmatic and materialistic Wilcox family, and the poor middle-class Beist family each represent different classes and values. Through their relationships, the novel explores the conflict between tradition and progress, materiality and spirit, reason and emotion.
The Howards End mansion at the center of the novel is a space that symbolizes Britain's traditional values and identity. Through this space, Forster addresses the spiritual crisis and the issue of succession to tradition that Britain faced in the rapidly changing industrial era. In particular, it captures the essential conflict of British society at the time by posing the symbolic question of 'who will inherit Britain'. The work was also made into a movie in 1992, which was a huge success. The author explores the conflict and possibility of reconciliation between classes with elegant writing and delicate psychological descriptions, and emphasizes the importance of human communication and understanding. Even today, the novel is considered a masterpiece that provides deep insight into the contemporary problems of social division and integration.

Summary
"Howards End" by E. M. Forster is a novel written in the early 20th century. The book explores the complex relationships and social dynamics of English society, particularly focusing on issues of class, culture, and connection. The narrative primarily revolves around the lives of the Schlegel sisters, Margaret and Helen, and their interactions with the Wilcox family, particularly Charles Wilcox, highlighting themes of love, conflict, and the quest for social understanding. The opening of "Howards End" introduces the reader to Helen Schlegel’s correspondence with her sister, Margaret, as she describes her visit to a country house, Howards End, owned by the Wilcox family. Helen expresses her charm for the house and her observations about the family dynamics, noting the stronger presence of Mrs. Wilcox amidst the more boisterous Wilcox men. As she becomes enchanted by them, she indicates that she and Paul Wilcox, the younger son, are falling in love. The exchange between the sisters sets the stage for the ensuing complications of their relationships, foreshadowing potential misunderstandings and clashes between different social values that will drive the narrative forward.

Contents
CHAPTER I. One may as well begin with Helen’s letters
CHAPTER II. Margaret glanced at her sister’s note
CHAPTER III. Most complacently did Mrs. Munt rehearse
CHAPTER IV. Helen and her aunt returned to Wickham Place
CHAPTER V. It will be generally admitted
CHAPTER VI. WE are not concerned with the very poor
CHAPTER VII. The most unfortunate thing was not very serious
CHAPTER VIII. The friendship between Margaret and Mrs. Wilcox
CHAPTER IX. Mrs. Wilcox cannot be accused of giving Margaret
CHAPTER X. Several days passed
CHAPTER XI. The funeral was over
CHAPTER XII. Charles need not have been anxious
CHAPTER XIII. Over two years passed
CHAPTER XIV. The mystery, like so many mysteries
CHAPTER XV. The sisters went out to dinner
CHAPTER XVI. Leonard accepted the invitation to tea
CHAPTER XVII. The Age of Property holds bitter moments
CHAPTER XVIII. As they were seated at Aunt Juley’s
CHAPTER XIX. If one wanted to show a foreigner England
CHAPTER XX. Margaret had often wondered at the disturbance
CHAPTER XXI. Charles had just been scolding his Dolly
CHAPTER XXII. Margaret greeted her lord with peculiar tenderness
CHAPTER XXIII. Margaret had no intention of letting things slide
CHAPTER XXIV. It gave her quite a turn
CHAPTER XXV. Evie heard of her father’s engagement
CHAPTER XXVI. Next morning a fine mist covered the peninsula
CHAPTER XXVII. Helen began to wonder
CHAPTER XXVIII. For many hours Margaret did nothing
CHAPTER XXIX. He had finished his breakfast
CHAPTER XXX. Tibby was now approaching his last year
CHAPTER XXXI. Houses have their own ways of dying
CHAPTER XXXII. She was looking at plans one day
CHAPTER XXXIII. The day of her visit was exquisite
CHAPTER XXXIV. It was not unexpected entirely
CHAPTER XXXV. One speaks of the moods of spring
CHAPTER XXXVI. Margaret, you look upset
CHAPTER XXXVII. Margaret bolted the door on the inside
CHAPTER XXXVIII. The tragedy began quietly enough
CHAPTER XXXIX. Charles and Tibby met at Ducie Street
CHAPTER XL. Leonard?he would figure at length in a newspaper report
CHAPTER XLI. Far different was Leonard’s development
CHAPTER XLII. When Charles left Ducie Street he had caught
CHAPTER XLIII. Out of the turmoil and horror
CHAPTER XLIV. Tom’s father was cutting the big meadow