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¿µ¾î°íÀü 018 ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(English Classics018 The Awakening, and Selected Short Stories by Kate Chopin)


¿µ¾î°íÀü 018 ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(English Classics018 The Awakening, and Selected Short Stories by Kate Chopin)

¿µ¾î°íÀü 018 ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(English Classics018 The Awakening, and Selected Short Stories by Kate Chopin)

<ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)> Àú | Å׸¶¿©Çà½Å¹® TTN Theme Travel News Korea

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ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº ¾ÆÀÏ·£µå°è ¾Æ¹öÁö¿Í ÇÁ¶û½º°è ¾î¸Ó´Ï »çÀÌ¿¡¼­ ¹ÌÁߺÎÀÇ ¼¼ÀÎÆ® ·çÀ̽º(St. Louis)¿¡¼­ ž½À´Ï´Ù. ÀÌ ¶§¹®¿¡ ¹Ì±¹, ¾ÆÀÏ·£µå, ÇÁ¶û½º°¡ È¥ÀçµÇ¾î ÀÖ´Â ´Ù¹®È­ °¡Á¤¿¡¼­ ÀÚ¶ó ¼¼ÀÎÆ® ¼¼ÀÌÅ©¸®µå ÇÏÆ® ¾ÆÄ«µ¥¹Ì(Academy of the Sacred Heart)°ú ±×³à¿¡°Ô Å« ¿µÇâÀ» ¹ÌÄ£ ÁõÁ¶ÇÒ¸Ó´Ï(great-grandmother)¿¡°Ô ±³À° ¹Þ¾Ò½À´Ï´Ù. º»¸í ij¼­¸° ¿ÀÇ÷¹¾îƼ(Katherine O'Flaherty). 1970³â ¿À½ºÄ« ¼îÆØ(Oscar Chopin)°ú °áÈ¥Çϸç, ³²ÆíÀÇ °íÇâÀÎ ´º¿Ã¸®¾ð½º(New Orleans)·Î ÀÌÁÖÇßÀ¸³ª, ³²ÆíÀÇ »ç¾÷ ¸éÈ­ Áß°³¾÷(cotton brokerage)Àº ±×¸® ¼º°øÀûÀÌÁö ¾Ê¾Ò½À´Ï´Ù. ÀÌ·Î ÀÎÇØ µµ½ÉÀ» ¶°³ª, Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)°¡ °­ÇÑ ·çÀÌÁö¾Ö³ª(Louisiana) Ŭ·ÎƼ¿¡ºô(Cloutierville)·Î ÀÌÁÖÇÏ¿´°í, ³óÀå °æ¿µ°ú »óÁ¡ °æ¿µ¿¡ ´Ù½Ã Çѹø µµÀüÇÏ¿´½À´Ï´Ù. ·çÀÌÁö¾Ö³ª Å©¸®¿Ã(Louisiana Creoles)Àº ·çÀÌÁö¾Ö³ª¿¡¼­ ž Åä¹ÚÀÌ¿Í, ŸÁö¿¡¼­ ·çÀÌÁö¾Ö³ª·Î ÀÌÁÖÇÑ »ç¶÷À» ±¸ºÐÇϱâ À§ÇØ ºÙ¿©Áø ¿ë¾î·Î, ÇÁ¶û½º¿Í ½ºÆäÀÎÀÇ ½Ä¹ÎÁö¸¦ °ÅÄ£ ¹Ì±¹ ³²ºÎ µµ½Ã ·çÀÌÁö¾Ö³ªÀÇ ÀÎÁ¾Àû, ¹®È­Àû Ư¼ºÀ» ¹Ý¿µÇÕ´Ï´Ù. ÇÁ¶û½º¿Í ½ºÆäÀÎ, ¹Ì±¹ ±×¸®°í ¾ÆÇÁ¸®Ä«ÀÇ ¹®È­°¡ È¥ÀçµÈ ·çÀÌÁö¾Ö³ª´Â ³ë¿¹, ÀÎÁ¾ Â÷º°, È¥Ç÷ ±×¸®°í 19¼¼±â ¾ÆÀÌƼ Çõ¸í(Haitian Revolution)À¸·Î À¯ÀÔµÈ ³­¹Î±îÁö º¹Àâ´Ù´ÜÇÑ Æ¯ÁúÀÌ È¥ÀçµÇ¾î ÀÖ´Â °ø°£ÀÌ¿´½À´Ï´Ù. ³²ÆíÀÌ »ç¸ÁÇÑ ÈÄ ÀûÀÝÀº ºúÀ» ¹°·Á ¹ÞÀº ¼îÆØÀº ¿©¼¸¸íÀÇ Àڳฦ ºÎ¾çÇϱâ À§ÇØ °í±ººÐÅõÇÏ¿´À¸³ª, °á±¹ ¸ðµç »ç¾÷À» Á¤¸®ÇÏ°í ¾î¸Ó´Ï°¡ °è½Å ¼¼ÀÎÆ®·çÀ̽º·Î µ¹¾Æ°©´Ï´Ù. ¾î¸Ó´ÏÀÇ µµ¿òÀ¸·Î °¡°è°¡ ¾ÈÁ¤µÇÀÚ, ÀÕ´Ù¸¥ »ç¾÷½ÇÆÐ¿Í ³²ÆíÀÇ Á×À½ µîÀ¸·Î º¹ÀâÇÑ ½É°æÀ» ´Þ·¡±â À§ÇØ ÀÇ»ç(Dr. Frederick Kolbenheyer)ÀÇ ±ÇÀ¯·Î ±Û¾²±â¸¦ ½ÃÀÛÇÕ´Ï´Ù. ÀÌ·Î½á ¡®ÀÛ°¡¡¯ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ »îÀÌ ½ÃÀ۵˴ϴÙ! ´º¿Ã¸®¾ðÁ ¹è°æÀ¸·Î ÇÑ At Fault(1890), ·çÀÌÁö¾Ö³ª¸¦ ¹è°æÀ¸·Î ÇÑ µ¥Áö·¹ÀÇ ¾Æ±â(Desiree's Baby)(1893) µî ±×³à´Â ´ëºÎºÐÀÇ ÀÛÇ°À» ÀÚ½ÅÀÌ Àß ¾Ë°í ÀÖ´Â ¡®¹Ì±¹¡¯À» ¹è°æÀ¸·Î ±×·È½À´Ï´Ù. ƯÈ÷ ·çÀÌÁö¾Ö³ªÀÇ Áö¿ª Å©·¹¿Ã ¹®È­(the local creole culture)¸¦ ¼¶¼¼ÇÏ°Ô ¹¦»çÇÑ ÀÛÇ°Àº ±×³à¿¡°Ô ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» Àß ±×·Á³½ ¹Ì±¹ÀÛ°¡¶õ Īȣ¸¦ ¼±»çÇÏ¿´½À´Ï´Ù. ´ëÇ¥ÀÛ °¢¼º(The Awakening)(1899)Àº ´ç½Ã·Î½á´Â ÆÄ°ÝÀûÀ¸·Î ¿©¼ºÀÇ ¼º(female sexuality)À» ¿©¼ºÀÇ ½Ã°¢¿¡¼­ ¹¦»çÇÏ¿´À¸¸ç, ÀÌ ¶§¹®¿¡ Æò´ÜÀÇ ±ØÂù°ú ºñ³­À» µ¿½Ã¿¡ ¹Þ¾Ò½À´Ï´Ù. ½ÇÁ¦·Î ±×³àÀÇ ÀÛÇ°Àº µµ¼­°ü¿¡ ºñÄ¡µÇÁö ¾Ê°Å³ª, ¿À·£ ±â°£ ÀýÆǵǾú½À´Ï´Ù. ÀÌ·Î ÀÎÇØ ¼îÆØÀº ÀåÆí ´ë½Å Áö¿ª½Å¹®¿¡ ´Ù¾çÇÑ ´ÜÆíÀ» ¹ßÇ¥Çϸç, ÀÛ°¡·Î½áÀÇ ´Ù¸¥ ¸é¸ð¸¦ º¸¿©ÁÖ±â À§ÇØ ÀýÄ¡ºÎ½ÉÇÏ¿´½À´Ï´Ù. ±×·³¿¡µµ ºÒ±¸ÇÏ°í »ì¾Æ »ýÀü¿¡´Â ±×¸® Å« ÁÖ¸ñÀ» ¹ÞÁö ¸øÇÑ ÀÛ°¡¿´°í, 1970³â´ë¿¡ À̸£·¯¼­¾ß ³ë¸£¿þÀÌ ÇÐÀÚ Æ丣 ½Ã¾î½ºÅ×µå(Per Seyersted)°¡ ±×³àÀÇ ÀÛÇ°À» 20¼¼±â ¹Ì±¹ Æä¹Ì´Ï½ºÆ® ¼Ò¼³ÀÇ ¼±±¸ÀÚ(American 20th-century feminist authors)¶õ °üÁ¡¿¡¼­ ¿¬±¸Çϱ⠽ÃÀÛÇϸ鼭 Â÷Ãû ±×³àÀÇ ÀÛÇ°¿¡ ´ëÇÑ ÀçÆò°¡°¡ ÀÌ·ç¾îÁö°í ÀÖ½À´Ï´Ù. ±¹³»¿¡µµ ¹ø¿ªº»ÀÌ Á¶±Ý¾¿ Ãâ°£µÇ°í ÀÖ´Â »óȲÀÔ´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

°¢¼º(The Awakening)(1899) : 1897³â °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À¸·Î Ãâ°£µÈ ÀÛÇ°À̳ª, ´ëÁß¿¡°Ô´Â 1899³â ÀçÃâ°£ÇÑ Á¦¸ñ °¢¼º(The Awakening)(1899)À¸·Î Ä£¼÷ÇÕ´Ï´Ù. ¿øÁ¦¿¡¼­Ã³·³ ÀÛ°¡ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)Àº °íµ¶ÇÑ ¿µÈ¥(A Solitary Soul)À» °¡Áø, ¾Æ´Ï °íµ¶ÇÒ ¼ö ¹Û¿¡ ¾ø´Â ¿©ÁÖÀΰø ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)À» Áß½ÉÀ¸·Î À̾߱⸦ Àü°³ÇØ °©´Ï´Ù. ÀÛ°¡°¡ ½ÇÁ¦·Î ¿À·§µ¿¾È °ÅÁÖÇÑ 19¼¼±â ¹Ì±¹ ´º¿Ã¸®¾ðÁî(New Orleans)¿Í ·çÀÌÁö¾Ö³ª °ÉÇÁ Çغ¯(the Louisiana Gulf coast), ±×¶û ¼¶(Grand Isle)¸¦ ¹è°æÀ¸·Î, Æä¹Ì´ÏÁò(femininity)°ú ¸ð¼º¾Ö(motherhood)¶õ ¿©¼º ´ã·ÐÀ» ¼Ò¼³ÀÇ ÁÖÁ¦·Î »ïÀº ȹ±âÀûÀÎ ÀÛÇ°À¸·Î ¹Ì±¹ ¼Ò¼³»ç¿¡¼­ ¸ð´õ´ÏÁò ¹®ÇÐ(American modernist literature)ÀÇ ¼±±¸ÀÚÀÌÀÚ, ÃÖÃÊÀÇ ³²ºÎ ÀÛÇ°(the first Southern works)À¸·Î °Å·ÐµË´Ï´Ù. ÁÖÀΰø ¿¡µå³ª ÆùÅÚ¸®¾î(Edna Pontellier)´Â ¼º°øÇÑ »ç¾÷°¡ÀÌÁö¸¸, ±×³àÀÇ ¸¶À½À» Çì¾Æ¸®Áö´Â ¸øÇÏ´Â ³²Æí ·¹¿Â½º ÆùÅÚ¸®¿¡(Leonce Pontellier)°ú °ÑÀ¸·Î´Â ´Ü¶õÇÑ °¡Á¤À» ²Ù¸®°í ÀÖ½À´Ï´Ù. ¿Ü°£³²ÀÚÀÎ ·Î¹öÆ®(Robert Lebrun)¿Í ºÒ·û¿¡ ºüÁö¸é¼­, ±×³à´Â ÀÚ½ÅÀÌ ¹Ìó ¾Ë°í ÀÖÁö ¸øÇÑ ¹«¾ð°¡¸¦ ±ú´Ý°Ô µÇ´Âµ¥... ÀÛÇ°¸í °¢¼º(The Awakening)(1899)Àº ÆùÅÚ¸®¾î( Pontellier) °¡¹®ÀÇ ¾Æ³» ¿¡µå³ª°¡ ³²Æí°ú ºÒ·û³² »çÀÌ¿¡¼­ »õ·Ó°Ô ÀÚ°¢ÇÏ°Ô µÈ ¡®¹«¾ð°¡¡¯¸¦ ÀºÀ¯ÇÕ´Ï´Ù. ¿ì¸®¿¡ °¤Èù »õ, ´ë¾çÀ» ÇâÇØ ÇìÃÄ ³ª°¡´Â ¼ö¿µ, ÈûÂ÷°Ô ¿ï·Á ÆÛÁö´Â ÇÇ¾Æ³ë µîÀº ¾ï¾ÐµÈ »çȸ·ÎºÎÅÍ °¨±ÝµÇ¾î ÀÖ´Â ¡®¿©¼ºÀÇ Çö½Ç¡¯À» ºñÀ¯ÇÑ °ÍÀ¸·Î Çؼ®µË´Ï´Ù.

HBO Æ®¸²(Treme)(2010~2013) : HBO µå¶ó¸¶ Æ®¸²(Treme)Àº ´º¿Ã¸®¾ð½ºÀÇ ¼Òµµ½Ã Æ®¸²(Treme)À» ¹è°æÀ¸·Î, 2005³â ¹Ì±¹ ³²ºÎ¸¦ °­Å¸ÇÑ Ç㸮ÄÉÀÎ Ä«Æ®¸®³ª ÀÌÈÄÀÇ ¸ð½ÀÀ» Áö¿ª ¹®È­¿Í ÇÔ²² ¹¦»çÇÑ ÀÛÇ°ÀÔ´Ï´Ù. ½ÃÁð 4, ÃÑ 36È­·Î Á¦À۵Ǿú½À´Ï´Ù. ½ÃÁð 1¿¡¼­ ±³»ç Å©¸®Æ°(Creighton)Àº Çлýµé¿¡°Ô ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)ÀÇ °¢¼º(The Awakening)(1899)À» ¼Ò°³ÇÕ´Ï´Ù. Pay attention to the language itself. The ideas. Don't think in terms of a beginning and an end. Because unlike some plot-driven entertainments, there is no closure in real life. Not really. ¾ð¾î ÀÚü¿¡ ÁÖÀǸ¦ ±â¿ïÀ̽ʽÿÀ. ¾ÆÀ̵ð¾îµéÀÌ¿ä. ½ÃÀÛ°ú ³¡À» ³õ°í »ý°¢ÇÏÁö ¸¶¼¼¿ä. ¿Ö³ÄÇϸé ÀϺΠÀ½¸ð·ÐÀûÀÎ ¿À¶ô°ú´Â ´Þ¸®, Çö½Ç¿¡¼­´Â Æó¼â¼ºÀÌ ¾ø±â ¶§¹®ÀÔ´Ï´Ù. »ç½Ç ±×·¸Áö ¾Ê¾Æ¿ä.

¡°Some of Chopin's work is equal to the best that has been produced in France or even in America. She displayed what may be described as a native aptitude for narration amounting almost to genius.¡± ¡°¼îÆØÀÇ ÀÛÇ° Áß ÀϺδ ÇÁ¶û½º ¶Ç´Â ¹Ì±¹ ÃÖ°íÀÇ ÀÛÇ°°ú µ¿ÀÏÇÕ´Ï´Ù. ±×³à´Â °ÅÀÇ ÃµÀç¿¡ °¡±î¿î ³ª·¹À̼ǿ¡ ´ëÇÑ Å¹¿ùÇÑ Àû¼ºÀ¸·Î ¹¦»ç µÉ ¼ö ÀÖ´Ù´Â °ÍÀ» º¸¿©ÁÖ¾ú½À´Ï´Ù.¡± ¹Ì±¹ ¹®Çб³¼ö °â ÀÛ°¡ ÇÁ·¹µå ·çÀ̽º ÆÐƼ(Fred Lewis Pattee)

"Chopin undermines patriarchy by endowing the Other, the woman, with an individual identity and a sense of self, a sense of self to which the letters she leaves behind give voice. The 'official' version of her life, that constructed by the men around her, is challenged and overthrown by the woman of the story." "¼îÆØÀº ÀÚ½ÅÀÇ Á¤Ã¼¼º°ú Àھư¨°¢À» °¡Áø »ó´ë¹æÀ» ±¼º¹½ÃÅ´À¸·Î½á °¡ºÎÀåÁ¦¸¦ ºÎ½¤¹ö¸³´Ï´Ù. ±×³à°¡ ³²±ä ±ÛÀÚµéÀÌ ¸ñ¼Ò¸®¸¦ ³»´Â Àھư¨°¢ÀÌÁÒ. ÁÖº¯ ³²Àڵ鿡 ÀÇÇØ °Ç¼³µÈ ±×³àÀÇ »îÀÇ '°ø½Ä' ¹öÀüÀº À̾߱⠼ÓÀÇ ¿©ÁÖÀΰø¿¡ ÀÇÇØ µµÀü¹Þ°í Àüº¹µË´Ï´Ù.¡° Jane Le Marquand

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-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
9°¡Áö Å°¿öµå·Î Àд ÄÉÀÌÆ® ¼îÆØ(Kate Chopin) by Á¶¸íÈ­ ÆíÁýÀå
01. ·çÀÌÁö¾Ö³ª Å©·¹¿Ã À¯»ê(Louisiana Creole heritage)À» °¡Àå Àß ´ã¾Æ³½ ¹Ì±¹ ÀÛ°¡(1850~1904)
02. ÇÁ¶û½º ÀÛ°¡ ±â µå ¸ðÆÄ»ó(Guy de Maupassant)ÀÇ ¾Öµ¶ÀÚ
03. °¢¼º(The Awakening)(1899)
04. ¿µÈ­ ±×·£µå ¾ÆÀÏ(Grand Isle)(1991)
05. ´ÙÅ¥¸àÅ͸® Àç°¢¼º(A Reawakening)(1998)
06. HBO Æ®¸²(Treme)(2010~2013)
07. ¹Ì±¹¿¡¼­ ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)¸¦ ¸¸³ª´Â Àå¼Ò TOP5
08. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ÄÉÀÌÆ® ¼îÆØ(Kate Chopin)
09. ¾î·Ï(Quotes)(30)
ÄÉÀÌÆ® ¼îÆØÀÇ °¢¼º(The Awakening, and Selected Short Stories by Kate Chopin)(1899)
I. The Awakening
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
XXIII
XXIV
XXV
XXVI
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
XXXV
XXXVI
XXXVII
XXXVIII
XXXIX
II. Beyond the Bayou
III. Ma¡¯ame Pelagie
III-I
III-II
III-III
III-IV
IV. Desiree¡¯s Baby
V. A Respectable Woman
VI. The Kiss
VII. A Pair of Silk Stockings
VIII. The Locket
VIII-I
VIII-II
IX. A Reflection
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)
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A12. ¿µÈ­¡¤µå¶ó¸¶·Î ¸¸³ª´Â ¿µ¾î°íÀü(Movies And TV Shows Based on English Classic Books)
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