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¿µ¾î°íÀü 025 ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®ÀÇ ±ºÁÖ·Ð(English Classics025 The Prince by Niccolo Machiavelli)

¿µ¾î°íÀü 025 ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®ÀÇ ±ºÁÖ·Ð(English Classics025 The Prince by Niccolo Machiavelli)

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±ºÁÖ·Ð(The Prince)(1532) : ¸¶Å°¾Æº§¸®ÀÇ ±ºÁÖ·Ð(The Prince)(1532)Àº ÇöÀç±îÁöµµ ¸¶Å°¾Æº§¸®Áò(Machiavellism), ¾Ç¸¶(Old Nick)ÀÇ Ã¥ µîÀ̶õ ºñ³­À» ¹Þ´Â ¹®Á¦ÀÛÀÎ µ¿½Ã¿¡ ¡®±Ù´ë Á¤Ä¡ öÇÐÀÇ ¼±±¸ÀÚ¡¯¶õ Âù»ç¸¦ ¹Þ´Â °ÉÀÛÀÔ´Ï´Ù. ¸¶Å°¾Æº§¸®Áò(Machiavellism)Àº °ø°øÀÇ ÀÌÀÍÀ̶õ ¸ñÀûÀ» ´Þ¼ºÇϱâ À§ÇØ ±ºÁÖ´Â ¾Ç¸íÀ» °¨¼öÇÏ´õ¶óµµ ºñµµ´öÀûÀÎ ¼ö´ÜÀ» »ç¿ëÇØ¾ß ÇÑ´Ù,¶õ Áö±ØÈ÷ ºñµµ´öÀûÀÎ ÁÖÀåÀ̶õ ºñ³­À» ¹Þ½À´Ï´Ù. ºÐ¸í ±ºÁÖ·Ð(The Prince)(1532)ÀÇ ÇÙ½ÉÀûÀÎ »ç»óÀ¸·Î, ÈÄ´ëÀÇ ¼ö¸¹Àº µ¶ÀçÀÚ¿¡°Ô ¾Ç¿ëµÇ±âµµ ÇÏ¿´½À´Ï´Ù.

±×·¯³ª, ¸¶Å°¾Æº§¸®°¡ È°µ¿ÇÏ´ø 16¼¼±âÀÇ ÀÌÅ»¸®¾Æ´Â Á¾±³ ±Ç·ÂÀÌ µµ½Ã±¹°¡µé°ú ²÷ÀÓ¾øÀÌ Èû½Î¿òÀ» ¹ú¿´À¸¸ç, ÇÁ¶û½º, ½ºÆäÀÎ, ½Å¼º·Î¸¶Á¦±¹ µîÀÇ ÁÖº¯±¹°ú ºÐÀïÀÌ Àæ¾Æ ±Øµµ·Î È¥¶õ½º·¯¿î ½Ã±â¿´½À´Ï´Ù. ÀÌ·Î ÀÎÇÑ ÇÇÇظ¦ °á±¹ Èû¾ø°í °¡³­ÇÑ ´ë´Ù¼öÀÇ ¹ÎÁßµéÀÌ °¨³»ÇØ¾ß Çß´Ù´Â ½Ã´ë»óÀ» °¨¾ÈÇÑ´Ù¸é, °á±¹ ±ºÁÖ°¡ ¸ðµç ¾Ç¸íÀ» °¨¼öÇØ¾ß ÇÑ´Ù´Â ±×ÀÇ ÁÖÀå¿¡ ¼³µæ·ÂÀÌ ¾ø´Ù°í ÇÒ ¼ö´Â ¾øÀ» °ÍÀÔ´Ï´Ù. ¹«¾ùÀÌ ´õ ³ªÀº Á¤Ä¡Àΰ¡? Àηù°¡ Á¸ÀçÇÏ´Â ÇÑ ¿µ¿øÈ÷ ³¡³ªÁö ¾ÊÀ» ¶±¹äÀ» ´øÁø ±ºÁÖ·Ð(The Prince)(1532)Àº 21¼¼±â ¹ÎÁÖÁÖÀÇ ½Ã´ë¸¦ »ç´Â Çö´ëÀÎÀÌ¶óµµ ÇѹøÂë Àо °¡Ä¡°¡ ÀÖ´Â °íÀü °ÉÀÛÀÔ´Ï´Ù.

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Àü¼ú·Ð(Art of War)(1521) : Àü¼ú·Ð(Art of War)(1521)¿¡ µîÀåÇÏ´Â ·çÿ¶óÀÌ(Rucellai)´Â ¸ÞµðÄ¡(Medici), ÆÄÄ¡(Pazzi), ½ºÆ®·ÎÄ¡(Strozzi) µî°ú ÇÔ²² ´ç´ë ÇÇ·»Ã¼ÀÇ ´ë°¡¹® Áß Çϳª·Î, ¸¶Å°¾Æº§¸®´Â 1518³â º£¸£³ª¸£µµ ·çÿ¶óÀÌ(Bernardo Rucellai)°¡ ÈÄ¿øÇÏ´Â ¸ðÀÓÀ» ÅëÇØ ´ç´ëÀÇ ¸í»çµé°ú ±³·ùÇÏ¿´½À´Ï´Ù. ¸ÞµðÄ¡°¡¿¡¼­ ÃÖÃÊ·Î ½ÃÇàÇÑ ¡®¾Æ¸§´Ù¿î Á¤¿ø¿¡¼­ÀÇ Åä·Ð¡¯Àº ÇöóÅæÀÇ ¾ÆÄ«µ¥¹Ì¾Æ¸¦ ¸ð¹æÇÑ °ÍÀ¸·Î, ¶óº¥³ª ÀüÅõ(Battle of Ravenna)(1512)ÀÇ ¸íÀå Æĺ긮ġ¿À Äݷгª(Fabrizio Colonna)À» ÃʺùÇÏ¿© ºó°´µé°ú ÀÚÀ¯·Ó°Ô Áú¹®ÇÏ°í ´äÇÏ´Â ¹æ½ÄÀ¸·Î ÁøÇàÇÏ¿´½À´Ï´Ù. Àü¼ú·Ð(Art of War)(1521)¿¡ ½Ç¸íÀ¸·Î µîÀåÇÏ´Â Â÷³ëºñ ºÎ¿Âµ¨¸óƼ(Zanobi Buondelmonti), ·çÀÌÁö ¾Ë¶ó¸¸´Ï(Luigi Alamanni), ¹ÙƼ½ºÅ¸ µ¨¶ó Æȶó(Battista della Palla) µî ´ç´ëÀÇ Àú¸íÇÑ ÇÐÀÚ, Á¤Ä¡°¡, ºó°´µéÀÌ ´ë°Å Âü°¡ÇÏ¿´À¸¸ç, ¸¶Å°¾Æº§¸®´Â À̸¦ ´ëÈ­·ÏÀ¸·Î Á¤¸®ÇÏ¿© ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ·çÿ¶óÀÌ Á¤¿ø(Orti Oricellari)Àº ÇöÀç Mission Laique Francaise·Î È°¿ëµÇ°í ÀÖ½À´Ï´Ù.

Èñ°î ¸¸µå¶ó °ñ¶ó(La Mandragola, The Mandrake)(1524) : ¸¸µå¶ó °ñ¶ó(Mandragola) ȤÀº ¸Çµå·¹ÀÌÅ©(Mandrake)´Â °¡Áö°ú ¸Çµå·¹ÀÌÅ© ¼ÓÀÇ º¸¶ó»ö ²ÉÀ» ÇÇ¿ì´Â ¹¦ÇÑ ºÐÀ§±âÀÇ ½Ä¹°·Î »Ñ¸®¿¡ ÁøÇÑ ¾ËÄ®·ÎÀÌµå ¼ººÐÀ» ÇÔÀ¯ÇÑ µ¶ÃÊÀÔ´Ï´Ù. ÀÌ ¶§¹®¿¡ ¿¬±Ý¼ú»ç¿Í ¸¶³à, ¸¶¹ý»ç°¡ ȯ°¢, ¸¶Ãë, ÃÖÀ½Á¦ µîÀ¸·Î È°¿ëÇÏ´Â ½ÅºñÀÇ Àç·á·Î ¹¦»çµÇÁö¿ä. ¶ÇÇÑ ¿ì¸®³ª¶óÀÇ Àλïó·³ »Ñ¸®°¡ Àΰ£À» ¹¦ÇÏ°Ô ´àÀº ÇüŸ¦ ¶ì°í ÀÖ¾î ¹«¼öÇÑ Àü¼³°ú ¼³È­°¡ ÀüÇØÁ® ¿À´Â ¡®ÇöÁ¸ÇÏ´Â °¡»óÀÇ ½Ä¹°¡¯À̱⵵ ÇÕ´Ï´Ù. Çö´ëÀο¡°Ô´Â Èï¹Ì·ÓÁö¸¸ Ȳ´çÇÑ ½Ä¹°ÀÌ°ÚÀ¸³ª, ¼ÎÀͽºÇǾîÀÇ ·Î¹Ì¿À¿Í ÁÙ¸®¿§(Romeo and Juliet)(1597), Çظ®Æ÷ÅÍ ½Ã¸®Áî 2±Ç Çظ® Æ÷ÅÍ¿Í ºñ¹ÐÀÇ ¹æ(Harry Potter and the Chamber of Secrets)(1998) µî ¿µ¹Ì¹®Çп¡¼­ ½É½ÉÄ¡ ¾Ê°Ô µîÀåÇÏ´Â ¡®¾ÆÀÌÅÛ¡¯ÀÌÀÚ ¡®Å¬¸®¼Î¡¯ÀÔ´Ï´Ù. Çظ®Æ÷ÅÍ¿¡¼­´Â Ä¡·áÁ¦ÀÌÀÚ È¸º¹Á¦·Î ¼³Á¤µÇ¾î ÀÖÀ¸¸ç, È­ºÐ¿¡¼­ »ÌÈù ¸Çµå·¹ÀÌÅ©°¡ ¹öµÕ°Å¸®¸ç ºñ¸íÀ» Áö¸£´Â ½Ç»ç¸¦ Á÷Á¢ È®ÀÎÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. ¸¶Å°¾Æº§¸® ¶ÇÇÑ ¸¸µå¶ó °í¶ó(Mandragola)ÀÇ Àü¼³À» ¼ÒÀç·Î 1524³â µ¿¸íÀÇ Èñ°îÀ» ¹ßÇ¥ÇÏ¿´½À´Ï´Ù. ±×ÀÇ ÀÛÇ°¿¡¼­ ¸¸µå¶ó °í¶ó(Mandragola)´Â º¹¿ëÇÑ ¿©ÀÎÀº ¹Ýµå½Ã ÀÓ½ÅÇÒ ¼ö ÀÖ´Â ¡®»ç¶ûÀÇ ¹¦¾à¡¯À¸·Î ±×·ÁÁý´Ï´Ù. ¾ÆÀ̸¦ ¿øÇÏ´Â ºÎºÎ¿¡°Ô´Â õ±ÝÀ» ÁÖ°í¶óµµ »ç¾ßÇÒ ¸í¾àÀÌÁö¸¸, À̸¦ º¹¿ëÇÑ ¿©ÀÎÀº ¹Ýµå½Ã ¼º±³ÇÑ »ó´ë¹æÀ» Á×Àδٴ »ç¼ÒÇÑ(?!) ºÎÀÛ¿ëÀÌ ÀÖ½À´Ï´Ù. ÀÌ°°Àº È¿´ÉÀ» È°¿ëÇØ ¾ÆÀ̸¦ °®°í ½ÍÁö¸¸, °áÄÚ ¸ñ¼ûÀ» °É°í ½ÍÁö ¾ÊÀº ºÎºÎ¿¡°Ô ¾Æ¸§´Ù¿î ºÎÀÎÀ» ³ë¸®´Â »ç³»¸¦ (´ë½Å Á×µµ·Ï) ħ½Ç¿¡ µéÀ̶ó°í »ç±â Ä¡´Â °ÍÀÌ ÀÛÇ°ÀÇ ÁٰŸ®ÀÔ´Ï´Ù. ¹«·Á 16¼¼±âÀÇ Èñ°îÀÌÁö¸¸, 1970³â´ëºÎÅÍ ÇöÀç±îÁö ¹Ì±¹ ´º¿å°ú µ¶ÀÏ ¹ÀÇî, ¿µ±¹ ·±´ø µî À¯·´ ¹«´ë¿¡ ¿À¸£°í ÀÖ½À´Ï´Ù.

·Î¸¶»ç ³í°í(Discourses on Livy)(1531) : ¿øÁ¦´Â ƼÅõ½º ¸®ºñ¿ì½ºÀÇ Ã³À½ 10±Ç¿¡ ´ëÇÑ ³í°í(Discorsi sopra la prima deca di Tito Livio, Discourses on the First Ten Books of Titus Livy)·Î ¸¶Å°¾Æº§¸®°¡ 1513³âºÎÅÍ ÁýÇÊÇϱ⠽ÃÀÛÇÑ ÀÛÇ°ÀÔ´Ï´Ù. ¸¶Å°¾Æº§¸®´Â ±âÁ¸ÀÇ ¿ª»ç¸¦ ±Ù°Å·Î ÀÚ½ÅÀÇ ÁÖÀåÀ» °³ÁøÇÏ´Â ¹æ½ÄÀ¸·Î µ¶ÀÚ¸¦ ¼³µæÇÏ¿´´Âµ¥, ±ºÁÖ·Ð(The Prince)(1532)´Â 142Àå¿¡ ´ÞÇÏ´Â ·Î¸¶ ¿ª»ç°¡ ƼÅõ½º ¸®ºñ¿ì½º(Tito Livio)ÀÇ ·Î¸¶»ç ȤÀº ·Î¸¶ °Ç±¹»ç(Ab Urbe Condita Libri)¸¦ ±â¹ÝÀ¸·Î °¢°¢ÀÇ Á¤Ä¡Ã¼Á¦¿Í ÀÌÀÇ ´ÜÁ¡À» ³íÇÏ¿´½À´Ï´Ù. ±ºÁÖÁ¤ºÎÅÍ ±ÍÁ·Á¤, ¹ÎÁßÁ¤, ÂüÁÖÁ¤, °úµÎÁ¤(ÍûÔéïÙ), ±×¸®°í Áß¿ìÁ¤(ñëé×ïÙ)ÀÇ ¿©¼¸ °¡Áö Á¤Ä¡ üÁ¦(ïÙö½ô÷ð¤) Áß¿¡ °í´ë ·Î¸¶ÀÇ °øÈ­Á¤ÀÌ ¿Ö °¡Àå ¶Ù¾î³­Áö, ´ç´ëÀÇ ´ëÁß¿¡°Ô È£¼ÒÇÏ°í, ¼³µæÇϱâ À§ÇØ ÁýÇÊÇÑ ÀÛÇ°ÀÔ´Ï´Ù.

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-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
10°¡Áö Å°¿öµå·Î Àд ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®(Niccolo Machiavelli) by Á¶¸íÈ­ ÆíÁýÀå
01. ÇÇ·»Ã¼ °øÈ­±¹ÀÇ Á¤Ä¡ÇÐÀÚ °â »ç»ó°¡(1469~1527)
02. Àü¼ú·Ð(Art of War)(1521)
03. Èñ°î ¸¸µå¶ó °ñ¶ó(La Mandragola, The Mandrake)(1524)
04. ·Î¸¶»ç ³í°í(Discourses on Livy)(1531)
05. ±ºÁÖ·Ð(The Prince)(1532)
06. ÇÇ·»Ã¼»ç(Istorie Fiorentine)(1532)
07. ¸¶Å°¾Æº§¸® 3´ë ÀúÀÛ
08. ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®(Niccolo Machiavelli)¸¦ ¸¸³ª´Â 10°¡Áö Àå¼Ò
09. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®(Niccolo Machiavelli)
10. ´ÏÄÝ·Î ¸¶Å°¾Æº§¸®(Niccolo Machiavelli)ÀÇ ¾î·Ï(Quotes)(30)
´ÏÄÝ·Î ¸¶Å°¾Æº§¸®ÀÇ ±ºÁÖ·Ð(The Prince by Niccolo Machiavelli)(1532)
Introduction
Youth ¨¡t. 1-25?1469-94
Office ¨¡t. 25-43?1494-1512
Literature and Death ¨¡t. 43-58?1512-27
The Man and His Works
Dedication
The Prince
Chapter I. How many kinds of Principalities there are, and by what means they are acquired
Chapter II. Concerning hereditary Principalities
Chapter III. Concerning mixed Principalities
Chapter IV. Why the Kingdom of Darius, conquered by Alexander, did no rebel against the Successors of Alexander at his death
Chapter V. Concerning the way to govern cities or Principalities which lived under their own laws before they were annexed
Chapter VI. Concerning new Principalities which are acquired by one¡¯s own arms and ability
Chapter VII. Concerning new Principalities which are acquired either by the arms of others or by good fortune
Chapter VIII. Concerning those who have obtained a Principality by Wickedness
Chapter IX. Concerning a Civil Principality
Chapter X. Concerning the way in which the strength of all Principalities ought to be measured
Chapter XI. Concerning ecclesiastical Principalities
Chapter XII. How many kinds of soldiery there are and concerning Mercenaries
Chapter XIII. Concerning Auxiliaries, mixed soldiery, and one¡¯s own
Chapter XIV. That which concerns a prince on the subject of War
Chapter XV. Concerning things for which men, and expecially Princes, are praised or blamed
Chapter XVI. Concerning Liberality and Meanness
Chapter XVII. Concerning Cruelty and Clemency, and whether it is better to be loved than feared
Chapter XVIII. Concerning the way in which Princes should keep faith
Chapter XIX. That one should avoid being despise and hated
Chapter XX. Are Fortresses, and many other things to which Princes often resort, advantageous or hurtful?
Chapter XXI. How a Prince should conduct himself so as to gain renown
Chapter XXII. Concerning the Secretaries of Princes
Chapter XXIII. How flatterers should be avoided
Chapter XXIV. Why the Princes of Italy have lost their states
Chapter XXV. What fortune can effect in Human Affairs and how to withstand her
Chapter XXVI. An Exhortation to liberate Italy from the Barbarians
Description of the Methods adopted by the Duke Valentino when murdering Vitellozzo Vitelli, Oliverotto da Fermo, The Signor Pagolo, and The Duke di Gravina Orsini
The Life of Castruccio Castracani of Lucca
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)
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