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¿µ¾î°íÀü 057 Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(English Classics057 The Brothers Karamazov by Fyodor Dostoyevsky)

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µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)´Â ·¯½Ã¾Æ ¸Þ½ÅÀú(The Russian Messenger)(1879~1880)¸¦ ÅëÇØ ¿¬ÀçÇÑ ÀÛÇ°À¸·Î ±×ÀÇ 5´ë ÀåÆí(ÁË¿Í ¹ú, ¹éÄ¡, ¾Ç·É, ¹Ì¼º³â, Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé) Áß °¡Àå ¸¶Áö¸·À¸·Î ÁýÇÊÇÑ ÀÛÇ°ÀÔ´Ï´Ù. ±×ÀÇ ¹®ÇÐÀû ¿ª·®ÀÌ ÃÖ°íµµ¿¡ ´ÞÇßÀ» ¶§ ¿Ï¼ºÇÑ ÃÖ°íÀÇ ÀÛÇ°ÀÌÀÚ, ¼ûÀ» °ÅµÎ±â 4°³¿ù Àü¿¡ ¿Ï¼ºÇÑ À¯ÀÛ(ë¶íÂ)ÀÔ´Ï´Ù. ÀÛ°¡´Â Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)¸¦ º»µð 3ºÎÀÛÀ¸·Î °èȹÇÏ¿´À¸³ª, 1ºÎ¸¸À» ¿Ï¼ºÇÏ°í »ç¸ÁÇÔÀ¸·Î½á ºÎµæÀÌÇÏ°Ô ¿Ï¼ºµÉ ¼ö ¾ø°Ô µÇ¾ú½À´Ï´Ù. ¾Æ¸¶µµ ¡®¼¼°è¿¡¼­ °¡Àå À¯¸íÇÑ ¹Ì¿Ï¼º ¼Ò¼³¡¯ Áß ÇϳªÀÌÀÚ Á¸¼Ó»ìÇضõ Àΰ£ÀÇ ±Ý±â¸¦ ¼ÒÀç·Î ´Ù·é ¼Ò¼³ Áß °¡Àå À¯¸íÇÑ ¼Ò¼³ÀÏ °ÍÀÔ´Ï´Ù.

Á¦¸ñ ±×´ë·Î ¾Æ¹öÁö Ç¥µµ¸£ Æĺí·ÎºñÄ¡ Ä«¶ó¸¶Á¶ÇÁ(Fyodor Pavlovich Karamazov)¿Í ±×ÀÇ ¸º¾Æµé µå¸®Æ®¸®(Dmitri Fyodorovich Karamazov), µÑ° ¾Æµé À̹Ý(Ivan Fyodorovich Karamazov), ¼Â° ¾Æµé ¾Ë·º¼¼ÀÌ(Alexei Fyodorovich Karamazov)¸¦ Áß½ÉÀ¸·Î ÆîÃÄÁö´Â Ä«¶ó¸¶Á¶ÇÁ(Karamazov) °¡¹®ÀÇ À̾߱âÀÔ´Ï´Ù. ¾Æ¸§´Ù¿î ¾Æ±×¶óÆ䳪 ¾Ë·º»êµå·Îºê³ª ½ºº£Æ²·Î¹Ù(Agrafena Alexandrovna Svetlova)¿¡°Ô ¹ÝÇØ ¾Æ¹öÁö¿Í °æÀïÇÏ´Â Àå³², ÇüÀÇ ¾àÈ¥ÀÚ Ä«Å׸®³ª(Katerina Ivanovna Verkhovtseva)¸¦ »ç¶ûÇÏ´Â À̳², Àΰ£¿¡ ´ëÇÑ ²÷¾ø´Â ¾ÖÁ¤À» Ç°Àº »ï³²¿¡ ¾Æ¹öÁöÀÇ »ç»ý¾Æ ½º¸Þ¸£ÀÚÄÚÇÁ(Pavel Fyodorovich Smerdyakov)±îÁö... ¾ôÈ÷°í ¼³Å² Àΰ£ ±º»óÀÌ »î°ú Á¾±³, Àΰ£°ú Àΰ£, Àΰ£ÀÇ ³»¸é¿¡¼­ °í³úÇÏ°í °íÅë¹Þ´Â °úÁ¤ÀÌ ¹æ´ëÇÑ ¼­»ç½Ã·Î ÆîÃÄÁý´Ï´Ù. ¹ø¿ÜÀûÀ¸·Î ¼Â° ¾Æµé ¾Ë·º¼¼ÀÌ(Alexei Fyodorovich Karamazov)´Â ÀÛ°¡°¡ ÀÒÀº ¾î¸° ¾ÆµéÀÇ À̸§ ¾Ë·á»þ(Alyosha)¸¦ ºÙÀÎ °ÍÀ¸·Î, ¼Ò¼³ÀÇ ÁøÂ¥ ÁÖÀΰøÀÌÀÚ ±¸¿øÀÚ·Î ±×·ÁÁý´Ï´Ù. Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics)°ú ÇÔ²² ¾îÁ¦µµ, ¿À´Ãµµ, ³»Àϵµ ¸ÚÁø ¹®Çп©ÇàÀ»! B

¡°The world says: "You have needs -- satisfy them. You have as much right as the rich and the mighty. Don't hesitate to satisfy your needs; indeed, expand your needs and demand more." This is the worldly doctrine of today. And they believe that this is freedom. The result for the rich is isolation and suicide, for the poor, envy and murder.¡± "¼¼»óÀº ´ÙÀ½°ú °°ÀÌ ¸»ÇÕ´Ï´Ù. "ÇÊ¿ä´Â ÀÖ½À´Ï´Ù. ±×µéÀ» ¸¸Á·½ÃÅ°½Ê½Ã¿À. ´ç½ÅÀº ºÎÀÚ¿Í °­ÀÚ¸¸Å­À̳ª ¸¹Àº ±Ç¸®¸¦ °¡Áö°í ÀÖ½À´Ï´Ù. ÁÖÀúÇÏÁö ¸»°í ¿ä±¸ »çÇ×À» ÃæÁ·ÇϽʽÿÀ. ½ÇÁ¦·Î ¿ä±¸ »çÇ×À» È®ÀåÇÏ°í ´õ ¸¹Àº °ÍÀ» ¿ä±¸ÇϽʽÿÀ. ÀÌ°ÍÀÌ ¿À´Ã³¯ÀÇ ¼¼¼ÓÀûÀÎ ±³¸®ÀÔ´Ï´Ù. ±×¸®°í ±×µéÀº ÀÌ°ÍÀÌ ÀÚÀ¯¶ó°í ¹Ï½À´Ï´Ù. ºÎÀÚµéÀÇ °á°ú´Â °í¸³°ú ÀÚ»ì, °¡³­°ú ½Ã±â, ±×¸®°í »ìÀÎÀÔ´Ï´Ù.¡±

ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867)ÀÇ ¹è°æ, »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg) : »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg)´Â ½ÇÁ¦·Î ÀÛ°¡°¡ °¡Àå ¿À·¡ ¸Ó¹°¸ç ÁýÇÊÇÑ µµ½ÃÀÔ´Ï´Ù. Vladimirskaya(¬£¬Ý¬Ñ¬Õ¬Ú¬Þ¬Ú¬â¬ã¬Ü¬Ñ¬ñ) ÁöÇÏö¿ª ¹Ù·Î ¾Õ¿¡ ±×ÀÇ µ¿»ó°ú ¹Ú¹°°üÀÌ ÀÖÀ¸¸ç, ¼Ò¼³¿¡ µîÀåÇÏ´Â ÁÖ¿ä Àå¼Ò°¡ ¹ÐÁýÇØ ÀÖ¾î ¼¼°è °¢ÁöÀÇ ¹®ÇбâÇàÀÚµéÀÌ Áñ°Ü ã´Â ¡®¹®ÇÐÀÇ ¼ºÁö¡¯°¡ µÇ¾ú½À´Ï´Ù. µµ½ºÅ俽½ºÅ°´Â ÀçÁ¤ÀûÀÎ ¹®Á¦·Î »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg)¿¡ °ÅÁÖÇÏ´Â µ¿¾È ¹«·Á ½º¹« ¹ø ÀÌ»ó ¿Å°Ü ´Ù³æ½À´Ï´Ù. »óÆ®ÆäÅ׸£ºÎ¸£Å©ÀÇ µµ½ºÅ俽½ºÅ° ¹Ú¹°°ü(Dostoevsky Museum, ¬®¬å¬Ù¬Ö¬Û ¬¶. ¬®. ¬¥¬à¬ã¬ä¬à¬Ö¬Ó¬ã¬Ü¬à¬Ô¬à)Àº ±×°¡ °¡Á·°ú ÇÔ²² ¸Ó¹°·¶À» »Ó ¾Æ´Ï¶ó, ±×°¡ ¼ûÀ» °ÅµÐ °ø°£¿¡ ¸¶·ÃµÇ¾ú½À´Ï´Ù. ¡®¿ÀÈÄ 8½Ã 36ºÐ¡¯¿¡ ¸ØÃçÁø ½Ã°è°¡ ÀÖ´Â ¹æÀÌ ¹Ù·Î ±×°¡ ÁýÇÊ¿¡ ¸ôµÎÇÏ´ø ¼­ÀçÀÔ´Ï´Ù. 2021³âÀº µµ½ºÅ俽½ºÅ° ź»ý 200ÁÖ³âÀÔ´Ï´Ù. À̸¦ ±â³äÇØ ÁÖ»óÆ®ÆäÅ׸£ºÎ¸£Å© ÃÑ¿µ»ç°üÀÇ Áö¿øÀ¸·Î, »óÆ®ÆäÅ׸£ºÎ¸£Å©(Saint Petersburg) µµ½ºÅ俽½ºÅ° ¹Ú¹°°ü¿¡ Çѱ¹¾î °¡À̵尡 ¼³Ä¡µÇ¾ú½À´Ï´Ù.

¡°I used to analyze myself down to the last thread, used to compare myself with others, recalled all the smallest glances, smiles and words of those to whom I¡¯d tried to be frank, interpreted everything in a bad light, laughed viciously at my attempts ¡®to be like the rest¡¯ ?and suddenly, in the midst of my laughing, I¡¯d give way to sadness, fall into ludicrous despondency and once again start the whole process all over again ? in short, I went round and round like a squirrel on a wheel.¡± "Àú´Â Á¦ ÀÚ½ÅÀ» ¸¶Áö¸· ½ÇŸ·¡±îÁö ºÐ¼®ÇÏ°í, Á¦ ÀÚ½ÅÀ» ´Ù¸¥ »ç¶÷µé°ú ºñ±³ÇÏ°í, Á¦°¡ ¼ÖÁ÷ÇØÁö·Á°í ³ë·ÂÇß´ø »ç¶÷µéÀÇ »ç¼ÒÇÑ ´«±æ, ¹Ì¼Ò, ±×¸®°í ¸»µéÀ» ¶°¿Ã¸®°í, ¸ðµç °ÍÀ» ³ª»Û ½Ã°¢À¸·Î Çؼ®ÇÏ°í, '³ª¸ÓÁöó·³ µÇ·Á°í' ÇÏ´Â Á¦ ½Ãµµ¸¦ ¾Ç¶öÇÏ°Ô ¿ô°ï Çß½À´Ï´Ù. ±×¸®°í °©ÀÚ±â, Á¦ ¿ôÀ½ ¼Ó¿¡¼­, ½½ÇÄ¿¡ ºüÁ®µé°ï Çß½À´Ï´Ù. ¸»µµ ¾È µÇ´Â ÇãÅ»°¨¿¡ ´Ù½Ã ÇÑ ¹ø ¸ðµç °úÁ¤À» ´Ù½Ã ½ÃÀÛÇÕ´Ï´Ù. ÇѸ¶µð·Î, Àú´Â ¹ÙÄû ´Þ¸° ´Ù¶÷Áãó·³ ºùºù µ¹¾Ò½À´Ï´Ù.¡±

ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼­Å¬(Petrashevsky Circle)(1847~1849) : ¹ÌÇÏÀÏ ÆäÆ®¶ó¼ÎÇÁ½ºÅ°(Mikhail Petrashevsky)(1821~1866)°¡ »óÆ®ÆäÅ׸£ºÎ¸£Å©(¬³¬Ñ¬ß¬Ü¬ä-¬±¬Ö¬ä¬Ö¬â¬Ò¬å¬â¬Ô)ÀÇ Áý¿¡¼­ ¸ÅÁÖ °³ÃÖÇÑ ¹®ÇÐ Åä·Ð ¸ðÀÓÀ¸·Î, µµ½ºÅ俽½ºÅ°¸¦ ºñ·ÔÇÑ ´ç´ëÀÇ Àþ°í ¾ß½É¸¸¸¸ÇÑ ÀÚÀ¯ÁÖÀÇ Áö½ÄÀÎ(liberal intellectuals) - °ø¹«¿ø, ±ºÀÎ, ÀÛ°¡, ±³»ç, Çлý µîÀÌ ¸ð¿© ´Ù¾çÇÑ Á¤Ä¡Àû ÀÇ°ßÀ» ±³È¯ÇÏ¿´½À´Ï´Ù. ´ç½Ã ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼­Å¬¿¡ Âü°¡ÇÑ À̵é·Î´Â µµ½ºÅ俽½ºÅ°¸¦ ºñ·ÔÇØ ½ÃÀÎ ¾ÆÆú·Ð ¸¶ÀÌÄÚÇÁ(Apollo Maikov), ¿ìÅ©¶óÀ̳ª Å»ýÀÇ ÀÛ°¡ °â È­°¡ Ÿ¶ó½º È帮ȣ·ÎºñÄ¡ ¼Î¿ìþÄÚ(¬´¬Ñ¬â¬Ñ¬ã ¬¤¬â¬Ú¬Ô¬à¬â¬à¬Ó¬Ú¬é ¬º¬Ö¬Ó¬é¬Ö¬ß¬Ü¬à), ½ÃÀÎ ¾Ë·º¼¼ÀÌ Ç÷¹¼ÎÇÁ(Alexei Pleschev) µîÀÇ Àú¸íÀλ簡 ´ë°Å Æ÷ÇԵǾî ÀÖ½À´Ï´Ù. ±×·¯³ª, ÇÁ¶û½º 2¿ù Çõ¸í(February Revolution)(1848)À» ÁöÄѺ» ·¯½Ã¾Æ Á¦±¹ÀÇ È²Á¦ ÀÔÀå¿¡¼­ ¡®ºÒ¿ÂÇÑ Á¤Ä¡¼¼·Â¡¯ÀÇ ÀæÀº ȸµ¿Àº ¸¶¶àÄ¡ ¾ÊÀ» ¼ö ¹Û¿¡ ¾ø¾ú½À´Ï´Ù. ÀÌ¿¡ ´ÏÄݶóÀÌ 1¼¼ Æĺí·ÎºñÄ¡(¬¯¬Ú¬Ü¬à¬Ý¬Ñ¬Û I ¬±¬Ñ¬Ó¬Ý¬à¬Ó¬Ú¬é)´Â ±×µéÀÇ Çຸ¸¦ ¸é¹ÐÈ÷ °¨½ÃÇÏ¿´°í °á±¹ ºÒ¿Â¹®¼­¸¦ µ¹·Á ÀÐÀº °ÍÀ» ²¿Åõ¸® Àâ¾Æ 1849³â ÀÏÁ¦È÷ Âü°¡ÀÚµéÀ» üÆ÷ÇÏ¿´½À´Ï´Ù. 4°³¿ù°£ÀÇ È¤µ¶ÇÑ ½É¹® ³¡¿¡ Àü¿ø¿¡°Ô ÃÑ»ìÇüÀ» ¼±°íÇÏ¿´½À´Ï´Ù. ºÒ°ú 28¼¼ÀÇ ³ªÀÌ¿¡, »çÇüÀÇ À§±â¿¡¼­ °¡±î½º·Î ¸ñ¼ûÀ» °ÇÁø µµ½ºÅ俽½ºÅ°°¡ ´ç½ÃÀÇ Ãæ°ÝÀ» ¹ÙÅÁÀ¸·Î Á×À½ÀÇ ÁýÀÇ ±â·Ï(¬©¬Ñ¬á¬Ú¬ã¬Ü¬Ú ¬Ú¬Ù ¬®¬×¬â¬ä¬Ó¬à¬Ô¬à ¬Õ¬à¬Þ¬Ñ)(1860~1862)°ú ¹éÄ¡(¬ª¬Õ¬Ú¬à¬ä, The Idiot)(1869)¸¦ ÁýÇÊÇÑ °ÍÀº ±×ÀÇ ÀÏ»ý¿¡¼­ »©³õÀ» ¼ö ¾ø´Â Áß¿äÇÑ »ç°ÇÀÔ´Ï´Ù.

ÀÌÈÄ ½Ãº£¸®¾Æ ³²¼­ÂÊ¿¡ À§Ä¡ÇÑ ¿È½ºÅ©ÁÖ(¬°?¬Þ¬ã¬Ü¬Ñ¬ñ ¬à?¬Ò¬Ý¬Ñ¬ã¬ä¬î)·Î À̼Û(1850)µÇ¾î 4³â°£ °­Á¦ ³ë¿ª¿¡ ½Ã´Þ·ÈÀ¸¸ç, ´ç½Ã Á¢ÇÑ ½ÇÁ¸ Àι°ÀÇ À̾߱â´Â ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867)ÀÇ ¸ðƼºê°¡ µË´Ï´Ù. Ãâ¼Ò ÈÄ¿¡´Â ¼¼¹ÌÆȶõÄ¡½ºÅ©(¬³¬Ö¬Þ¬Ú¬á¬Ñ¬Ý¬Ñ¬ä¬Ú¬ß¬ã¬Ü, Semipalatinsk)¿¡¼­ 6³â°£ º¹¹«ÇÏ¿´½À´Ï´Ù. ±×°¡ ´Ù½Ã »óÆ®ÆäÅ׸£ºÎ¸£Å©(¬³¬Ñ¬ß¬Ü¬ä-¬±¬Ö¬ä¬Ö¬â¬Ò¬å¬â¬Ô)·Î µ¹¾Æ¿Â °ÍÀº 1859³âÀ¸·Î, ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼­Å¬(Petrashevsky Circle)(1847~1849)·Î ¶°³­Áö ¹«·Á 10³âÀÌ È帥 µÚ¿´½À´Ï´Ù. ÀÒÀº °Íµµ ÀûÁö ¾ÊÁö¸¸, ±×°¡ °ÞÀº °í³­°ú ¿ªÁ¤Àº ÀÛ°¡·Î½áÀÇ ¼ÒÁßÇÑ ÀÚ»êÀÌ µÇ¾ú°í ƯÈ÷ ¸¶¸®¾Æ µå¹ÌÆ®¸®¿¹ºê³ª À̻翹¹Ù(¬®¬Ñ¬â¬Ú¬ñ ¬¥¬Þ¬Ú¬ä¬â¬Ú¬Ö¬Ó¬ß¬Ñ ¬ª¬ã¬Ñ¬Ö¬Ó¬Ñ)(1824~1864)¸¦ ¸¸³ª °áÈ¥(1857)ÇÔÀ¸·Î½á ½É½ÅÀÇ ¾ÈÁ¤À» ãÀ» ¼ö ÀÖ¾ú½À´Ï´Ù.

¡°Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to a point that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love.¡± "¹«¾ùº¸´Ùµµ, Àڽſ¡°Ô °ÅÁþ¸»À» ÇÏÁö ¸¶¼¼¿ä. Àڽſ¡°Ô °ÅÁþ¸»À» ÇÏ°í ÀÚ½ÅÀÇ °ÅÁþ¸»À» µè´Â »ç¶÷Àº ÀÚ½ÅÀÇ ³»¸éÀ̳ª ÁÖº¯ÀÇ Áø½ÇÀ» ±¸º°ÇÒ ¼ö ¾ø´Â Áö°æ¿¡ À̸£¹Ç·Î ÀڽŰú ŸÀο¡ ´ëÇÑ ¸ðµç Á¸°æ½ÉÀ» ÀÒ°Ô µË´Ï´Ù. ±×¸®°í Á¸°æ½ÉÀÌ ¾ø´Â ÀÌ´Â »ç¶ûÇÏÁö ¾Ê°Ô µË´Ï´Ù.¡±

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-¸ñÂ÷(Index)-
ÇÁ·Ñ·Î±×(Prologue). Å׸¶¿©Çà½Å¹® TTN Korea ¿µ¾î°íÀü(English Classics) 101¼±À» Àоî¾ß ÇÏ´Â 7°¡Áö ÀÌÀ¯
13°¡Áö Å°¿öµå·Î Àд ǥµµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky) by Á¶¸íÈ­ ÆíÁýÀå
01. »çÇüÀ» ¼±°í¹Þ°í, ½Ãº£¸®¾Æ Çü¹«¼Ò¿¡ º¹¿ªÇÑ ·¯½Ã¾ÆÀÇ ´ë¹®È£(1821~1881)
02. ÆäÆ®¶ó¼ÎÇÁ½ºÅ° ¼­Å¬(Petrashevsky Circle)(1847~1849)
03. ÁöÇϷκÎÅÍÀÇ ¼ö±â(¬©¬Ñ¬á¬Ú¬ã¬Ü¬Ú ¬Ú¬Ù¬ì ¬á¬à¬Õ¬á¬à¬Ý¬î¬ñ, Notes from Underground)(1864)
04. ÁË¿Í ¹ú(¬±¬â¬Ö¬ã¬ä¬å¬á¬Ý¬Ö¬ß¬Ú¬Ö ¬Ú ¬ß¬Ñ¬Ü¬Ñ¬Ù¬Ñ¬ß¬Ú¬Ö, Crime and Punishment)(1867)
05. ¹éÄ¡(¬ª¬Õ¬Ú¬à¬ä, The Idiot)(1869)
06. ¾Ç·É(¬¢¬Ö¬ã¬í, Demons)(1872)
07. Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(¬¢¬â¬Ñ¬ä¬î¬ñ ¬¬¬Ñ¬â¬Ñ¬Þ¬Ñ¬Ù¬à¬Ó¬í, The Brothers Karamazov)(1880)
08. BBC ´ç½ÅÀÇ ¹Ð·¹´Ï¾ö(Your Millennium) À§´ëÇÑ ÀÛ°¡(Greatest Writer) 8À§(1999)
09. ·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1) ·¯½Ã¾ÆÀÇ À̸§(Name of Russia)(2008) 7À§
10. ·¯½Ã¾Æ ±¹¿µ¹æ¼Û ·Î½Ã¾ß 1(¬²¬à¬ã¬ã¬Ú¬ñ 1) µå¶ó¸¶ µµ½ºÅ俽½ºÅ°(¬¥¬à¬ã¬ä¬à¬Ö?¬Ó¬ã¬Ü?¬Û) 8ºÎÀÛ(2010)
11. Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky)¸¦ ¸¸³ª´Â Àå¼Ò TOP16
12. ¿Àµð¿ÀºÏ(Audio Books)À¸·Î µè´Â Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky)
13. Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°(Fyodor Dostoyevsky) ¾î·Ï(Quotes)(34)
Ç¥µµ¸£ µµ½ºÅ俽½ºÅ°ÀÇ Ä«¶ó¸¶Á¶ÇÁ°¡ÀÇ ÇüÁ¦µé(The Brothers Karamazov by Fyodor Dostoyevsky)(1880)
Part I
Book I. The History Of A Family
Book II. An Unfortunate Gathering
Book III. The Sensualists
Part II
Book IV. Lacerations
Book V. Pro And Contra
Book VI. The Russian Monk
Part III
Book VII. Alyosha
Book VIII. Mitya
Book IX. The Preliminary Investigation
Part IV
Book X. The Boys
Book XI. Ivan
Book XII. A Judicial Error
Epilogue
Footnotes
ºÎ·Ï(Appendix). ¼¼°èÀÇ °íÀüÀ» ¿©ÇàÇÏ´Â È÷Ä¡ÇÏÀÌÄ¿¸¦ À§ÇÑ ¾È³»¼­(The Hitchhiker's Guide to Worlds¡¯s Classics)
A01. ÇϹöµå ¼­Á¡(Harvard Book Store) Á÷¿ø Ãßõ µµ¼­ 100¼±(Staff's Favorite 100 Books) & ÆǸŵµ¼­ 100À§(Top 100 Books)
A02. ¼­¿ï´ë ±ÇÀåµµ¼­ 100
A03. ¿¬¼¼Çʵ¶µµ¼­ °íÀü 200¼±
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A06. ¼º±Õ°ü´ëÇб³ ¿À°Å¼­(çéó³ßö) ¼º±Õ °íÀü 100¼±
A07. °æÈñ´ë Èĸ¶´ÏŸ½º Ä®¸®Áö(Humanitas College) ±³¾çÇʵ¶¼­ 100¼±
A08. Æ÷½ºÅØ(Æ÷Ç×°ø´ë) ±ÇÀåµµ¼­ 100¼±
A09. Ä«À̽ºÆ®(KAIST) µ¶¼­¸¶Àϸ®ÁöÁ¦ Ãßõµµ¼­ 100±Ç
A10. ¹®Çлó ¼ö»óÀÛ ¹× Ãßõµµ¼­(44)
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